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Halloween Contest
These stories are the finalists in
our 2026 contest:

* Visitors by Gay Alson

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* The Shuffler by Koren Cowgill

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* Realistic Haunting Effects at 404 Maple Ridge Drive by Malina Douglas

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​* Engraving Holes by Scott Hallam

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* The Woman at the House on Hazel Street by Kassey Economou

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* Itches by Federico Pereyra

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* Sweet Treat by Laurence Almalvez

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* So It's Halloween,, And... by Zack Zagranis

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* What Grows in October by McKenna Morton

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* Trick-or-Treat by Craig Borri

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* A Good Host by Barb DeMoney

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* Pumpkin Wish by Tom Gdisis

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* Old Man Dean by J.L.R. Fesser

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* Trick-or-Treat by Alan Simms

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​* Chaperone by Hitha Santosh

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* Trick-or-Treat by Kamran Connelly

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* Tricked by Stephen Tenerowicz

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​* See the Bloodsucking Freak! Alive! Undead! by Nancy Bagato

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* Clyde by Selene Ibarra Rubio

Visitors by Gay Alson

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The children circulating throughout the suburban neighborhood created the usual cacophony of excited squeals. All manner of costumes disguised the young trick-or-treaters: there were robots and zombies and witches and wizards, as well as the usual Saturday-morning cartoon characters. Costumes ranged from elaborate, trademarked Disney personalities to modest homemade garb of gypsies and ghosts. The only thing the disguises couldn’t hide was the children’s delight in demanding and receiving sugary offerings from the various homeowners.

 

Two figures seemed oddly out of place--unusual on a night when the uncommon was common. They were small and entirely clothed in a stretchy, shiny silver material that covered their thin bodies from top to bottom, including slender, three-fingered hands.

 

Their smooth, hairless, triangular heads were disproportionately large atop their tiny bodies and seemed to be a true marvel of mask-making, as it was impossible to tell where their real heads left off and the masks began. No ears were evident and the faces featured small, pushed-in noses and lipless mouths barely visible above the diminutive, pointed chins.

 

Enormous dark, slanted eyes dominated the flat faces. The eyes were so reflective of the streetlights that any features of the orbs themselves were imperceptible.

 

"Wow, look at those kids!" exclaimed a young Harry Potter to his friends Wonder Woman and Frankenstein. All three children stopped to watch as the silver-clad duo walked up to the front door of a small bungalow. When the door opened, neither figure made the usual verbal demand but simply held up bags into which the bemused hosts deposited candy bars. The two small silver figures made odd movements reminiscent of bowing, as they backed away from the door. The homeowners stood for several minutes, watching in puzzlement as the strange beings turned to walk down the sidewalk to the next house.

 

"How can they fit into those costumes?" Wonder Woman asked. “Those are two skinny kids, that’s for sure!”

 

The three watched for a minute longer and then lost their fascination with the unknown children. It was more pressing to visit as many houses and acquire as much candy as possible before the newly enforced curfew. They knew they were lucky even to be allowed out this Halloween, given the recent disappearances. Some of their friends had been forbidden to go trick or treating at all this year.

 

As they wandered down the street to complete one final block of houses before the police were due to begin cruising the neighborhood to ensure that the kids went home by 8:00, they discussed the latest news.

 

“I heard Jason Bradford and his sister Wendy went missing yesterday after school,” offered the young Frankenstein, digging around in his plastic pumpkin for a candy bar. He withdrew one, unwrapped a chocolate slab and ate half of it in one bite.

 

“And they still haven’t found the Jamieson twins, have they?” asked Wonder Woman.

 

“I don’t think so,” said Harry Potter. “What’s it been now, a week? Bet they’re dead.”

 

“You’re just trying to scare us,” said Frankenstein, who, although the tallest of the three was, at 10, the youngest. He sounded frightened and glanced around nervously.

 

“Hey, where’d those two kids go?” asked Wonder Woman. “The ones dressed like space aliens. They were just down that block a second ago.”

 

The three peered in all directions but didn’t see anyone dressed like aliens. Uneasily, they decided to visit a few last houses and then go home, even if it wasn’t quite the 8:00 curfew.

 

During the first hour, several adults were visible in the neighborhood. Parental fears generated by the recent disappearances had led many of them to chaperone their children, particularly the younger ones. But now it seemed all the adults had taken their kids back home; there were only a sparse few costumed figures left on the sidewalks, all of whom were teens carrying cell phones, having sworn solemn oaths to call their parents if anything unexpected happened on this dark October night.

 

Within a short while, the streets were deserted. There was no one around to notice two small silver figures cutting down a darkened side street. They made strange gestures with their hands but didn’t communicate vocally.

 

There was only one house on the side street that still had its porch light on. It sat back from the sidewalk, partially obscured by tall trees and thick bushes. The two small beings approached, signaling to each other with their thin hands. The taller reached up to press the doorbell, a maneuver that, surprisingly, had turned out to be the biggest challenge of these Halloween costumes. Their mother was a talented seamstress but squeezing five fingers into three small cloth digits made it awkward to maintain any dexterity, particularly since neither child could speak but had to rely on sign-language.

 

Barely a moment later, the front door opened, the echo of the door-chime still fading.


A middle-aged man and his wife smiled broadly at the children. Exchanging pleased looks, they stepped back from the open door and in a universal gesture of invitation, motioned expansively toward the interior of the house. In the Earth-speak they had learned for this visit, one of them said “Come in, children! We have such wonderful treats for you!”

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For decades, Gay was a technical writer for a software company but at retirement she began concentrating on her first love: fiction. Before the "trues" went out of business, she was a regular contributor to that market. Since then, she enjoys writing fantasy of all kinds.

The Shuffler by Koren Cowgill

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It’s been a year already. Almost Halloween, his death-anniversary. You load decaying pumpkins on the wheelbarrow and push them to the end of the yard, then drop them over the fence. Animals might enjoy them as it grows colder when frosts harden the ground. The rustling sounds of their foraging comfort you as you try to sleep off your loss.

 

Your lover and his wife, Penny, also lived on Bucktail Avenue, several three-acre lots down from yours. Penny shot him, right on their front lawn in the blaring, mid-afternoon sunshine last Halloween. She confessed and went to prison, then killed herself. Don’t know how she did it. Their house has yet to sell.

 

You still sleep out on the deck in colder weather bundled in blankets on the lounge. And you wait, listening for the whispery shuffling sound his feet made as he moved through the fallen leaves, remembering when the gate latch would open and close, the slight clanking in the quiet night. You’d make yourself wait for his tall, lanky form to step into the lantern light.

 

But Penny knew. She must’ve.

 

Now, almost a year later, in the middle of the night, the air below freezing, when skunks and opossums and raccoons slumber in their dens, the sound returns, the stealthy shuffling sound, emerging through the thick quiet, disturbing the dead leaves.

 

Your heart leaps, and you present your case before the Universe—

 

—let him haunt me.

 

You spin scenarios of bliss in your head, the shade of him shuffling closer until you’re together—even that would be better than nothing, better than being alone. The first night the shuffling didn’t return, you lost hope.

 

A few months ago an idea struck you—a plan. You took matters into your own hands. In the attic, you rummaged through mold-encrusted boxes, wondering if you threw the board game away after that time it totally freaked you out. You’ve learned to do things alone, even that. You leaned over the Ouija board in the murky dimness, and dared to ask:

 

Will I die alone?

 

The planchette sped over the board, dragging your fingers with it, and you squeezed your eyes shut. When you opened them, you saw one of the candles had extinguished. The planchette rested on the word NO. Your hands shook, and you felt around for the flashlight, letting its unnatural glare bring you comfort. You tossed the Ouija board and its planchette in a box, where you hope they’d remain inert, collecting dust.

 

Until now—Halloween Night, a year after his murder.

 

When dusk arrives, you set up on the deck, guided by rays from the full moon. After fiddling with your phone for a while you light some candles and sit in front of the board, placing your fingers on the planchette.

