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Horror Stories of 1,000 Words or Less

For the month of August 2026, these are the stories that entertain us most.

* Demon on the Lawn by Tom Kropp

* Flight 666 by Kevin Ramsden

* Summer Wind by Mark Connelly

* Collection by Collette Night

* Summer Broke by Aza Smith

* Mask by Matthew McCain

* Best Man's Speech by Juleigh Howard-Hobson

* The Final Review by Patrick Siniscalchi

* Where the Hair Grows by Berkan M Simsek

* Mice by Ashley Mangtani

* Ring by Brennan Storr

* We Have to Have Peace by Paul Watkins

* Perfect Fit by Barb DeMoney

* Adeline by Ronald Kundinger

* Killjoys by Adrien Thibault

* Playdate by Ella Gonder

* Replacement, Old Model Removed by Laura O'Meara

* The Excel File by Albert N. Katz

* Faster Route Available by Thomas Hobbs

* Halloween 2020 by Koren Cowgill

* Secret Bonus Chapter by Kyle Hildebrandt

* Oxi-Vanish Extreme Carpet Stain Remover by John Dennis

* Tarantula by Jay Huver

Demon on the Lawn by Tom Kropp

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Often, the garage becomes a man’s only sanctuary when he’s married with children and not at work.

 

I was sitting in my garage with the door open that day while drinking a beer and just trying to gather my thoughts. I was mentally plagued by all the bills and a job I hated while living with a wife who was no longer in love with a spoiled, surly teenage son and me. My youngest son, Danny, was only 11 and still looked up to me. Honestly, I was only in the marriage at that point because of my kids and financial reasons. My wife didn’t work. I was the sole breadwinner in a hostile house.

 

So, with all those dark thoughts, I was immediately pissed to see some fool standing right on my lawn. It was a full moon, the porch light on, and the day before Halloween. A freakishly tall, slim dude in black clothing was wearing a dark demon mask and standing on my lawn. I felt some apprehension at the inhuman way he was looming there, so still studying me.

 

“Get the hell off my lawn. I’m in no mood for Halloween pranks.” I warned the trespasser.

 

Instead of leaving, the figure moved towards me in a way that could only be described as inhuman. He was much too tall, and his limbs contorted in ways a human couldn’t as he scuttled on all fours phenomenally fast at me. The porch light revealed a face with dark scales, short horns bristling from his skull, a mouth that stretched ear to ear with visible, sharp, jagged teeth that looked like they belonged in a shark’s mouth. The figure had no hair and pointed ears. The mask looked incredibly lifelike, but what convinced me that I was looking at some kind of real monster was the eyes. Its eyes were black pools with glowing red pupils. It seemed to smile at me with those titanic teeth, and the talons on its raised hands would have put a grizzly bear to shame.

 

 I had a sudden flashback of an Iraqi Muslim woman who had told me she would be placing a curse on me for killing her son. He had been a young terrorist with the Taliban, shooting at me. I’d had to shoot him. But killing a kid haunts a man. That mother’s crying and cursing me filled my memory.

 

I had my Glock 9mm by my side there in the garage. I’d kept it close since I’d come back from combat in Iraq. I was living with a lot of demons and close to suicide most days. I rose into a Weaver pistol shooting stance and my Glock fulminated and flared firing a flock of shots that socked and rocked the creature, slamming its stomach, chopping its chest, and hammering its head. My row of rounds staggered it, but it barely slowed and finished its freakishly fast charge. Its claws sawed through my arm, flaying my forearm wide open and sending my gun spinning through space. I aimed a snap kick that rammed its ribs. I tried to punch it in the throat with my remaining good hand. It slammed me down like a child and pinned me beneath it.

 

The monster seemed to look right into my soul with eyes that were dark pools and pupils that blazed with the light from another dimension. I saw a place of eternal torment in those eyes, and suddenly all my religious doubts vanished. If there were demons in another dimension capable of seizing souls, this had to be one of them. I was hypnotized by those eyes and felt myself turn ice-cold to the bone.

 

The creature suddenly screamed and reeled away from me, clawing at its back and madly spinning as though trying to reach an itch it couldn’t scratch. Dully, I recognized the silver letter opener that my father had left me, which I had given to my youngest son, Danny.

 

Much to my horror, Danny was standing there. He had heard all the shooting, and while the rest of the family hid in the house, he had run outside to help me. He’d stabbed the demon in the back with the silver letter opener.

 

The demon’s ear-piercing screams ended as it abruptly incinerated with a blindingly bright green glow. The flash strobed, dazzling my eyes. All that remained of the creature was a big scorch mark on my garage floor.

 

Danny was by my side pressing my dirty shirt against my bleeding forearm.

 

“Only silver can kill demons, Daddy,” he told me with a profound look in his eyes.

 

I thought of my son’s love of horror movies and comic books. My wife always said it was a waste of his time. He should be reading and watching more educational stuff.

 

“It was trying to suck out your soul, daddy. I stopped it,” Danny bravely stated, and hugged me.

 

I had no words.

 

I survived my wounds. The doctors told me they recovered DNA from my wound that could not be identified. It was alien to anything on our known world.

 

I was never a religious man. I don’t know what that alien creature was, but if there was ever a demon summoned up out of hell to hunt someone down. I’d say it would look like that thing.

 

And yeah, I believe in God now.

Tom Kropp’s work has appeared in The Horror Zine, J Journal, Chiron Review, Churches, Children and Daddies, Down in the Dirt, Freedom Fiction Journal, Short-Story Me, Blood Moon Rising, Dark Harbor, Flash Phantoms, You Phantomaniacs Anthology, The Listening Eye, Evening Street Review, Outdoor Life and Muscle and Fitness.  His play Jailhouse Confessions was performed at the Kennedy Center in 2019. He has numerous novels and audiobooks available. You can read more of his writings at https://tomkropp.wordpress.com.

Flight 666 by Kevin Ramsden

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Cabin Attendant Tessa Withshaw and her colleague, Brian Jennings, are peering out from the galley into the Economy class cabin on a scheduled flight out of Heathrow.

 

“Not a spare seat back there today, Brian,” Tessa says.

 

“Yeah,” her colleague sighs, “loads of kids, too. Just our luck. Bloody school holidays.”

They both chuckle at this and turn their attention back to filling ice buckets, uncapping bottles, and stuffing small bags of nuts and pretzels into serving baskets.

 

Brian pipes up again, “First has only got four bodies though, Tess. Maybe we can ask one of the new girls to help us out,” then, with an exaggerated eye roll, “if they can lower themselves to entering coach.”

 

Tessa punches him playfully on the arm and asks, “Who are they anyway?  I mean, I know their names are Elena and Maria, but that’s about it.”

 

Brian leans in closer and whispers, “No one really knows. Apparently, they were seconded from Tarom, the Romanian carrier. Must be in with someone, though, because they’re obviously getting special treatment.”

 

“How do you mean?” Tess says earnestly.

 

Ever the gossipmonger, Brian warms to his task, “Well, apparently, they’ve demanded overnight routes and will only work First or Business. Definitely no Economy.”

Tessa’s mouth drops open, “You’re kidding me,” she blurts out, “the cheeky bitches!”

 

“Oh, there’s more,” Brian continues, “I was talking to Teddy and Jasmine the other day, and they reckon our Romanian friends are totally weird. According to Jas, neither one of them leaves their hotel rooms during the day on the layovers. Not once. And what’s with always wearing the super dark glasses? Creepy or what?”

 

Tessa frowns and starts to push the trolley into the left-hand aisle. Brian joins her and, plastering on their best and well-practiced smiles, they begin to move down the narrow walkway, waving to the other two CAs moving up the right-hand aisle in the opposite direction.

 

Several hours in, with most of the rabble settled and taken care of, Tessa and Brian retreat to their safe space in the galley. Apart from a couple of agitated toddlers, this is looking to be a pretty uneventful flight. The economy cabin has been darkened, and the majority of passengers are either sleeping or staring at a small screen. Being a little shorthanded, it has been a somewhat hectic few hours, and Tessa and Brian are happy to put their feet up for a bit. Neither has seen or heard from the new CAs in the forward cabins since the beginning of the flight, so Tessa taps Brian on the shoulder as he is pouring them coffee and says she is going through to check on their progress. He nods his agreement, and she sets off.

 

Passing quickly through the business-class section and reaching the short flight of stairs that lead to the first-class cabin and lounge, all her senses tell her that something is definitely not right. Not a sound to be heard, the space seems to be in almost total darkness, and she can’t see any sign of life at all – passenger or crew. Reaching the top step and peering into the gloom, she makes a jokey, tentative inquiry, “Elena? Maria? Anybody breathing up here?”

 

Nothing. The hair on the back of her neck starts to bristle, and an involuntary shiver races down her spine as she creeps forward past a couple of empty berths. Then, drawing level with 3A, she jerks backward, a scream strangled and mute in her throat, as she registers the gruesome sight before her. There, sprawled across the flat bed seating, lies passenger 3A, his shirt open to the waist. Not a shocking sight in itself, but with the growing pool of blood around him and soaking into the forest of chest hair on show, it is altogether gruesome.

 

“Ah, Tessa, so nice of you to join us in First,” a heavily accented voice purrs in her ear.

 

Spinning around, she comes face to face with Elena, the elder of the Romanian CAs, her face a grisly mask of make-up and blood. Paralyzed with fear, Tessa can only stare in horror as Elena breaks into a terrifying grin, the two elongated incisors in her mouth coated crimson with the blood of her poor victim. Staggering backward, Tessa shrieks as she bumps into someone or something behind her. Scrambling sideways into an empty berth, she starts to blub, as Maria’s contorted features suddenly appear before her, dark glasses removed to reveal pupils as two pinpoints of black in a pair of fiery red discs for eyes.

 

“What have you done?” She can barely get out. “Where’s the captain?”

 

“Oh, Captain Jack, you mean,” Elena muses, “he’s one of us, Tessa, dear. And he’s taking his meal break with the co-pilot.”

 

“Actually, the co-pilot is his meal break,” Maria laughs, with Elena joining in.

“Of course, this here is all our own work,” Maria states matter-of-factly, sweeping an arm around, “I do so think the wealthy taste that much sweeter, right Elena?”

 

Elena gives her a thumbs up and turns her attention back to Tessa, “But what to do with you, Tessa? It is very naughty of you to crash our little party.”

 

Tessa, shaking uncontrollably, shuffles back slowly until she makes contact with the sidewall panel. Nowhere to hide with both ready to pounce, she reaches out to rip the dark glasses from Elena’s face with one hand, simultaneously thrusting the nearest window shade upwards with the other, allowing the shaft of light from an early morning sunrise to pour in. Writhing and screaming in agony, both vampires are caught in the glare. Instantly cremated at 35,000 feet, it is not a pretty sight. Seconds later, bursting through the cockpit door and into the light, a rabid Captain Jack, tearing at his unprotected eyes, meets the same horrible end. But planes without pilots rarely fly themselves, and this story has no happy ending.

Kevin Ramsden resides in Kyoto, Japan, and is a professor of Global Studies at a university in the city. Other than writing, his interests include listening to reggae music and complaining about the performances of West Ham United football club. He has also self-published a collection of short stories titled “Here Comes Kenji – Stories from Contemporary Japan”, some of which have found homes in Japan-based journals and magazines along with several other pieces accepted for publication elsewhere.

Summer Wind by Mark Connelly

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Jacques DuBois stepped from his Lakewood home just as the autonomous cab pulled up. Always on time, he smiled. Slipping into the backseat, he was greeted by the hostess on the screen. “Good morning, Jack. Your United flight 227 non-stop to Chicago at gate C22 is departing on time at 7:25.”

 

Jack nodded. It was going to be a full day.  A two-hour flight, then a check-in at the Merchandise Mart, lunch meeting at the Hyatt, a presentation at the Sheraton, then back to New Orleans for a late dinner with Jane in the Quarter. A long but profitable day, he hoped.

 

Once Jaques belted in, the car rolled from Dayna Court onto Marcia Avenue to take the I-10 West. Traffic was surprisingly light, and the cab made good time. Jacques had been a customer for two years, so the novelty of watching a steering wheel turn itself had long worn off. It was so routine, he was actually startled when he hopped into a taxi and found himself sitting behind a living driver. It seemed oddly unsettling to entrust his safety to a stranger.

 

He was looking at his phone when the cab suddenly lurched to the right, bolting off the expressway and speeding north on Causeway Boulevard. 

 

“What are you doing? Where are you going? Take me to the airport,” he shouted as the cab picked up speed, weaving lanes to pass honking cars. “What the hell is going on?”

 

“Looks like you’ve been hijacked, Jack!” The voice on the speaker was young. He heard laughter in the background.

 

“Dammit, I have to get to the airport. I have a flight—“

 

“We know, United 227. Guess you won’t make that one.”

 

The car raced onto the Causeway crossing Lake Pontchartrain.

 

“Stop. Stop this car!” Jack screamed.

 

“Aww, Jack, is that any way to talk to us? Hey, how about a little summer wind?”

 

The speaker started playing Frank Sinatra. At the same time, the cool air flowing from the vents became a hot blast as the volume rose higher and higher. 

 

The summer wind came blowin’ in . . .

 

The noise stabbed his eardrums. Cupping his ears with his palms, her cursed. “Stop this car!” The car, going eighty-five, screeched to a halt, throwing Jacques forward against his shoulder harness, then sped forward, slamming him back into his seat. It raced, then stopped, the music growing louder and the heat intensifying.

 

“What are you doing? Stop. Let me out!”

 

He tried the door handle, but the cab shot forward, going sixty, seventy, eighty, ninety…

 

“Stop, stop!” he screamed.

 

“It’s going to cost you!” the teenage voices sang in unison, their words appearing in bold black on the screen.

 

“How much? How much?” Jacques screamed.

 

“All you got, Jack!” the voices chimed.

 

“What do you mean?”

 

“You’ve got 1200 available on Visa and 975 on Mastercard. Ooo.  And let’s not forget 500 on Discover. We’ll take that, too.”

 

“What?”

 

“Pay up, Jack.” The hot air grew hotter, and the music soared.

 

“Damn it! Make it stop. Roll down the windows, I can’t breathe.”

 

“That’s up to you, Jack!”

 

Frantically, Jacques wrestled his wallet from his pocket and began swiping cards. The music grew softer, and the air turned lukewarm.

 

“Don’t forget our gratuity, Jack,” the voices chirped. “We’ll take AMEX for that.”

 

Jacques ran his last card over the screen. The air turned cool, windows rolled down, and the door clicked open.

 

Shaken and sweating, Jacques stumbled out of the cab.

 

“Thank you for riding with us, Jack. Enjoy your walk back to New Orleans. Don’t bother trying to call Uber; we disabled your phone. Have a good day!”

 

Then, windows down, the cab raced north with his hosts laughing and Frank Sinatra singing of days and nights and painted kites.