 

Nothing.

 

I’d sell my soul to be with him.

 

You give up and return to your lounge and imagine his slender artist’s fingers gliding over your body, driven by his passion, and your imaginings continue until your watch says 2:42 AM. Then you rise and move to the board.

 

Ouija. In America, it’s pronounced weedgie. That makes you think of wedgies, and you crack a smile, readying yourself to ask another question.

 

Will he come to me?

 

Still nothing.

 

The numbers on your phone change to 3:00 AM. The planchette finally moves, and you tremble. It grates over the board with deliberate intent, landing again on the word NO.

 

No?

 

Then you hear it, and your heart flutters. The Ouija board must’ve been wrong. The shuffling sound moves through the forest, snapping twigs, and crunching desiccated leaves. You hear a voice, a voice that sounds like your lover’s.

 

“Run.”

 

What?

 

“Run,” he calls, this time more immediate, and intense, “Run for your life.”

 

The shuffling continues, then quickens, a steady treading.

 

“Run.”

 

His voice sounds so close you look toward the end of the deck, expecting to see him.

 

The treading escalates.

 

Fog spreads over the ground, rolls over the deck, and immerses you in its dingey green glow.

 

The wooden planks under you shudder with slow, thunderous stomping.

 

It can’t be him…

 

A surround sound effect circles a series of cackles through your entire body, and you cover your ears. When you remove your hands, you see they’re soaked with blood.

 

You can’t resist. Or scream.

 

And your eyes itch. You rub them, and look down. Smeared blood on your hands from your eyes weep red so you can’t see clearly.

 

Through a break in the fog a gray, spindly, clawed hand stretches toward you, grasps your hair, and yanks you into the dirty haze. The cackling continues.

 

A misshapen, leering visage with fiery eyes peers into yours.

 

She drags you off the deck and shuffles into the forest.

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Koren Cowgill received her undergraduate and doctoral degrees in Music Composition from the Eastman School of Music and her Master of Music from Yale. As a writer, Koren completed her first novel, The Final Months of Hoo-hah, in 2019. Her high fantasy novel, Teurith of Loring, is available on Amazon in eBook and paperback formats. In the fall of 2024, her short story, The Shuffler, was published in Hedge Apple Magazine’s Labyrinth issue. Koren lives in Cape May County with her husband, Richard, and their dogs, Saffron and Talea.

Realistic Haunting Effects at 404 Maple Ridge Drive by Malina Douglas 

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The door stood alone in the middle of a rice field. Rachel’s sandals slapped the packed dry dirt as she hurried towards it.

 

The sensation of heat dominated all others, soupy tropical heat that fried her mind as she scratched, trickling sweat and insect bites. Her orange-flowered blouse was stuck to her back; her hair had gone frizzy and her corduroy skirt couldn’t breathe in the heat. She longed to crawl out of her skin and back home. Yet she’d told them she needed this. Insisted. If only this door would take her away…

 

The wood was rich brown and glossy with varnish. Thick borders depicted lizards, bats and a human-headed tiger climbing to the lintel, where a large red face leaned down at her, with rounded cheeks, thunderbolt brows and wide lolling eyes. The mouth was open, face contorted in a grimace—either laughing or screaming, Rachel couldn’t tell which.

 

As she reached for the handle, the door flew open and brittle leaves gusted out on cold nutmeg-tinged air. 

 

Rachel inhaled, a wide smile spreading. Without another thought, she stepped through. 

Grey mist enveloped her. Cold air streamed past, stirring goosebumps on her arms. She shivered, releasing a long-repressed laugh.

 

Mist and cold air. That’s what she’d been dreaming of, when October found her among unchanging palm trees and she sat outside her bungalow, staring at the flowerbeds till she drifted away.

 

The mist thinned, and she was walking down Maple Ridge Drive, the livid orange leaves arching towards her. There it was, her own yellow clapboard house.

 

Steep sloping roofs, broad windows trimmed white. A pair of Jack-o’-lanterns lined the drive, one with a wide wicked grin, the other small and lopsided. Those hadn’t been there when she’d left. How did she—

 

She dashed forward. Wind gusted, teasing her with spices. She followed the scent round the side of the house. The kitchen window was open, and a figure stood at the stove.

 

“Cassie!”  

 

Her daughter did not look up.

 

Rachel darted through the open door. Cassie stood at the stove, stirring a pot of orange liquid as steam drifted up. 

 

“You can’t believe how hot it was in Bali. I was longing for home when I stepped through this door and—Cassie?”

 

She was peering into the pot as if it could tell her future. 

 

“That’s it…” she murmured. “I’ll tie string to the doors to slam them. But how can I make them shiver?”

 

“What are you talking about?”

 

Rachel reached for the girl’s slender frame and her hand passed through Cassie’s shoulder. Rachel stared at her hands, mist drifting off them. Through them, she could make out the grain of the floorboards. 

 

“No!” she called. “Cassie, why can’t you hear me? Can you see me?” 

 

She made a sharp motion towards the door, and it slammed shut.

 

Cassie whirled. Her look sliced straight through Rachel to the door. 

 

“Hey there, ghost! Can you repeat that effect for the haunted house tonight?”

 

“Cassie, it’s me!”

 

But Cassie stared past her, a grin tugging at her lips.

 

Rachel backed away till she reached the wall and passed through it. 

 

She ran up the drive towards the billowing mist and plunged in, seeking the door.

 

Dark silhouettes walked towards her. One in a pointed hat, another in a leotard with bat wings.

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Rachel stepped aside, her hands extended... there. That glossy dark wood—she grasped the handle, but her hand went through it. Transparent fists pounded the door as Rachel screamed and the mist drifted on in silence. 

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Malina Douglas weaves stories that fuse the fantastic and the real. She explores ruins, caves and jagged rocks that could be the homes of monsters, ghosts or trolls. Publications include Cast of Wonders, Night Shades, Neon & Smoke, Small Wonders, Wyldblood, Metastellar, Sanitarium IV, The Theatre Phantasmagoria and Parabnormal. Anthologies include Odin and Gilgamesh by FlameTree Press, Out of the Darkness by Wolfsinger Press, Underdogs Rise, From the Yonder IV, and A Krampus Carol. Find her on BlueSky or Substack at @iridescentwords or on her website, https://citrinesunstream.wixsite.com/iridescent/

Engraving Holes by Scott Hallam

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Between layers of nougat, my stainless-steel form awaits small hands, anticipating tiny teeth and lips.

 

But first, my origin story.

 

It began with a woman peeling a wrapper from a candy bar like she was flaying a deer, sliding me inside so that my sharp edges wouldn’t peek through the chocolate.

 

She lost a child last autumn. Her home tomb-like after her husband abandoned her soon after. Days of grief sharpened her sorrow, made it heavy, encased it in a hungry rage.

 

The mother fixed the damaged candy bar and then glued the wrapper shut. Only one bar. One small way to lash out at the world. Through pain, blood—and if she were lucky—death.

 

Tonight, she sits by her window and watches as the neighborhood fills with little ghouls and superheroes.

 

Even though I’m entombed in caramel, I sense witches and ghosts tottering up the driveway to the table decorated in orange and black, candy scattered invitingly.

 

So innocent, they don’t deserve my special gift. They take other options, and I’m relieved until the next gaggle of costumed children arrives.

 

Through the din of high-pitched “trick or treats,” I hear the baritone of a high schooler almost out of his teens, dressed in his football uniform. I feel the reverberations from his heavy footfalls.

A toddler cries as the oaf pushes his way towards the table, grabbing bars and tossing them into a stained pillowcase. But he skips my candy. I scream: Wait, the best choice remains!

 

As if hearing my pleas, he turns back, grabs the bar next to mine and then finally snatches my prison constructed from milk chocolate and peanuts.

 

As I tumble among the other goodies, my razor edge vibrates with expectation. Tonight, I long to be the trick as well as the treat.

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The Woman at the House on Hazel Street by Kassey Economou

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“Does somebody live there now?” Chris lifted his mask.