Mark Connelly’s fiction has appeared in Indiana Review, Milwaukee Magazine, Cream City Review, The Ledge, The Great American Literary Magazine, Home Planet News, Smoky Blue Arts and Literary Magazine, Change Seven, Light and Dark, 34th Parallel, The Chamber Magazine, and Digital Papercut. He received an Editor’s Choice Award in Carve Magazine’s Raymond Carver Short Story Contest in 2014; in 2015 he received Third Place in Red Savina Review’s Albert Camus Prize for Short Fiction. in 2026 Chapeltown Books published his flash fiction collection The Last Casualty in the United Kingdom.

Collection by Collette Night

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Before buttons and shoelaces—they learned to sing. Every eve, when the belltower rang, their offspring's unified voices carried into my forest.

 

What lies beyond is not for me.

In this town, I’ve all I need.

For if I venture to the bridge—

Darkness waits for naughty kids.

 

Samara was naughty. Why else would the raven-haired child be standing at my bridge, staring into the darkness like an old friend, her cheeks rounded and flushed?

 

“Just a few tiny steps,” I coaxed in a whisper that stirred the trees.

 

The quickening tempo of her heart was a delicious rhythm.

 

I neared, mist shrouding my form; I wouldn’t let her see me, not yet. Her scent was beguiling; a note of something warm, a pinch of something sharp.

 

She continued with measured steps, wide eyes flickering. Every crunch, every rustle of my forest sent her skittering about like a fresh lamb until the distant baying of hounds quickened her pace. Just a few more steps. Almost there.

 

She faltered, her bruised feet at the seam between village and forest. The ground shook with my groan. Two hundred years of waiting.

 

Torchlight blinked at the village edge. Samara straightened her shoulders. And a look I didn’t like crossed her face.

 

“I’m here to bargain,” she said, her voice oddly muffled. A single drop of sluggish blood escaped her mouth.

 

“Did your mother not warn you about what befalls naughty children?” I shifted my presence closer, watching with rapt attention as the drop inched down her chin.

 

“I have no mother. Nor a father or brother. I’ve nought but too many teeth and courage.” She dragged her sleeve across her chin, smearing the crimson further.

 

“Courage... hmmmm, perhaps you do.” I could smell it now, on a deeper inhale—hunger pangs like my own, coldness burrowing within her bones, and anger. So much anger.

 

“Share with me. What will you bargain?”

 

She opened her maw wide.

 

Inside, crowded like maggots in a swollen carcass, were teeth upon teeth.

 

“You would give them to me?” I scarcely believed it; rows of blood-stained pearls, baby and adult… all mine.

 

My forest darkened, turning the cool breeze into a sharp bite that pebbled her skin.

 

“Grant me passage, and they are yours.”

 

The distant belltower rang. The same look she had before passed again—I found I liked it now. 

 

“Very well, though I require payment before you pass.”

 

Reaching into her mouth, she plucked out a baby tooth. “Catch.”

 

The following teeth were harvested with grunts and silent tears; jagged nails dug, fingers wrenched, until the molars gave with an exquisite squelch. And when she spat out the last tooth, she smiled. It was bloodied and beautiful.

 

I studied my new teeth; a precious addition to my collection of bone and curled hide. Two bridges remaining. She’d arrive at the next soon.

 

Her raven hair would suit my complexion well.

Collette Night is an Australian writer who crafts lyrical fiction with bite. Her work has appeared in Starry Eyed Press, Trembling with Fear, Black Hare Press, AntipodeanSF, Dug Up Magazine, 101 Words, and 50-Word Stories. She was recently longlisted for the 2026 Furphy Literary Award Open Short Story.

Summer Broke by Aza Smith

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Public libraries, urgent care centers, food banks, and even federal prisons have been unable to answer the rising demand from an ever-decreasing quarterly budget. Many have been shut down and demolished as a cost-cutting measure. Unrest on the rise, law enforcement was instructed to pacify the protests with military gear and total autonomy. People look to social media and local news sources for answers, who instructed them to direct all the blame on their children for being a burden on society.

 

****

 

In early June, the Barreras encourage their daughter to go outside and play. Bonnie refuses, having become psychologically dependent on the comfort of the house’s air conditioner, as though if she were to leave, she would never feel cold ever again.

 

Her school was always hot.

 

****

 

Late in June, Sarah checks the front window of their living room all day. When her parents ask, she says that she keeps seeing her homeroom teacher, Mrs. Tophet, always looking at her home from across the street. Her parents insist that there is no one out there and demand that she go play outside like other children her age, even though none of the neighborhood’s children are willing to leave their homes either. She calls one of her schoolmates, Tony, to tell him about it, and he tells her that he also sees her waiting outside his door through the peephole at random parts of the day.

 

They thought they wouldn’t see her until school started.

 

****

 

In mid-July, Johnny had yet to have a full night’s sleep since the start of summer break due to frequent night terrors. He dreams of Chemistry Class under Professor Haagenti. His mother looks at him with exhaustion, sick of washing his sheets. His father beats him each morning, tired of hearing his cries of terror and asthmatic wheezing.

 

He preferred it to how his school disciplined him.

 

****

 

Late July, Brad, Tammy, and Joseph meet daily at the study group. They receive packages of new textbooks, worksheets, and assignments daily. They must write a minimum of twenty pages on the Peloponnesian War and how it affects the culture of Modern-Day Iran. Plus, fifty-page workbooks of algebra, each question in ascending order of difficulty. Everything was due on the first day of fall, and the three couldn’t handle the workload alone. The kids either had to visit each other at home or at the watering hole, their library demolished and replaced with an office building. They tried studying at a local coffee shop, but the adults demanded they leave; that their generation wasn’t welcome in their establishment.

 

If they didn’t finish before they returned to school, they would be punished.

 

****

 

On August 31st, all the children at Walnut Hill stood at the end of their lawns. They were all shaking, holding in tears, pleading to the deaf ears of their parents, who stood behind them to ensure they couldn’t run.

 

All the cars and local vehicles were kept off the main road, which still had the cracks in its asphalt from September 1st of last year.

 

At 7:00 AM on the dot, the ground quaked, and fissures from the ground croaked apart. Heat, greenhouse smoke, and the faint glow of magma miles deep plumed from the wound.

 

Like snakes from a pit, chains with cuffs slithered from the chasm and grabbed the children by their feet, arms, and some even by the neck, before retreating into the pit. A terrified nine-year-old Jake was still clinging to his dad’s leg, his tiny body dragged by his bloodied ankle. Disgusted, his father kicked his son in the face, freeing himself as his little boy’s screams echoed from the ground.

 

Their offering made, the streets closed again, and their families returned to their homes to await their children’s return for summer break.

 

****

 

Two years prior, the President had announced that he had found the solution to their problems. He had declared that the Christian National Party would denounce Jesus Christ’s message, proclaiming that his plea for compassion for the less fortunate was now an antiquated lie that only led to disaster. He declared that their nation will now pledge itself to a different god. A god with the horns of a bull and breath of Sulphur that respects the rule of trade and freedom the way Americans understood it.

 

Moloch promised the nation wealth and pleasures in exchange for a sacrifice. Nine months of the year, from fall to spring, he will take in the nation’s children to do with as he pleases. All children, from the moment of their birth to their eighteenth birthdays, shall learn under his tutelage.

 

The President had signed an executive order to replace the Department of Education with scripture given to him by Moloch.

 

Only 20% of the student body is expected to survive into adulthood by the time they graduate.

 

The Christian National Party had agreed that it was a worthy sacrifice to ensure America’s dominance.

Aza Smith sucks at playing Yu-Gi-Oh!, so he uses the cards as writing prompts and profits off the publishing rights like the Weird Al of flash fiction. He has published short stories for publishers like Flash Fiction Magazine, Flash Phantoms, The Molotov Cocktail, Jokes Literary Review, Last Girls Club: The Witch's Cosmo, Curious Curls Publishing, Nat 1 Publishing, and SM Sykes Books.

Mask by Matthew McCain

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The air was sharp and invigorating on that late Halloween night, carrying with it the faint rustle of fallen leaves as Donna Flanders sat in her well-worn recliner, its fabric faded and frayed from years of use. Her body was still and heavy as she stared blankly at the flickering static on the television screen in the middle of her disorganized living room. The room, dimly lit by the pale glow of the screen, seemed to close in around her, the silence punctuated only by the occasional creak of the old house settling. Outside, the faint rustling of worn autumn leaves floated through the air, but inside, she remained lost in her thoughts, cocooned in a world of quiet solitude.

 

The weathered three-story house sat at the end of a long, winding, unpaved driveway on Hollow Lane. Its once vibrant exterior now bore the scars of time, with large patches of peeling paint revealing the faded wood beneath. Scattered across the overgrown lawn, fragments of roof shingles lay like forgotten relics. The house exuded an air of desolation, a silent witness to the passage of years.

 

But it was to be expected.

 

It had been nearly ten years since Donna's five-year-old son, Madison, disappeared while playing in the front yard. When Donna realized he was gone, the sun had already begun to set on that late summer afternoon. And by the time the local police and search parties came to search the grounds of her ten-acre plot of land, nightfall had firmly set in.

 

Hours stretched into days of relentless searching, yet each moment yielded only silence. Donna, alongside the police, trailed Madison's footprints as they meandered deep into the shadowy embrace of the woods. The dense trees loomed overhead, their branches twisting like skeletal fingers. But eventually, they'd come across Madison's bright red Converse shoes, conspicuously abandoned and placed side by side on the forest floor.

 

The vivid color of the shoes starkly contrasted with the muted earth tones surrounding them, raising an unsettling feeling in Donna's chest. It appeared as though Madison had come to an abrupt stop, leaving no further tracks behind—just a chilling void of silence. The lack of any additional leads or footprints left them grasping for answers in a world that provided anything but.

 

As the years passed, the search parties dwindled, and the case grew cold, leaving Donna isolated with nothing but guilt, anger, and sorrow.

 

Over time, the painful truth began to dawn on her: her son would never come back. The weight of that realization crushed her spirit, and ever since, her life had steadily plunged into darkness, each day feeling heavier than the last.

 

She became isolated, hiding away in her house with nothing but her thoughts and echoes of the past to keep her company as her mind began to deteriorate with the rest of the house.

 

So, it was a surprise to almost everyone that she was participating in Trick-or-Treat that Halloween.

 

Yet the long, shadowy driveway, flanked by towering, gnarled trees, and the hushed whispers that traveled through the town about her resulted in a significant lack of visitors. The eerie atmosphere deterred most, leaving only one brave child in a white ghost costume, complete with fluttering fabric that resembled wispy sheets. They were accompanied by their cautious parents, who walked closely behind, while no one else dared to brave the winding path leading to her doorstep.

 

The Trick-or-Treat time that evening was set for 6:30 to 8:30 pm. The air was crisp and chilly, and a luminous full moon hung low in the sky, illuminating the streets with an ethereal glow. The silver light seemed to dance through the trees' branches, creating eerie shadows that flickered across the town.

 

As the clock inched closer to 8:30, the living room was filled with the remnants of the evening's indulgence. Donna crouched down, her fingers brushing against the scattered bits of brightly colored candy that had slipped from her grasp. The bowl, once brimming with an assortment of treats, now sat half-empty beside her, a stark reminder of her decision to wait for trick-or-treaters. The sweet, sugary aroma lingered in the air, mingling with her growing regret as she realized she had wasted precious time in anticipation of visitors who never arrived.

 

When the clock above the old TV struck 8:30, she dropped the bucket of candy beside the recliner, ready to turn off the porch light, when a knock came from the front door.

 

She stopped moving, listening to the silence that followed.

 

In the stillness of the room, she paused, questioning whether she had truly heard a sound or if it was simply the old recliner creaking softly beneath her as she shifted in her seat.

 

There was another knock.

 

A chill ran down her spine.

 

The sensation was jarring, disquieting, and caught her off guard. Over the years, she had encountered countless visitors—mostly just police officers—who, in their relentless search for Madison, had knocked on her door during the most unthinkable hours of the night. The sound of rapping on the door had become an all-too-familiar echo in her life years ago.

 

She approached the door, contemplating whether to open it or ignore it; after all, Trick or Treat had officially ended.

 

There was another knock.

 

"I'm coming!" Donna shouted, her unfriendly tone front and center.

 

She picked up her pace and headed to the front door, her feet stomping as she approached the entrance.

 

There was another knock.

 

She quickly unlocked the door and yanked it open, ready to snap at the brat standing on the porch.

 

"Didn't your parents teach you some manners...?"

 

Her voice trailed off. Then, her eyes widened.

 

The aging porch light was in dire need of replacement, its feeble glow casting a meager circle of light that barely illuminated the immediate area. Shadows danced in the corners of the porch, leaving much to the imagination as the surrounding mist curled and thickened, shrouding the house and the nearby woods.

 

The dim light struggled against the enveloping gloom.

 

But, even still, it was bright enough for Donna to recognize that what she was looking at was a mask.

 

"Trick or Treat," the small child said behind the mask.

 

The mask that was made from the face of her missing son.

Matthew McCain is an author and fine artist with 3 of his novels reaching the top #10 on Amazon Kindle Unlimited. His fine art paintings can be found all around the world from London to Las Vegas with Bar Rescue’s Jon Tafer and Alice Cooper’s Teen Youth Rock Center in Phoenix, Arizona. He’s currently represented by the Bilotta Gallery in Florida.

Best Man's Speech byJuleigh Howard-Hobson

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I wasn’t going to talk to you about this, I mean, I’m the best man and this is a wedding and I’m supposed to be talking about how I know Matt’s going to be a great husband and how I love that he found Lisa and she loves him, too. Because he’s my brother and I have a lot of love for him. But, then I started thinking. What kind of a best man doesn’t give a great wedding present to his only brother? What kind of guy lets a golden opportunity for a wedding feast beyond anyone’s expectations just walk out the door?

 

Not me. But hold on, let me explain, okay, for those of you who don’t know me too well. Or don’t know Matt and Lisa that well either and were wondering why you got invited to this wedding rehearsal. I don’t understand why you’d come either, but the thing is—you came, didn’t you?

 

So, listen up.

 

We used to think we were normal. I mean, when Matty and me and Lisa were kids. I mean, didn't every kid's family turn once in a while? My parents sure as hell did. And our grandparents. Both sides. And cousins. Tight knit, that's what you'd call us. Which we were. Are. Took a while, because of that, for us to figure out that everybody else....well…didn't turn. Like you guys.

 

I’m not as smart as Matt and Lisa, so it took me even longer to realize the moon—the moon was the thing. When it was full, my family was—different. After a while Matt was different too. What the hell did I know?

 

I know, I know, you have no idea what I’m talking about right now. Bear with me.  Sit tight, the good part’s coming up. I swear.

 

First time I turned, I was 12. When it happens, you don't fight it. Not like in the movies—you don’t feel yourself melt away into a thing you become. You just sort of stop—but you sort of begin, too. It's hard to explain; you become what you really are, always are, in the pit of your mind. That pit that hates being told what to do. That pit that snarls. That pit that needs to take what it wants. Matt always says it's the best high in the world—getting inside the pit of your brain and riding along with this hairy body, all muscle and sinew, jaws like frigging iron traps, eyes that can see in the dark, and the ability to smell fear like it was spray-on cologne. And he’s right. It's like you become part of this bigger thing. Better thing.