 

“I guess,” Ben answered, fiddling with the electrical tape holding together the torn fabric of his black cape.

 

The house at the end of Hazel Street sat alone atop a long, steep driveway. It had been unoccupied for years and was in staggering disrepair. But tonight, the house was illuminated in soft yellow.

 

“The porch light is on. Let’s go.” Chris started up the driveway.

 

Ben’s neck tingled. “Are you sure?” He held up his half-filled plastic bucket. “We’re making a decent haul already.” He looked up the hill, his voice small. “It’s so far.”

 

“Halloween!  Porch light!” Chris gently slapped Ben’s shoulder, smiling. “Let’s go meet the new neighbors.”

 

Ben was out of breath at the top of the stairs, but not Chris. He donned a charming smile and rang the bell.

 

An elderly woman answered in a floral housedress and dingy slippers. Her long, gray hair was pulled into a loose bun. She smiled severely, revealing small, yellow teeth. Her eyes were birdlike, her nose thin and hooked.

 

“What are you?” She looked them up and down, her pale tongue peeking from the corner of her mouth.

 

“I’m Deadpool.” Chris half-turned, showing off his costume.

 

“Ah,” said the woman, licking her lips. She drew a wet breath, then turned to Ben. When she did, her unsettling smile fell completely from her face.

 

Ben shivered. “Oh, uh, a vampire.”

 

She stared at him, expressionless. Ben picked nervously at the electrical tape.

 

“Well!” She clapped her bony hands and reached for a glass bowl by the door. She held it unsteadily in front of her. “Pick.”

 

Her eyes widened as Chris dipped his hand in the bowl. Suddenly, the bowl slipped from her grip and dropped several inches. Before Ben and Chris could tense up, she had snatched the bowl and righted herself with lightning-fast quickness. The boys froze. She flashed her black eyes at each of them, grinned, and shakily held the bowl out again.

 

They each grabbed a piece, thanked her, and high-tailed it back down the steps, even as she said something they couldn’t hear.

 

A werewolf met them at the bottom. “Chris. Stuck with little bro duty, I see.” The werewolf lifted his mask.

 

“Ollie.” Chris fist-bumped him. “Nah, Ben’s cool.”

 

“Finally, someone moved in,” Ollie said, then whispered, “maybe they’ll de-creepify the place.”

 

“Somehow I doubt it.” Chris patted his shoulder. “Good luck, man.”

 

Later, heading home with full buckets, Ben and Chris wordlessly watched the now-dark house on Hazel Street as they passed. Just then, the porch light clicked on.

 

A middle-aged woman appeared. “Boys!” She trotted down the long driveway, waving her arms.

 

Chris looked at Ben and shrugged. Ben cringed.

 

“Could I get your help moving a table? It’s too heavy for mother and me.” She licked her lips and rubbed her slim hands. “I’ve got brownies.”

 

She smiled oddly, her tongue visible from the corner of her mouth. Ben noted the family resemblance - same nose, same dark eyes. Same housedress? Similar, anyway.

 

“Of course.” Chris smiled charmingly.

 

“I’m Melina. You’re Chris and Ben.” She turned and marched up the hill.  

 

“Chris,” Ben muttered. Chris gestured for him to follow. Ben lagged a few feet behind, carefully peeling the tape entirely from his cape. He had a bad feeling. And a probably dumb idea.

 

As Melina showed Chris in, Ben hung back in the doorway. He depressed the latch bolt and placed his tape across it, trapping it inside the door.

 

Chris spoke rapidly, anxiously. “Where’s your mother? Is this the table? Where do you want it?”

 

Melina leaned back in a chair and crossed her legs. “Slow down. Have a brownie first.” She turned to Ben lurking in the entryway. “Come. Eat.”

 

Ben stepped toward the table, his intuition blaring. The brownies were dark, almost black, with a reddish hue.

 

Chris picked one up and examined it, frowning. “Is this, like, Red Velvet?”

 

“Mm-hm,” She answered sweetly, her tongue jutting in and out of her upturned lips. She looked back at Ben. Her smile dropped off her face abruptly, leaving her expressionless.

 

Ben’s heart quickened. His eye caught something like a small animal behind her next to a pewter vase. Then his eyes focused, sharpening the detail.  

 

It was a werewolf mask.

 

Time slowed as Ben drew air, filling his lungs. “Chris, don’t.” His voice was warped, dampened. He was too late.

 

Chris turned, his mouth filled with black sludge. They locked eyes. Frozen, he mouthed a silent command. Run.

 

Ben bolted. Before he reached it, the door swung hard, slamming closed in the jamb. Failing to latch, it bounced back to Ben’s open arms. He raced out into the night, catching Melina’s quiet swear behind him.

 

The police took Ben’s statement but found no one at the house on Hazel Street. No records documented a new occupant, and despite his mother’s constant interrogations, no one else had seen the house alight on Halloween night.

 

As winter swallowed fall, Ben took the long way to school to catch a glimpse of his brother’s face. As he did each morning, he kissed his fingers and tapped the poster affixed to the lamppost.

 

In homeroom, Ben was roused by an unexpected entrant - a girl, tall with long dark hair, clutching a binder to her chest. She had beady, dark eyes, a thin, hooked nose, and wore a wide smile.

 

Mr. Tanaka barely looked up when announcing, “Class, this is Mallory. New student.” He returned to the board.

 

Mallory scanned the room. Her smile was disturbing. Her pink tongue poked from her mouth.

 

Ben watched her glide between aisles and take an empty seat. From his vantage, he saw her painfully wide smile remain in place as her skinny fingers carefully opened her binder.

 

Her head turned slowly on a swivel. Ben stared fiercely at the familiar girl. When their eyes met, her smile dropped hard from her face.

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Kassy is a full-time mom and part-time writer of short fiction, flash fiction, essays, blog posts, and science/technical writing. Her fiction work, her most favorite work, is featured mostly under a pile of rejection notices. And yet, she's an optimist.

Itches by Federico Pereyra

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He pulled the straw from his belly button until his arm was fully extended, but there was still more inside him. The yellow strands came out in clumps, warm and damp, like something that had been growing in the dark of his guts for the whole week.

 

“Stop doing that!” his mother said.

 

“I want to take it off,” Justin said.

 

Silence swallowed the kitchen.

 

“Mommy, I want a different costume. Please,” he said. “This one is really itchy.”

 

“It’s the one you have to wear,” she said, her voice thin. “Just like your brother had to.”

 

His mother adjusted the costume. The touch sent shivers down her spine.

 

“I miss Tommy,” the boy said.

 

She nodded, biting her lower lip. Desperate to hide the lump in her throat, she looked away and began peeling potatoes with a violence that wasn’t hers. That masked the tears that were escaping. She couldn’t bear to see a son of hers in that costume. Not again.

 

They ate dinner in silence. Tommy’s empty chair was there—though his mother still set a plate for him: “He’s still with us,” she would say.

 

Everything finally fell apart for the Wrights few days earlier, on October 25th, during the elementary school’s annual drawing. That morning, neither had mentioned it, but both felt that happiness was about to return to the family after a whole year of waiting.

 

The scarecrow costume and the wooden box sat in the center of the gym, just as always. The principal reached into the box. He pulled out a slip of paper and read aloud: “Justin Wright.”

 

The silence was devastating. No one could even feel the relief of having lost. The prevailing sensation was the same: “Twice in a row.”

 

That very afternoon, he had to wear the costume for the first time. “It’s to get used to it,” his mother said. As soon as he put it on, the straw pressed against his chest and back. Justin felt the costume shifting, molding itself to his shape. The itching began almost immediately.

 

With every passing hour, he could feel the straw tips growing inside, struggling to pierce his skin and break through to the surface.

 

The day before Halloween, Justin asked his mother if they could go for a walk. He felt deep down that the only way to stop the costume’s pain was to walk through the park.

 

With every step he took, his body emitted a faint rustling sound. Justin’s breathing sounded like the wind blowing through dry straw.