 

Nothing beats what we do. Matt has said more than once that his favorite thing is the waiting, with his nostrils quivering, his eyes narrowed, behind a dumpster in a far corner of a grocery store parking lot...just waiting...waiting...until someone parks just a little further out than the rest.

 

Somebody always does. 

 

He likes watching them get out, go into the store...waiting for them to come back. Creeping up, belly flat against the asphalt, hiding in the shadow of their car, testing the air until their scent comes back—faint at first then stronger as they approach. Everything gets coiled tight like a spring.

 

Man, I’ve been there! Saliva and anticipation join up. When a person puts their key in their car door, you feel yourself move. Snap. Fast so they don't make any real noise. Sometimes they say, "Hey...," or something, but it's not like they have time to really talk.

 

Takes about half a second to break a neck. Yeah, it sucks to have to do it like that—but these ain't the old days—parking lots aren't exactly the heart of the Black Forest.  We don’t need any freaky fall-out. So, it's a bloodless hunt.

 

Hey, please remain seated okay, I’m leading up to something here.

 

Once they hit that asphalt, it's a simple matter of getting them back into the shadows. Bones are my favorite part—a hard crunch, jarring up into the pit of the brain where I exist. Matt, he loves them best, too.

 

The next day, you wake up strong. Everything is vivid. I mean, like colors, sounds, the way clothes feel on your skin— you feel like a million bucks. Strong. Clearheaded. Pumped-up.

 

It wears off, though. Little by little, day by day. But, it's okay. It's worth those last few days, dragging along, your body a mess of aches, your gut in a slow throb, because when it happens, when that full moon blasts out from behind the clouds—bang! You are like nothing else. Sitting there, curled up in the pit of your own brain, letting that turn take over. There’s nothing like it.

 

Like I said, I used to think it happened to everyone—now I know it doesn't. It only happens to some families. Ours, for one. And Lisa’s. You can't tell who by looking, either. Oh well. 

 

The doors are locked; you can’t get out of here. Matt, Lisa—this is for you and congratulations. Tomorrow you will be perfectly ready for that walk down the aisle. You lucky son—and daughter—of a bitch!

An active member of the HWA, Juleigh Howard-Hobson’s words have appeared in Amazing Stories, Dead Lands, Under Her Skin (Black Spot) Vastarien: Women’s Horror (Grimscribe), and many other places. She is a Best New Weird Award winner. Her latest book is Curses, Black Spells and Hexes (Alien Buddha). She makes her haunted home in the Pacific Northwest. X: @poetforest Bluesky: @juleigh.bsky.social Instagram: https://www.instagram.com/black_candle_poet/

The Final Review by Patrick Siniscalchi

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Dalton Smith lumbered into the boss’s office, left leg dragging, accompanied by his miasma and a whirling swarm of flies. The boss winced as the odor stung his nostrils.

 

“Have a seat, Dalton.”

 

With suspicion in his cloudy eyes, he made his way to the chair like a sloth on valium.

 

“Dalton, this company is an equal opportunity employer. We don’t care if someone’s black, white, yellow, brown, or um, zombie.” His boss lifted a paper from his desk and gave it a cursory scan. “You’ve been here a year, and it’s just not working out.”

 

Dalton tilted his head while the tattered remnants of his brow furrowed.

 

“You’re firing me?”

 

“It’s taking you longer and longer to complete your tasks.”

 

“You knew about my disability when you hired me. This is discrimination!”

 

“Well, we’ve had many other complaints.” The boss cleared his throat. “Especially about the smell.”

 

“Sally Ann reheats fish in the microwave!”

 

“No one likes that, but you threatened to eat her brains! The final straw—your ear falling off in the conference room during the division manager’s presentation last week.”

 

Dalton raised his hand to the oozy orifice behind his temple. “I can’t help who I am.”

 

The boss rolled up his shirt sleeves and walked to the door, holding it open. “I’m sorry, Dalton. Best of luck to you.”

 

His bones creaked as he rose and shuffled to the doorway. “Best of luck to you, Boss.” Dalton’s throat rasped before he clamped his skeletal jaw on the boss’s forearm.

Patrick Siniscalchi is a retired electrical engineer living in Asheville, North Carolina with his wife and scruffy dog. His work has appeared in the Bright Flash Literary Review, The Sunlight Press, Moonlit Getaway, Suddenly and Without Warning, Great Smokies Review, and elsewhere.

Where the Hair Grows by Berkan M Simsek

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They asked me if I could save the barbershop for a night, exclusively for them.

 

“You got something special planned?” I asked. I was thinking a boys’ night out, drinking, dirty jokes, laughing loudly while getting a haircut or a shave.

 

“Not exactly,” the man answered, smiling amiably. “I have a son, you see.”

 

There was a tone in his voice that I caught plainly, for I used the same one back when I was a kid and asked who the hell broke the vase, who ate all the chocolate, whether I brushed my teeth or not.

 

“He’s not so keen on getting his hair cut, you know.”

 

“If that’s the case, I can drop by your house as well?”

 

“No, no. We do not want that trouble at our house again. We did try that. Didn’t go well.”

 

“Is he—” I tried to be cautious, “—dangerous? I mean, anything I should be wary of?”

 

I’ve been thinking of all the ways I could get killed in the barbershop: those shiny scissors and razors sitting generously on the counter, blow driers that could strangle me with their cables or electrocute me with a well-timed drop in the filled-up sink.

 

“Oh, nothing to be worried about,” the man assured me, “as long as you don’t listen to him.”

 

I had cut the hair of some vicious, hyperactive kids, had some experience with violent mental patients. Thinking about them gave me comfort now, a parade of faces with curtained hair and a smooth shave. I prepared everything in the barbershop, took certain precautions, figured out hiding spots and escape routes. A few hours, I thought to myself, you’re charging triple, and it’s only a few hours.

 

They brought him over the next night, dragged him out of a gray Fiat Tempra. There were no screams but the scratches, on the fabric and the steel, the kicks thrown to the car with a clash and to the bodies with a thump, the heavy breathing – they were collectively beating any possible scream you can imagine. The son was tall and slim, had to be the skinniest person I’ve ever seen, had small green eyes, green indeed but definitely did not came from a usual blue-and-yellow mix, instead a result of a marriage de convenance of some other obscure, wayward colors. His hair reached his kneecap.

 

They rushed into the shop, silent still, shoved the son to the chair, another man took off some straps, and out of thin air, I swear, and they tied the son up.

 

“You never said he’s gonna be tied up!”

 

This was not a protest. I was not trying to convince them. I said it, because when I got back home that night and went to bed, just before falling asleep, I wanted to be able to say to myself, you tried, old man. That was the best you could do.

 

When I approached the tied-up son with a pair of scissors in my hand, preparing to make the opening cut, he let out a weak cry, an animal waiting for a wound, he was. “Please,” he begged. He was whispering to make sure the men do not hear him. They were already relaxed, one skimming the headlines of a week-old newspaper on the coffee table, the other pacing back and forth with a cigarette between his lips.

 

“I know you think this is hair, but it’s not. It’s coming from my brain.”

 

“What?”

 

“My hair doesn’t have roots. What you see here, my hair is directly connected to my brain.”

 

I hesitated, perplexed.

 

“My brain is a clump of hair,” he said, “growing right through my skull.”

 

I couldn’t help but let out a chuckle. The men caught that, turned to us.

 

“You heard that?” I asked.

 

“There’s a perfectly medical explanation for it,” the man said, looking over the paper.

 

“You mean psychological . . .?”

 

They did not answer. I thought about the hiding spots, the escape routes. Then I stood straight behind the son, settled the blades into his hair, and took the first snip.

Berkan M. Simsek is an Istanbul-based writer and translator. He holds a degree in History and an MA in Cultural Studies. He is the author of four novels and has translated into Turkish the works of acclaimed authors including Thomas Pynchon, Robert Coover, and Mark Fisher. You can find him at https://monkeylit.substack.com

For eleven years, the eleven flats on our landing kept the same pet.

 

Nobody chose it.

 

Nobody fed it.

 

Nobody ever saw it.

 

It lived in the walls and only worked at night.

 

When the children asked, the grown-ups said mice.

 

When new people moved in, they said mice.

 

And when they lay awake with the scratching coming through the wallpaper, they told themselves mice, and prayed they were right.

Every door in our new flat matched except mine. Mine had four holes in the frame, filled and painted over until they were nearly gone under the council green. I ran a knuckle over them the day we moved in, then picked a corner for my bed.

 

The move happened in autumn. By December, my bedroom came with its own weather. The paraffin heater warmed a yard of lino. The rest of the flat breathed, doors sighing on their hinges, curtains stirring, but my room held its breath.

 

A candle stood on the bedside table for the power cuts, next to Dad's darts in their tin. Three brass ones, red flights. He left in the spring. The darts stayed. After he went, I stopped sleeping, and Mum took to checking on me in the dark. And the flame on that candle never bent, the whole winter, not once.

 

By the door the woodchip bulged. A patch the size of a tea tray, its seam lifting in one corner. I picked at it the first night, and Mum smacked my hand away before tea. When we shifted the bed, a ribbon came up from behind the skirting, its colour long gone. I put it in the tin with the darts.

 

The scratching started before the cold did, in November, after lights-out, against the skirting by the door. Small strokes, over and over. Mum said mice, same as everyone. She put blue trays of poison along the skirting, and they sat there full.

 

Then one February night the scratching grew a finger.

 

I surfaced with the candle dead and the room orange off the streetlamp.

 

Someone was kneeling there. A girl, in a nightdress the same yellow-white as old net curtains, her back to me, two plaits grown out. Her nails worked at the woodchip in strokes. The same strokes I'd fallen asleep to since November.

 

The tin sat open on the table. I grabbed the darts. She turned her head to face me while her hands went on scratching the wall. I threw all three. Through her chest, her shoulder, the hem of the nightdress. They stood shivering in the plaster. The scratching carried on. The sound climbed into my teeth, and I screamed the landing awake.

 

Mum came through the door with the torch up, feeling for me in the dark. Then the big light snapped on behind her, and the wall was empty.

 

She pulled the darts out, shut them in her dressing-gown pocket and put the tin on the wardrobe, out of my reach. Then she sat on the edge of my bed until the sky went grey, and she didn't say a word about mice.

 

The next day passed like any other. Then it got dark.

 

Alone with the wall, I got a hand under the loose corner and pulled. The paper came away in one dry sheet. The plaster underneath was covered in scratches.

 

Dozens of them.

 

In the middle, cut over and over until they trenched, five letters which my fingers found before my eyes did.

 

SUSAN

 

I fetched Mum. I put her fingers on the cut of the S. She pulled them back and hauled me up off the floor. We slept in her bed that night with the light on. In the morning she went out to the bins, and I sat at the kitchen window while it came back to me in pieces over the concrete.

Edie's window looked straight across the well at ours. She said she’d known two girls lived in our flat and only ever saw one, the one her mother took to church. The other girl she only saw twice. Both times a face in the bottom corner of the glass, watching the yard, gone before she could lift a hand.

 

Then one week the glass was boarded over from the inside, and Edie never saw the face again. She worked out the rest for herself.

 

But the scratching didn't stop. Edie heard it that summer, and every summer after. She thought mice. Everyone thought mice. Family after family moved through that flat and thought the same, and Edie lay awake and thought about it too. Mice were easier than the truth.

 

Then we moved in.

 

That night I climbed for the tin, lit the candle, and pressed the ribbon into the cut of the S until the wall held it. She'd spent eleven years carving her name into that wall. I was the first to read it. I lay facing the patch and waited, and for the first time I was not afraid. Nearly morning the flame bent toward the window, the first draught to cross my room all winter.

 

*        *        *

 

The council came in the spring, filled the four holes in my doorframe, and painted over them, until every door in the flat matched. But Mum had gone quiet by then. Some nights I woke to find her at my door, her palm flat against the wood.

 

She put a new bolt on that spring. Four screws.

 

But the room had gone eleven years without a child in it, and it was hungry, and it had watched me kneel at that wall and put my hand where hers had been.

 

That spring I stopped coming out. The neighbours asked after me once or twice, and Mum said I'd not been right since my dad left.

 

So, it took me instead.

 

Listen. The scratching you can hear, down by the skirting, after lights-out.

 

The mice.

 

That's me.

Ashley Mangtani is a slipstream writer whose work explores ecological and social collapse, and the roles people inhabit in moments of crisis. Drawing on an M.Sc. in Environmental Science and his experience as a longform fiction reader for Ploughshares, his work has appeared or is forthcoming in Litro, Washington Square Review, Boudin, Expat Press, Thieving Magpie, Flash Fiction Online, HAWKEYE, Mobius, Literary Garage, Empyrean Magazine, and others. Read more at ashleymangtanifiction.carrd.co

Ring by Brennan Storr

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I don't know when I fell asleep in the chair, just that ringing woke me up. Of course it did.

 

The black and white phone was on the wall separating the kitchen from the dining room. It had been chosen for its particularly loud ringer, to make life easier for Marianne, who had been hard of hearing since she was a girl. 

 

Everything in our life together had been loud: phones, alarm clocks, dinner parties full of friends and family arguing over childhood memories and who had been their mother's favorite. Now it was all gone, save for the ringing. Every night. My shoulders tensed involuntarily. If I didn't pick it up, it would keep ringing. 

 

“Unplug it,” you say? “Rip the cord out of the wall!”

 

Friend, I did that a month ago. The shiny plastic handset kept bleating like something furious and wounded. I could throw the whole phone away, I suppose, except I used to teach “The Tell-Tale Heart” to my students and we all know how that ended. Besides - part of me wants to answer the phone, so I do.

 

“Hello?”

 

I say it every time, even though I know exactly who it is.

 

“I'm burning, David.” Death hadn't changed my wife's voice one bit.

 

Tears split my vision into fractals, one point of amber lamplight became twelve spotlights, rooting me to the ground. I fought down the sob clogging my throat.

 

“Did you hear me, you worthless sack of shit? I'm burning and it's your fault.”

 

My legs buckled. With no time to brace, my kneecaps slammed into the maple floor, tongue caught between clicking teeth. White hot pain and the taste of copper overwhelmed my senses. My cheeks flooded, mangled tongue throbbing.

 

“Listen to you. Crying. Pathetic. You think you know pain, David? You have no idea. The things they've done to me. The things they're going to do. It's endless. Endless. Endless.”

 

Marianne's voice repeated the word again, distorting further each time, stretching out into a brutalized wail. Her screams rose higher until they became indistinguishable from a twinkling chorus of twisted steel and broken glass. Just for a moment I'm back in the car. Twin headlight beams frame the snow-heaped road spinning away from us into the dark. 

 

We'd been coming home from dinner. She told me I'd had too much to drink. I waved her off.  She begged me to slow down. I told her not to be a backseat driver. Snow blew across the hood of our old Buick until the road ahead was a white wall. The faster I pushed us into the storm, the tighter Marianne gripped my leg. Would I have still hit that patch of black ice if I'd been sober? I'll never know. 