 

The older kids in town knew. When they saw the boy in the scarecrow costume walking through the neighborhood the week before Halloween, they grabbed their younger brothers and sisters and pulled them away.

 

“Is that him?”

 

“Don’t look.”

 

The only one who didn’t back away upon seeing him was Jim, “the fool”. Jim, his face pockmarked with acne scars, stared at him with the vacant expression that had earned him his nickname. When his mother saw Jim, she couldn’t hold back a sob. That was the first time Justin felt fear. When he understood, he looked toward the center of the town park. There, the town’s scarecrow stood out, even amidst the many decorations and pumpkins. The itching worsened and he could see tiny bits of straw tearing out from beneath his fingernails.

 

By Halloween evening, he could barely speak. He made only a raspy sound, choked by the straw growing in his windpipe. The mask had fused to his face.

 

Mr. and Mrs. Wright took their little boy by the hand and walked with him to the square. The streets were crowded. The other children —wearing Halloween costumes and carrying pillowcases full of candy— froze when they saw the little scarecrow. No one dared to say “trick or treat” near them.

 

They walked on until a group of teenagers sounded the warning.

 

“He’s coming.”

 

On the streets, the adults stopped talking. The children stopped running. Everyone cleared the way to let him pass. Justin let go of his parents when he saw him arrive.

 

From the center of the park, a boy walked along the path lined with pumpkins, his clothes torn. He stared ahead with an absolute, terrifying vacancy. The skin of his face was mottled with spots that looked like healing scars, though they would never fully go away. Tommy walked calmly, with the same grace he had possessed in the past. He coughed and spat out dry, rotted straw on the street until none remained inside him.

 

Halfway there, he stopped in front of the boy in the scarecrow costume who had approached him. Tommy scratched himself listlessly with both hands and said:


“It’s itchy.”

 

Mr. and Mrs. Wright waited stiffly at the far end of the sidewalk, holding hands. This time, no one expected them to run and embrace their returning son. The Wrights had to watch their eldest son slowly make his way back, while right behind him, their youngest son lost every trace of his identity, yearning to walk toward the platform where the town scarecrow had stood just moments before.

 

A suffocating gravity drew Justin to the center of the square. He climbed onto the platform his brother had just vacated. He looked up at the empty post. The pain worsened, yet his rigid features could not betray it. The costume peeled away like dead skin and fell to the ground. Beneath it, nothing of Justin remained —only the fibrous network the costume had been cultivating all week, weaving through his marrow, replacing blood with straw.

 

Without a word, the scarecrow climbed the wooden post, driven by absolute certainty: everything would be better once he was up there, keeping watch.

 

The townspeople watched, just as they did every year. Some lifted their children up so they could see this year’s chosen boy settle into place, extend his stiff arms to his sides, and stare into the darkness with a vacant smile.

 

Beneath him, Halloween went on.

​

Federico Pereyra (1992) is from Mar del Plata, Argentina. Has published flash fiction in digital media from Argentina, Mexico and Colombia. Has been published in folk horror and cosmic horror anthologies. He got the 8th place in cosmic horror contest with the story "La noche sin estrellas" ("The Starless Night") and his story "Perfecto" (Perfect)was one of the five winners of the Editorial Thelema contest, both of them became part of their respective anthologies.

Sweet Treat by Laurence Almalvez

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My name is Nancy, and my family lives at the end of Hooper Lane. Halloween is my favorite time of the year because of the decorations, costumes and THE CANDY.

 

I love candy. It’s sweet and some are wrapped in pretty, shiny foil. Some even have special Halloween packaging that makes the candy look like it’s wearing a costume.

 

We always wait until it’s dark to go trick-or-treating, to visit Romeros' house. It’s the most decorated house on the block. I can see the light beams moving back and forth, lighting up the sky from my window. Some of the neighbors complained, but I don’t mind.

 

Tonight, we’re having spaghetti for dinner. My dad loves horror movies, so he purposely makes a mess while eating his spaghetti. The sauce drips from his mouth like blood, and he wails and groans while chewing on the meatballs with large, exaggerated bites. I think it’s funny, but Mom gets mad at him for always making a mess. She thinks I’m too young to see such “awful” things.

 

Ding-dong.

 

The first trick or treaters of the night are here! I scoot my chair to get a better look at the front door from the table. My mom puts on her cat ear headband and opens the door with a big bowl of candy in-hand. A witch, a skeleton, and a pumpkin-man greet her with their pails and pillowcases. Their costumes are nice, but I can’t help but think that everyone will REALLY love my costume. Mom tells them to take one piece of candy.

 

Dad says to me, “if you don’t want the rest of your dinner, I’ll eat it, so you can go change.” I plop the rest of the spaghetti onto his plate, causing some of the sauce to splash on his shirt. He sees the look of shock on my face. “I’m so sorry, Daddy. I didn’t mean to make a mess.”

 

He looks at the sauce and slowly looks up and says, “BRAINS,” and chases me down the hall to the stairs. My mom watches as I scream and run upstairs. Dad casually walks up to her, grabs a random piece of candy, and says, “what?” as he unwarps it. “She was done eating,” he says through a mouthful of caramel.

 

Mom hands Dad the bowl of candy. “I’ll help her get changed; you’re on candy duty.
 

Mom made my costume this year. She described the dress as having a cherry-red bodice with a gold ruffled petticoat. I don’t know what that all means. All I know is that I think the dress looks amazing.

 

Ding-dong.

 

“Nancy get back here! We need to finish your costume,” Mom says as I rush to the window to see the family at the door. The little boy is dressed as a box of fries, his mom is dressed as a bottle of ketchup, and his dad was supposed to be mustard, I guess – his costume was basically a yellow shirt with a matching yellow cone on his head. Their wiener dog was also dressed up as a hot dog. “OH MY GOD!” I exclaim. They really must like fast food. I wish my family was doing a group costume like that. I can hear my dad say everyone can grab one piece of candy.

 

I ran back to Mom. She puts a sash over me that had Lindt’s written in cursive. Looking in the mirror, I scream, “I LOVE IT!”

 

Mom smiles. “I almost forgot. There’s one more thing you’ll need to complete the look.” She opens a little box. She places a gold pillbox hat on my head and unfolds the gold veil that goes around the whole hat and stops just past my eyes.

 

Tears well up in my eyes. I hug my mom with the tightest hug.

 

“You’re our little, sweet treat,” Mom says. “Dad and I are going to finish up clearing the dinner table, then we’ll go trick or treating. Okay?”

 

I nod excitedly.

 

Mom and Dad are doing the dishes, and I can hear Mom playfully scream as my dad sprays her with the sprayer hose.

 

Ding-dong.

 

“I’ll get it,” I say.

 

Mom shouts, “remember!”

 

I say, “I know. I know. Only one piece of candy.”

 

Opening the door, a towering figure stands over me. I ask, “What are you supposed to be?” The figure doesn’t respond. He just cocks his head and stares at me. I tell him, “I’m a piece of chocolate,” as I swish the frills of my dress. I hold out the bowl; I tell him he’s allowed to take one piece of candy. His eyes comb over the candy in the bowl and dart back at me.

 

Mom and Dad hear a loud thud. “Honey are you okay?!” Mom asks from the kitchen. She rounds the corner saying, “baby, are you ready to go trick or treating?” The door creaks open, left ajar. There’s candy splayed out on the floor, as the empty bowl wobbles back and forth finally coming to a stop.

 

The whole neighborhood hears Mom’s scream.

​

Laurence Almalvez has written movie reviews, news articles, and editorial pieces for The Hollywood Reporter and blog sites such as the Big Comic Page. He discovered a passion for storytelling and exploring various genres and tropes through numerous discussions on the Geeks Unleased podcast on YouTube or just standing around outside the theater talking about the latest movie of the week. His love of horror movies has inspired him to take the plunge into fiction writing with “Sweet Treat,” a story that explores situational terror in the mundane.

So It's Halloween, And... by Zack Zagranis

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—you end up going to the stupid, haunted corn maze with Kelley and Brad and Brad’s friend because you have nothing else to do. Not since you stopped trick-or-treating two years ago after Mr. Henderson kept peeking down the front of your costume, even though he's in his 50s and as far as you're concerned just looking at a 15-year-old girl when you’re that old is a crime.

 

You’re waiting in line to buy a ticket and the cold October breeze is cutting right through the thin cardigan you’re wearing, but it’s covered in jack-o-lanterns, so you couldn’t not wear it, and Brad’s friend is giving you a guilty smile because he knows you saw him checking you out, and you wish you could remember his name because he’s kind of cute, but you’re drawing a blank so you just smile back.

 

The ticket guy is calling “Next!” and you’re handing him a $20 bill and gagging on his rancid tuna breath, but you feel bad so you cover it up with a cough but he’s not paying attention because he’s busy licking his cracked lips and flashing his dirty yellow teeth at you and its nauseating so you turn and follow the others into the maze before you vomit.

​

***

 

The maze is so bad you’re considering asking for your $20 back but first you have to make it all the way through this foggy cornfield without slitting your wrists, which is going to be impossible if they keep playing the “Monster Mash” on a loop. And now you’re passing a bored zombie who’s watching a video on his phone and mumbling something about eating your brains, and somebody's saying, “this place has a pretty loose definition of haunted,” and you’re chuckling in agreement.

​

***

 

You’re backtracking after turning down another dead end and your blisters are getting blisters because you’re wearing your Chucks and they have no arch support but they do have Michael Myers on them and Brad’s friend is stopping in front of a scarecrow to take a leak and he’s telling you and Kelly and Brad to go on without him, he’ll catch up later.

 

So now it's the three of you, walking for what feels like hours and getting no closer to the exit, and it’s weird you aren’t seeing or hearing anyone else walking around, and your feet are killing you and you forgot to charge your phone last night so you have no idea what time it is but you’re thinking Brad’s friend, what’s-his-name, should have caught up to you guys a long time ago and you’re asking Kelly and Brad what time it is but they’re not answering.

 

And you’re turning around and they're not there and you’re telling yourself that they're off somewhere nearby making out but you’re calling Kelly’s name and getting no response and you’re freaking out because the wind is rattling the cornstalks and your bones are trying to jump out of your skin. Something behind you is groaning, and falling, and hitting the ground with a thud and you’re spinning around, and a scarecrow is laying on the ground beneath a makeshift cross, and it’s sitting up and you’re running.

 

You’re running and your lungs are burning and the knee you busted playing softball last year is aching, and you’re running some more. You’re slowing down, and you’re gulping big, sloppy mouthfuls of air, and the scarecrow is stumbling around the corner and heading right for you and you’re looking around for a weapon, and not finding anything.

 

The scarecrow is laughing, or it’s crying, but it’s getting closer and your foot is slamming into its groin, and it’s dropping to the ground, moaning and reaching out with a gloved hand and you’re crushing it under your sneaker it, and wincing at the snapping, crackling, and popping. The scarecrow is wailing and you’re running back the way you came, and your eyes are filling with tears and you’re not seeing the rock in your path until it’s too late.

 

You’re lying face down in the dirt, and the scarecrow is crawling toward you and you’re feeling around for a rock and finding a jagged piece of brown glass instead and you’re stabbing the scarecrow in the face, plunging the glass into its cheek and pulling down, tearing through burlap and muscle, shredding tendons and fat. Squealing like a stuck pig, the scarecrow is ripping the mask from its face and large patches of skin with it.

 

And you’re gasping because it's the ticket guy, but someone stitched his cracked lips together with black thread and he’s pointing at something behind you and you’re turning your head and a shovel is flying at your face–

​

***

 

—and you’re opening your eyes and the sun is coming up, or it’s going down, and your head is throbbing like a rotten tooth and Brad is standing next to a pile of bodies, sewing Kelly’s lips together, except those aren’t Brad’s eyes, and it almost looks like Brad’s friend is wearing Brad’s face as a mask. Your concussed brain is coming around and you’re yelping in realization and not-Brad is turning around and stretching Brad's lips into a grotesque smile and your eyes are rolling back in your head and—

​

***

 

—you’re waking up again and the sun hasn’t moved, and not-Brad is stuffing Kelly into a pair of straw-filled pants and you're screaming, and Brad’s friend is slapping his hands over his ears and twisting Brad’s face into a frown. He’s kneeling down next to you and holding up a sewing needle crusted with blood and placing his finger under your chin and lifting your face until the two of you are eye to eye, and something clicks in your memory and the last word that comes out of your mouth is, “David!”

​

Zach is a New Hampshire writer of horror/satire/everything in between. He has had several short horror stories published in anthologies from Black Hare Press, Creature Publishing, and Sinister Smile Press. In addition, He has been published twice in the Stygian Lepus literary magazine and was the winner of the 2025 Flash Phantoms' Halloween Contest. He also occasionally writes satire for The Hard Times.

What Grows in October by McKenna Morton

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“C’mon, baby, you start carving this one while I go make us caramel apple sodas,” my mother said, grabbing my pumpkin and setting it on top of the newspaper.

 

“Okay. Should I go for something scary or funny?”

 

“It can be whatever you want,” she yelled from the kitchen.

 

I nodded to myself and grabbed the bigger carving knife, pressing the tip into the orange flesh along the dotted line she had drawn earlier. Up and down. Up and down.

 

The knife sank easily into the pumpkin, making a soft, wet sound each time it broke through the flesh. Occasionally, I wiped the blade on my pants. Mom would be annoyed about that. I’ll do the laundry for a week to make it up to her. When I finished cutting the circle, I put down the knife and grabbed the stem.

 

“Damn.”

 

It wouldn't budge. I pulled harder. The pumpkin shifted underneath my hands, scraping against the newspaper. I pulled again until something inside made a quiet, squelching sound. I froze. Then the top came loose. I smiled nervously.

 

“Got you.”

 

I lifted the lid and screamed. The inside wasn't orange. At first, I thought the pumpkin was rotten. Then I leaned closer. There were seeds scattered across the bottom, but they weren't seeds. They were teeth, lots of them; Small ones, big ones, molars, and incisors. Some were stained yellow. Others were pink at the roots, as if they had been pulled from a mouth only moments ago.

 

“What the fuck?” I dropped the lid.

 

“Mom!”

 

“I’m almost done!” she called from the kitchen. I stared at the pumpkin. One of the teeth rolled slowly through the pulp and stopped against the edge. I backed away across the porch.

 

“Mom!”

 

“I said I'm almost done,” she shouted back, but I heard her walk upstairs.

 

Where the fuck did this pumpkin come from? I looked at my mom’s pumpkin and grabbed it. I had to know if it was just mine that was wrong.

 

I started cutting. The knife slipped again and again. My hands were shaking so badly I nearly cut my finger. Finally, the top fell away and I stared inside. There were no seeds or strings or pulp. There were intestines. Warm, glistening loops curled inside the hollowed pumpkin, steaming faintly in the cold October air. They were pink and red and slick with something darker that pooled at the bottom. I gagged.

 

“Mom!”

 

Nothing. I looked at the pumpkins sitting in front of me, both full of things that should not have been inside them. I ran to the kitchen and grabbed my mother's keys from the hook. I had only had my license for a month, but I had to see. I needed to see. I passed by the stairs, and I could hear the shower upstairs running.

 

I ran outside and grabbed the carving knife from the porch and practically sprinted down the stairs. In the car, I sped down the road, blowing through stoplights and stop signs. My hands were sweating so badly that the steering wheel kept slipping beneath them. Red and blue lights appeared behind me.

 

Shit. Not now.

 

I kept driving. The sirens got louder but I ignored them. I pulled into the grocery store parking lot and jumped out. Rows of pumpkins sat outside the entrance, dozens of them. I ran toward them and grabbed the first pumpkin. I sunk my knife into the flesh, three cuts and then I pulled the top off and gasped.