 

What I do know is that after the world righted itself and the grinding destruction of our car had finished, the hand clinging determinedly to my thigh was all that remained of my wife. The rest of her had been pulped by the crumpling vehicle. Her forearm ended in a grotesque marriage of gristle and steel.

 

Once the nightmare had replayed itself yet again, I came to on the living room floor, clotted blood caked on my chin. Next to me, the receiver swung limply, mercifully silent. Until tomorrow, of course. 9:12 pm, on the dot. The same time I killed the love of my life, and damned her to an eternity of torment. Why should she suffer? What sort of God punishes a kind woman for the actions of a fool?

 

It should be me burning for all time. Suffering without end. That’s why I pick up the phone every night it rings.

Brennan Storr is the longtime host of The Ghost Story Guys, Canada's longest running paranormal storytelling podcast. He's also the author of more than 250 retro horror stories for the "Fear Daily" podcast.

We Have to Have Peace by Paul Watkins

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The day insurrectionists stormed the U.S. Capitol, hoping to stop an election, Sarah’s pee stick formed two sharp, pink lines. The package instructions and her nausea confirmed she was pregnant. In the next room, her stepfather, Butch, roared his approval as he watched an angry mob push against police and rush the Capitol steps.

 

“Come in here, Sarah.” Butch shouted with drunken enthusiasm, “They’re hangin’ the vice president and lookin’ for Palosi.”

 

“Did you even vote, Butch?” Sarah stood, wiping a sleeve across her nose; her face wet with tears.

 

Butch turned from the television. “You’re upset. Come sit on daddy’s lap.” Butch slapped his thighs with a knowing grin.

 

Her voice sharp, tight against her throat. “Not today, Butch.”

 

She hurried back to her room, slammed the door, locked it, and curled into herself on the bed. The monster waited just outside.

 

Sarah’s abuse had intensified over the years, and she felt trapped in hopelessness. She would be fifteen soon and perhaps a mother. How would Butch deal with that news?

 

Curled in her bed, fighting despair, she grew restless. How are monsters defeated? Her monster stole innocence. Her monster had power—she had none.

 

Butch yelled, “They’re inside the Capitol, hunting.”

 

Hunting, she thought, that’s it, hunt the hungry monster of her nightmares.

 

She remembered flipping through Netflix for something to watch and landed on a documentary about this woman who cut her husband’s dick off. Lorena-something, had been abused by her husband. Well, cheated on, but that’s like abuse. One night when he was asleep, she got a knife and cut off his dick. Maybe that wasn’t funny, but it was a little. Lorena drove off with her prize and threw it out the car window. Maybe Butch wouldn’t be anyone’s monster without a dick.

 

How could she put Butch to sleep and work her plan? Her mom called them Yellow Jackets; they put her right to sleep. Sarah searched for the pills she had stolen and crushed them into powder.

 

In the kitchen, she dissolved the powder into a beer from the fridge and grabbed a second.

 

“Butch, I’m sorry about getting mad and all. Here.” She handed him his beer.

 

“You’re so beautiful.” He smiled.

 

“Hey, let’s see who chugs these faster,” Sarah challenged. “Ready? One, two, three, chug.” They threw back their beers. Butch slammed his down well ahead of his stepdaughter.

 

 “How ‘bout another?” Sarah urged.

 

His slurred voice followed her into the kitchen, “You’re . . . good. You know . . . You know how to make your ol’ man . . .," Butch fell silent.

 

Sarah found a pair of shears used to cut up fish and chicken. Perfect, these should do the job. She took a breath, stuffed the sheers in her waistband and walked back into the room with Butch. She heard the president’s anxious voice, I know your pain, he said, I know you’re hurt. But you have to go home now. We can't play into the hands of these people. We have to have peace.

 

Butch had slumped in his chair, vulnerable, but something made her hesitate. Could she do this thing? Yes. Do it. Do it. A voice within her screamed.

 

She tugged his pants below his knees and with the shears, sliced away his power. Blood gushed from the amputation. She rushed to the bathroom for towels and packed them between his legs.

 

Butch’s guttural snort showed life, not consciousness. Her prize lay gently in her palm. What do I do with this? The Netflix woman threw hers on the side of the road. She couldn’t do that. She had flushed her dead goldfish down the toilet. No. She walked back to the kitchen, stood over the sink, dropped it in the drain, ran water, and turned on the garbage disposal.

 

She returned from the kitchen to watch the news as a righteous mob left the Capitol with riot souvenirs and pride for what they’d done that day.

Paul Watkins lives in St. Louis, Missouri, with his wife and has two adult children. He is an assistant editor for the fiction department, Consequence Forum and Executive Editor for The Clearing House Journal. His stories have appeared in Flash Phantoms, Litmag 2019, and Storied Stuff: Show and Tell for Grown Ups. He received The Educational Press Association of Distinguished Achievement Award for Excellence in Educational Journalism.

Perfect Fit by Barb DeMoney

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I need to tell our story. One of love and loss. I don't have much time, but I must let someone know.

 

I still remember that day…

 

You wore those killer boots. The sexy black thigh-high leather ones that made my heart hammer.

 

The sun sliced through the wide windows of the Bistro Cafe, warming the air and casting bright rays onto the worn wooden tables.

 

You were ordering a white mocha latte, when you finally looked up, a laugh caught in your throat. Our eyes locked, and that was it, wasn't it? The beginning of everything.

 

I still re-play that memory in my mind. The way the light caught the curve of your ass in those tight-fitting jeans, the tiny, scattered freckles that dappled your pale cheeks. We spent the next five months stitching our lives together.

 

Quiet evenings, watching the rain pitter-patter on the windowpane, the way you always left your favorite purple scarf draped over the back of the kitchen chair. That time I surprised you at the gym. Nobody knew you like me, Leslie.

 

Nobody saw that gleam in your eye or appreciated the way you flipped your hair. Just me.

 

We were perfect.

 

But perfection can’t last, can it? Not in our broken world.

 

And now, this.

 

I couldn't bear to see you so exhausted. Everyone demanded so much from you. I couldn’t let that continue.

 

I decided it was time we got away, just the two of us.

 

Helping you to the car, I run my thumb across your cheek. It’s cold now, replaced by a smooth, marble-like firmness I’ve never felt before. You look peaceful.

 

It was necessary. Nobody else was worthy of the bond we shared.

 

The truth is, Leslie, you never truly saw me that day at the Bistro. You never laughed with me. You just walked out, focused on your phone.

 

It hurt.

 

I’d been watching you for two months before that… before I knew your name, learned your routine, and discovered where you lived.

 

We weren't a couple. Until now. Now we're together forever, locked away from the world.

 

I knew you were lonely. I saw it when you walked home alone.

 

Your weight is surprisingly light as I carry you. Your body doesn't resist; it folds perfectly into the car boot. I carefully arrange your limbs beneath the heavy lid of the cramped space.

 

There. A perfect fit.

 

I lean in, brushing the curtain of dark hair away from your forehead. I kiss you gently, tasting the saltiness of your sweet skin.

 

“Don’t worry, my love,” I whisper, shutting the lid with a soft, final thud. “We can be together forever. Just us.”

 

I drove back to where we first met.

 

Inside the car, the gun waited – warm from sitting in the sun. I turned the pistol on myself. The last piece of our story fell into place.

 

Leslie, I'm glad I could share our love story with the world. Now we’ll never be apart again.

Barb DeMoney is a writer whose work spans romance, horror, comedy, thriller, and mystery. Her stories have appeared in Micromance Magazine, Flash Phantoms, Quotidian Bagatelle, Rat Bag Lit, and KissMet Quarterly, among others. When not writing, Barb enjoys hiking, yoga, reading, attending concerts, and spending time with her family and dogs.