 

Eyes. Human eyes. Dozens of eyes were staring up at me, all different colors and sizes. One was still blinking. I dropped the pumpkin.

 

“Ma’am! Put the knife down!” I turned. A police officer stood several feet away with his gun pointed at me.

 

“I can't.”

 

“Put the knife down.”

 

“I have to find out.”

 

“Ma’am, put it down!”

 

I grabbed another pumpkin and cut it open. There were lungs. They slid onto the concrete with a wet slap at my feet. I screamed.

 

The officers shouted something behind me, but I couldn't understand them. I moved to the next pumpkin.

 

“Stop!”

 

I stabbed the knife into the top and pulled. The pumpkin split open. A heart sat inside, a real heart. And it was beating.

 

Thump.

 

Thump.

 

Thump.

 

I picked up the pumpkin.

 

“Look!” I held it toward the officers. “Look at it!” They stared at me. “It's a heart!” Nobody moved. “Don't you see it?” The heart beat again.

 

Thump.

 

“It's still alive.” I yelled.

 

One of the officers raised his weapon.

 

“Put the knife down.”

 

“Why don't you believe me?”

 

“Drop the knife.”

 

“There's a fucking heart in here!”

 

“Put it down!”

 

I took a step forward. The heart beat again.

 

Thump.

 

I took another. “Look at it!”

 

“Stop!”

 

“Why won't you believe me?”

 

The officer's finger tightened.

 

Bang.

 

When I opened my eyes, I was lying on the pavement. My body was burning and blood soaked my shirt. The pumpkin had rolled beside me, and the heart was laying on my stomach, still beating.

 

Thump.

 

Thump.

 

Thump.

 

SIXTEEN-YEAR-OLD GIRL KILLED AFTER POLICE SHOOTING OUTSIDE LOCAL GROCERY STORE

A sixteen-year-old girl was shot by police officers yesterday evening after advancing toward them with a knife outside a local grocery store. According to police, the girl had been frantically cutting open pumpkins outside the store and looking inside them while repeatedly shouting that nobody believed her. She was transported to Green County Hospital Center, where she later died from her injuries. Officers say that after the girl was shot and no longer posed a threat, they inspected several of the pumpkins she had opened. Police report finding nothing unusual inside them, only seeds and pulp.

 

The girl's family has declined to comment. Neighbors, however, report that police returned to the family's home early this morning. They removed two pumpkins from the front porch. Both had been carved open. Neither contained anything at all.

​

McKenna Morton is an Illinois-based writer and student. Her work has been featured in Grassroots Literary Magazine. She is currently working on her B.A. in German language and Creative Writing. In her free time she likes to read, write, and browse the new releases section of her local record store.

Trick-or-Treat by Craig Borri

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The three girls in musketeer costumes stared at the darkened house. They saw two stories of creaking shutters, rotting wood and peeling paint. The wooden slats hanging from the roof of the wrap-around front porch resembled rotted teeth.

 

A round turret with a pointed roof rose above the porch, surmounted by a rusted weathervane of, appropriately enough, a witch on a broom. The path from the gate in the dilapidated picket fence wended through a yard overgrown with brambles and weeds, past looming trees with claw-like branches. A feeble light shone over the door.

 

“Any idea who lives here?” Tracy asked.

 

“None,” said Jenna. “They moved in a couple weeks ago, but nobody ever sees them.”

 

“Probably a serial killer,” said Alice. “Maybe an ax murderer. Maybe both.”

 

 “Could be someone who just doesn’t like to mow their lawn,” said Jenna.

 

“No, I’m thinking ax murderer.”

 

“Why would somebody murder an ax?”

 

“No, I meant…,” Alice started to say, then saw Jenna’s grin. “Ha. Ha. Very funny. You and your sense of humor.”

 

“So, are we going up or not?” Jenna asked.

 

“Or not,” Tracy said. “I don’t need candy that badly.”

 

“Come on guys, we’re in the fifth grade,” said Jenna. “We’re not babies.”

 

“Yes, you are,” said a voice behind them that made them jump. They turned and saw Troy and his sidekick Rick, two smirking sixth grade boys.

 

“You’re all a bunch of little babies who won’t go up to the creepy house,” Troy mocked, trading his smirk for a sneer.

 

“Okay, brave guy,” said Jenna. “Let’s see you go up.”

 

“I already did,” he said with a shrug.

 

“Yeah, try again Troy,” Alice said. “We saw you two from across the street. You didn’t even open the gate.”

 

“Are you spying on me now?” he asked, falling back on righteous indignation.

 

“It’s a public street, dork,” Jenna said, rolling her eyes. “Now, are you going up, or not?”

 

All three girls stared hard at Troy. He shuffled his feet as he looked from one to the other, then squared his shoulders and adjusted his pirate hat.

 

“Fine, we’ll go up. Come on, Rick.”

 

“Yeah, I don’t think so.” Troy rounded on him.

 

“You’re not going with me?”

 

“You got yourself into this, bro. Don’t worry, if you get stabbed or mutilated, I’ll take care of it. I am a doctor,” he said, pointing to his costume. The girls giggled.

 

“Some friend you are.”

 

“A living friend. That’s the best kind.”

 

“Fine, I don’t need you!” He turned, pushed open the gate, and strode confidently up the walk. His confidence lasted about halfway to the house, when he suddenly stopped and spun to his right.

 

“Not getting scared, are you Troy?” Alice called.

 

“There’s something moving in there.” He started sideways up the walk, then spun around. “There’s something out there, too.”

 

The next thing they knew, he came tearing back towards them, a wild look in his eyes. “Something grabbed me! Something grabbed my leg!”

 

“Oh, come on. Seriously?” Jenna asked.

 

“Yeah, seriously. You go up. I’m done.” He sprinted off. Rick gave them an uneasy look, then followed.

 

“Do you think something really grabbed him?” Tracy asked.

 

“I don’t know. He looked pretty…wait, what’s that?” Alice asked, pointing. A spectral, yellow glowing face stared at them through the faded curtains of a turret window. It floated for a moment, then vanished.

 

“Okay, that was weird, right?” said Tracy.

 

“Yes.”

 

“Definitely.”

 

“Let’s leave.”

 

“No way, guys,” said Jenna. “It’s probably just a Halloween decoration. We need to go up together.”

 

“Seriously?” asked Alice.

 

“Seriously. We’re the Three Musketeers. All for one, and one for all.”

 

“The musketeers had swords,” Tracy muttered.

 

“We have goody bags. Come on.” Jenna went through the gate. Her friends looked at each other, then followed.

 

The overgrown yard forced them to walk single file. The full moon’s light made every shadow menacing. Silence reigned except for the squeaking of the weathervane, and the rattle of leafless tree branches. Halfway up, squeaking sounded to their left, followed by grass rustling. They huddled together, staring into the darkness.

 

“Was that rats?” asked Tracy. “I hate rats.”

 

“If it was, they won’t hurt us,” said Jenna. “Everyone knows a rat only fights when it’s cornered.”

 

“Who’s everyone?”

 

“Well, you know, everyone. Let’s keep moving.” They only took a few more steps when they heard hissing.

 

“Eww, snakes!” Tracy yelped. “There’re snakes in there!”

 

“Good, they’ll eat the rats,” Jenna said. “Now, come on.”

 

Bushes rustled to their right. They spun to see branches moving. A faint phosphorescent glow lit the bottom of the leaves, and a low growl sounded.

 

“That’s it, I’m out of here,” Tracy said, and bolted for the gate. Alice ran after her.

 

“Oh, come on, come back,” Jenna called, but they were already across the street. Jenna turned towards the house and gritted her teeth. She started forward.

 

“Jenna, don’t go up there,” Alice yelled, but Jenna kept going.

 

Heard more rustling.

 

Ignored it.

 

Ignored the skittering.

 

Ignored the moaning.

 

Mounted the creaking steps.

 

Knocked.

 

The door groaned inward, revealing stygian darkness. A white skull, glowing with a leprous light, floated from behind the door.

 

“T-t-rick or Treat.”

 

“Congratulations, kid.” The figure pulled off the skull mask and black cloak to reveal a grinning guy who looked to be about twenty. “You’re the first one to make it to the door.”

 

“I’m what?” The lights came on and a smiling middle-aged woman stepped into view.

 

“I’m sorry, but ever since we moved in, my son the engineering major had his heart set on doing this elaborate Halloween thing, complete with animatronics, and I indulged him. Tomorrow however, he has a yard to clean,” she said, giving her son a meaningful look. Jenna stared, not knowing whether to scream at them or start laughing.

 

“Since you’re the first, you get the grand prize.” He dropped a candy bar wrapped in a hundred-dollar bill into her bag.

 

She picked laughing.

​

The author, whose most noteworthy feature is an uncanny resemblance to Chevy Chase, is an old software engineer with four kids, one wife, two grandchildren, and one somewhat annoying dog. His life is boring enough that he'd much rather write stories than biographies about himself.

A Good Host by Barb DeMoney

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I miss people tramping through my hallways. Decades pass inconsolably when no one comes to visit me. There’s a hunger that grows inside, a loneliness.

​

I miss people tramping through my hallways. Decades pass inconsolably when no one comes to visit me. There’s a hunger that grows inside, a loneliness.

 

Tonight, on Halloween, when the front door creaks open, I feel alive again. Three teenagers stumble into my dilapidated frame. I get chills.

 

The teen, they call Scott, leads the way. He looks around seventeen, his flashlight wobbling. Beside him is Craig, who calls over his shoulder, “Caitlyn, hurry up,” as she lingers behind them, shivering in the damp recesses of my decomposing hallway.

 

They clomp around, treating my delicate insides like a mischievous game.

 

Scott laughs boisterously, pulling Caitlyn close to simulate bravery, but I hear his pulse quicken like a hummingbird's wings. Craig fumbles with his phone, trying to livestream their experience.

 

My lights flicker on to greet them. Every good host knows to show their guests some hospitality before serving them dinner.

 

I stir the dense air to mimic a strong gust, and slam the heavy front door shut. The deadbolt clinks. Craig screams, lurches backward and drops his phone. Scott's jaw falls open, his brave face gone.

 

"Let's get out of here!" Craig shrieks. He turns to exit, but I’ve already reenvisioned my interior. Where the door had been, now only remains crumbling plaster.

 

Caitlyn’s sobs echo throughout my hollow halls. She cries for Scott as he bolts down a hallway that leads nowhere. I consume the flashlight’s beam in its entirety.

 

Caitlyn cries out, “please let us leave!”

 

They pound on my walls until the sides of their knuckles bruise. I'm in no hurry. I’ve had decades to practice patience.

 

My floorboards snap open, swallowing Caitlyn whole. Scott and Craig continue running through my endless corridors. I sigh as my old bones close around fresh prey.

 

Satisfied.

​

Barb DeMoney is a writer whose work spans romance, horror, comedy, thriller, and mystery. Her stories have appeared in Micromance Magazine, Flash Phantoms, Quotidian Bagatelle, Rat Bag Lit, and KissMet Quarterly, among others. When not writing, Barb enjoys hiking, yoga, reading, attending concerts, and spending time with her family and dogs.

Pumpkin Wish by Tom Gdisis

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My little brother Mark always wanted to be the Grand Pumpkin, but he was born the day before Halloween. Each Halloween you could find him in a pumpkin patch surrounded by the biggest pumpkins he could find. He would sit out all night, in the frosty air, calling for the Grand Pumpkin to appear. Until one year, out in the pumpkin patch something strange happened. After trick-or-treating, I went out to the chilly patch. As I stepped on dry leaves and got closer, I could see he was different.

 

I patted his shoulder, but his arm came off! Stringy pumpkin guts hung from his socket. I screamed, then I crept around in front of him to see his eyes were pumpkin seeds!

 

He sat motionless among the other pumpkins, the fall wind howling above.

 

I knelt in front of him. His jaw dropped and thousands of seeds came pouring out of his mouth, like lava from a volcano. I jumped back and stood up just as his eyes began to glow. His body dropped to the ground like autumn gords. His head stayed floating above the ground. I could not move. The roots of the pumpkins had gathered around my feet. My brother’s broken, toothy grin started to widen and a howling laugh came forth.

 

“Join me” he said.

 

Suddenly, our mother appeared before us, dressed in black.

 

“Join your brother!” she commanded.

 

I had to obey, not just because I am her daughter—

​

 But because our mother’s a Witch!

​

Tom Gdisis is an award-winning writer, photographer, and baker. A retired 45-year broadcast professional and Nebraska resident, he now explores storytelling through prose, poetry, fiction and non-fiction scribblings. He enjoys improvisational comedy, poetry readings and volunteering. Published several times, you can find his creative writing in Fine Lines (Amazon & online), Nunum, Horrortree.com, AntipodianSF, Reedsy.com, Allpoetry.com and Substack.

​

Old Man Dean by J.L.R. Fesser

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The children approach, clutching their bags of candy in trembling hands. Before them stands Old Man Dean’s dilapidated house.

 

One by one, they empty their bags into the old pot by the front door. Then, in soft, trembling voices, they begin to recite:

 

Sweets for the bitter,

Treats for the grown-ups.

Grant me a wish,

Before the night grows cold.

I’ll give you the sugar,

You give me the prize.

Look away, Dean,

And open your eyes.

 

The lantern by the door burns with a faint, reddish glow.

 

They have been heard.

 

The children run off.

 

The next morning, the police take the priest’s mutilated body down from the cross. His entrails hang loose. His heart, coated in caramel, lies on the pulpit.

 

“Who could have committed such a vile act?” the officers wonder.

 

“Only a monster could do something like that,” says one of them, crossing himself.

 

From a window, a little girl watches as they cover the body with a sheet.

 

She knows she’ll sleep peacefully that night.

 

The only monster in town hung from that cross.

​

​

​J. L. R. Fesser was born in Bogotá, Colombia, and now lives in Cobeña, Spain, with his wife, Liliana, and their two dogs, Tomasa and Ginger. He studied film and photography and has worked in board game design. His fascination with cinema, literature, tabletop games, and role-playing games runs deep, shaping his interest in stories that explore the strange, the unsettling, and the worlds hidden just beneath the surface of the familiar. His work will appear in The Illusion and the Borderlands, an official supplement for the tabletop role-playing game Kult: Divinity Lost.

​

Trick-or-Treat by Alan Simms

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Earl had been a school bus driver for over thirty years, perpetually irritated by all those noisy, lively kids. Why couldn’t they just sit there quietly, and let him do his job? Retirement hadn’t brought him any satisfaction either. His house was the last on a cul-de-sac. Nothing got him angrier than the idiot drivers who disregarded the prominent “No Outlet” sign he’d paid good money to have installed at the street entrance, then drove all the way in and turned in his driveway, ignoring the “No Turning” sign there. More than once he’d come running out of the house, shaking his big fist and yelling at the driver.

 

It was Halloween, and it was dark. All the houses on the street were decorated and brightly lit, welcoming trick-or-treaters. All except Earl’s. His house was without light outside and inside. He wanted no one at his door, had nothing to give. He sat by a window, nursing a beer, the slats of the blind angled just enough to peer out at the children in those ridiculous costumes. Damn Halloween. The intrusiveness of it galled him.

 

At last, he saw the trick-or-treaters leaving his street. No one had come to his door; no one had set foot on his property. Just as he’d wanted.  Even so, he was grumbling every step of the way to the TV, ready to settle down with another beer. Then his doorbell rang.

 

He froze. Wasn’t that the damnedest thing! So, they weren’t all gone, and even with his house still dark they’d come to his door for a handout! The hell with them! He wouldn’t go to the door. He’d wait them out.  

                                                                                                   

But his doorbell rang again, then again. Like whoever it was knew he was in there and would make him answer the summons. Earl gritted his teeth and stayed put in the dark.

 

Then he began hearing a chant: “Trick-or-Treat! Trick-or-Treat! Trick-or-Treat!” Loud, insistent, demanding. “Trick-or-Treat! Trick-or-Treat! Trick-or-Treat!” The chanting stopped. Maybe they’ve left, Earl thought hopefully. But then the doorbell rang again. And then the chanting, even louder.

 

Earl can’t take this any longer. He won’t. Now furious, he goes to the door and jerks it wide open. There are three of them. By size they look about five years old. They’re standing side-by-side, three shadows, each holding out a jack-o-lantern candy bucket. And they’re chanting in unison, “Trick-or-Treat! Trick-or-Treat! Trick-or-Treat!” 

 

Something about their voices strikes Earl as odd. They sound too … deep, too rough, for young children. He notices that their candy buckets are empty. Is his house the only one they’ve come to? How stupid can the little buggers be? He tells them to go away; he has nothing for them. But they don’t go away. They just stand there and keep chanting: “Trick-or-Treat! Trick-or-Treat!”

 

Earl scowls, says, alright, he’ll get them something. He closes the door, making sure to lock it. In the pantry he finds some cello-wrapped hard candies that have been there forever. He takes a few. Growling under his breath, he heads back to the door – only to find the three little shadows somehow inside his house.

 

“Wha-a-at?” he cries, so startled he drops the candies. He backs up a few steps (not sure why) and turns on some lights. Now he sees them clearly.   

                                                                                                               

One is a green ghoul with horribly sagging skin and a frayed black hole for a mouth.

 

One is a skeleton in a heavy dark cowl with fiery eye sockets and long bony fingers.

 

One is a chalk-faced vampire with a mouthful of sharp teeth smeared red.

 

Earl can’t tell if they’re boys or girls or what they are.

 

The three are still side-by-side, holding out their round orange candy buckets. “Trick-or-Treat!” “Trick-or-Treat! Trick-or-Treat!”

 

They take a small step towards Earl. He backs away. They keep chanting. But it’s different now. They’re chanting, “Trick! Trick! Trick!” And again, in those rough voices, “Trick! Trick! Trick!”

 

They take another small step. Earl keeps backing away. He wants to say something, tell them to get out, to leave him alone, but there’s no time.

 

So fast he can’t even see it, they’re on him. The frayed black hole, the long bony fingers, the sharp teeth smeared red.

 

Earl wants to throw them off, but for some reason his limbs don’t work. He wants to cry for help but has no voice. He falls to the floor on his back, the three still on him. They’re wriggling all over him, moving like blurs, doing things that hurt yet don’t hurt at the same time. All Earl can do is think, this is it, my life is over.

 

But Earl is wrong. His life isn’t over, just life as he knows it.

 

They’re off him now. Earl finds he can stand. He feels … different, unsure in what respect. They lead him to the door, then outside; he goes willingly. They walk down his driveway, past the “No Turning” sign, and set out along the street, side-by-side. 

                                                                                       

They were three, but now they’re four. Four small children or whatever they are.

 

A ghoul. A skeleton. A vampire. And a mean-looking little fiend with a scowl on its face.

​

Alan Simms is a writer of short fiction. He lives in Morgantown, West Virginia with a wife who looks like Morticia Addams, and two free-loading cats who have learned utterly nothing about the joy of reciprocating small favors.

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Chaperone
by
Hitha Santosh

Halloween sucks when you’re stuck chaperoning little siblings. I do a head count so I don’t lose them in the sugar-fevered crush. Spider-man, ballerina, zombie, cat.

 

“Not that way,” my sister whines. “It’s haunted.”

 

“Relax,” I snap. “It’s a shortcut.”

 

Trick-or-treaters flit through emaciated trees. For a moment, the scene blurs, colors spinning  in a frenetic dance, laughing ghouls and leaping flame.

 

Then we’re on the street, a ribbon of toilet paper skitters down the sidewalk.

 

Small hands grab mine. “Please, let’s go.”

 

“You’re fine.” I roll my eyes and turn around. Ant-man, gymnast, vampire, bat. Good, got all four.

​

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Hitha is a writer from New Jersey. Her work has been published in Literary Orphans and Quail Bell Magazine.

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Trick-or-Treat
by
Kamran Connelly

Most people miss the obvious intent and assume it’s a question.

 

Every year I decorate the house with pumpkins carved with sinister smiles, giant cobwebs hung from trees and prop zombie-hands breaking out from beneath the earth.

 

It’s like honey to flies. They all buzz in, little buckets in their greedy little hands. All dressed like miniature monsters and boogeymen. 

 

So, I treat them all with my best trick; lollypops that look like eyeballs.

 

Last year, twenty local children fell ill. Seven, hospitalised with severe symptoms of poisoning.

 

Cosmic Burgers got the blame.

 

This year I upped the dose.

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Kam’s Novelette DEATH BED INC is due for publication by Twisted Dreams Press.

He has features in anthologies by Hollowpoint Press, Wolfsinger Publications RDG Books Press and UnpopularPublications. Is currently shopping around his debut novel, The Extinction Process. And his Vampire novella BLOOD BANK.

Is published online at The Horror Tree, Trembling with Fear, Flash Phantoms, and WitCraft for his works of fiction. Has poetry featured in three anthologies, and a novella featured in the Paul Cave Prize for literature.

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Tricked
by
Stephen Tenerowicz

“You sure this is the place for the Halloween party?” I ask.

 

“It’s down the tunnel a bit. Wanna go first?” Harper replies.

 

“Gee, thanks.”

 

As I walk, a thick, damp miasma floods the air, as if we’ve entered a mouth full of rotten teeth.

 

Ahead, a colossal, wolf-like creature emerges from the darkness. Its green eyes glint.

 

“Run!” I scream.

 

As I spin, another creature blocks our way. A bloody arm dangles from its gleaming white teeth.

 

Harper grabs my throat. “There never was a party. I promised them a meal.”

 

Harper runs her tongue across the beast’s cheek.

​

Stephen writes dark stories and flash fiction. He resides in Upstate New York and can be found on Instagram at @SteveTenerowicz. His work has also featured in Trembling with Fear and various other fiction and non-fiction publications.

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See the Bloodsucking Freak! Alive! Undead!
by
Nancy Bagato

Hide the reseating of dentures behind the cape. Not three hundred anymore; can’t get fangs down naturally these days. Ignore catcalls, boos, blah-blah-blahs. Prepare for blow-off. Dip head, slip on rubber fright mask, flip cape inside-out to painted bat wings and spindly bones. Real transmutation takes too much energy: mass differentials and whatnot.

 

 Nervous laughter. Angry shouts: Rip-off! Stake him!

 

Give the rubes what they want. Grab Loudmouth by hair. Bend neck into taut, throbbing arc. No problem getting fangs down now. Skin pops with satisfying crunch of kosher dill. Blood, screams, running like headless chickens. Last laugh is mine.

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Nancy Bagato has worn many hats and lived many places. She collects words and images to turn into tiny stories. She has been published at fiftywordstories.com.

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Clyde
by
Selene Ibarra Rubio

Skeletons shiver and candy wrappers crinkle. Cobwebs and pumpkins adorn porches and bushes. My house stands as the only bare one.


Mother says there's no need for fictitious horrors when we have a demon dog locked in the basement.


It’s all fluff; an imitation. Decor doesn't haunt, stalk, or mark you for a doomed afterlife.


It's just play.


The molten mutt is not.


I help Mother with the body, a classmate from school with a crooked canine, seasoned with sea salt and meat flakes. Feed it to the charcoal dog; it won't cause nightmares tonight.


Isn't this a lovely Halloween?

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Selene Ibarra Rubio is nineteen years old. She is a junior at San Jose State University, majoring in mechanical engineering. She is an entertainment writer at Trill Mag. She has been featured in Sudden Flash, Abundance Magazine, and in the anthology, Dark Lessons 102: Advanced Lessons Learned.

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