Adeline by Ronald Kundinger

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October 31. 6:00 pm.

    

Adeline Harris, dead thirteen days, pulled herself to her feet using her headstone.

    

Though she was unaware of time, it had taken her seven hours to claw her way out of her coffin and the earth above it. Her head turned reluctantly. It all looked familiar. Why? She took a step. Her legs moved, but there was no grace to their movements. Her feet, one bare, one covered with a white sock, shuffled slowly through the crisp autumn leaves that covered the grass.

   

A fox, sniffing for a meal, stopped and watched her progress. Unconcerned, it moved on.

    

It had been twenty-two hours since the event. No one knew what caused the event (and no one ever would) that re-animated certain dead and drove them to seek living human brains. “A stereotypical zombie apocalypse,” said news stations. Hollywood filmmakers and a few hack writers said, “See, told ya so!” It didn’t really matter. In less than one month, the zombie “apocalypse” would end as mysteriously as it began; for most of the country, life went on as usual. Most people didn’t believe the stories that were coming out of major metropolitan areas, and so in middle America, Halloween went on as planned.

             

Stumbling as she stepped off the curb into the street, under the yellow glow of a streetlight that had just come on, Adeline raised her hand to her face. The two nails that had not been ripped from her fingers were chipped and filthy. Her hands looked like dirty porcelain. Putting her finger between her nose and her upper lip, she came away with a small amount of dark fluid. She continued shuffling forward, guided by something internal. She tried to open her mouth, but small sutures held it closed. She pushed her tongue against the threads. She wanted to breathe. She tried to inhale but only made a soft, wet sound. She walked on, her joints cracking every few steps as if they were new.

           

Movement on the other side of the street drew her attention. Children. She heard voices and laughter. It all sounded so familiar. Why? She crossed the street, walking in the direction of the waning gibbous moon. Several children squealed as they ran past her, dressed as clowns, princesses, or vampires. A few parents looked cautiously at her, having heard some of the news stories. She walked on.

 

Another block. More voices. “Mommy, look at that zombie!”

 

“Yes, honey, it’s very realistic.”

 

Again, a burst of familiarity. “Mommy.” She turned her face toward the moon. The lace at the collar of her funeral dress was torn, and the skin beneath reflected the pale moonlight. She walked on. Her bare foot slapped at the concrete. A couple walking a dark brown Cockapoo gave her a wide berth as the dog snarled and pulled at its leash. Another curb, another stumble. Her tongue continued worrying the sutures in her mouth. More children ran past, their screams and laughter echoing.

 

The moon continued its rise as the sky darkened. Adeline stopped. The street she was on seemed familiar. Why? She walked on, pulled inexorably by some unknown force. Just ahead of her was a small house set back from the street. White siding. Brown shutters. The house gnawed at her memory. A figure sat on cement steps, illuminated by a porch light.

 

Adeline walked closer. The sutures that held her lips together snapped, and her mouth twisted into a grotesque parody of a smile. The small figure on the steps turned its head in her direction.

 

“Mom? Mommy?” The figure, a young boy dressed as Harry Potter, stood. His face was a mixture of confusion, joy, and fear. “M…mom. Is that you? How…?”

 

Yes. Memories. Mom. Mommy. Yes. A drop of fluid dripped from her upper lip onto the sidewalk. Mommy. Yes, she was mommy. He was. He was…Aiden? Yes. Aiden.

    

The boy walked cautiously toward her. Adeline’s mouth worked, making a wet sound as she tried to smile. Yes. Aiden. Yes. Mommy. She spread her arms. Mommy. Aiden’s eyes opened as he saw his mother in the light. Her hair was disheveled. Her porcelain skin was dirty and darkened in spots. Her dress was tattered. One filthy bare foot. One dirty white sock. Yes. He stepped back as she grabbed his sleeve with her twisted claw-hand. He pulled but could not break away. Adeline’s mouth twisted again. Yes. Mommy. Come to mommy. Mommy is hungry.

Ronald Kundinger is a 67-year-old emerging writer and artist, living in Appleton, Wisconsin.

Killjoys by Adrien Thibault

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You are engulfed by the hot smell of Human: sweat, musk, saliva on salty wet skin. The aftertaste of cigarettes titillates your lips, your tongue, your throat. You run your hands along your chest and waist and legs and know that you are soft and fragile and permeable, in constant humid interaction with the air you breathe, the linen you touch.

 

The girl perks her head up. “What’s the matter, Zag?”

 

You roll out of bed and the next instant there is a loud BANG, and pain shoots up your back and ribs and neck.

 

She peeks over the pile of linen, naked and fleshy. “Jesus Christ, are you okay?”

 

You open your mouth to speak but you are not familiar with the heavy feeling of having a tongue, or the awkwardness of moving your lips into shapes, so all that comes out is an elk-like wail.

 

She jumps back. “You’re not funny, Zag.”

 

You slump forward, wrestle the bedside table, manage at last to stand upright. Thousands of muscles clench, tighten, and release for you to even exist. In your chest, a jackhammer pumps blood through your system. You focus on the sensation; dozens of hairs rise on the back of your neck.

 

“I’m calling security,” the girl wails.

 

As she cries on the phone, you make your way around the room, fingering the walls, slamming the windows, letting out grunts and screams, physical noise, laughing, falling, getting up again.

 

“We were sleeping together and he went all limp,” the girl sobs, “I’m scared, his eyes are all wrong, I think he’s having some sort of stroke.”

 

You find the door at last and rip it off its hinges. The wall tears apart like paper and puffs into a cloud of white dust. The girl screams. You spin around to tell her to SHUT UP but instead you utter a broken wail.

 

Just as you step into the hall, something hard hits your head and your vision blinks and whirrs. You scream, you clutch your temples, but the pain is too strong. You can’t catch it. You can’t throw it away. All you can do is wave your arms and wriggle on the carpet.

 

“That’s not a shapeshifter,” a man says.

 

Someone flashes a light into your eyes. You snarl and hiss.

 

“Jesus Christ, Ned, we got another fucking possession.”

 

You try to yell, “NO, NO, NO,” but it’s too late. The security team douses you in holy water and sage and suddenly you are weightless. The smell of Human dissipates. You try to scream, but you can’t. Try to fight, but you can’t.

 

Concepts don’t have a shape! They don’t have dark moist insides, and hot heaving breaths, and spittle, and ooze!

 

From very far away, a man says: “We’re going to have to crack down. Now that demons are gone, this is the fifth forest spirit that has snuck in.”

 

The girl sobs: “Will Zag be okay? He’s not waking up. He’s not waking up.”

 

Disappointed, you figure you’ll have to stick to insects and raccoons a little while longer.

 

Humans catch on too quickly. What a bunch of killjoys.

Adrien Thibault is a second-year law student who never grew out of his dinosaur phase. He lives in Montreal with his seven birds. When he isn’t writing, he’s making terrible low-budget films with his friends. Email: Adrien.thibault221@gmail.com

Playdate by Ella Gonder

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Tap, tap, tippity tap. I do my usual knocks on the daycare window before inviting myself in. Nate’s eyes pop up from behind the bookshelf, scanning me up and down to confirm I’m not some psychopath picking him up. Another pair of eyes rises and squints at Nate, clearly smiling.

 

“Mommy!” Nate screeches as both boys, all of three feet tall, run toward me.

 

“There he is!” I say, opening my arms to embrace him.

 

“Can Liam come over tonight? Please!” he shouts.

 

I look over at Liam who’s smirking and gripping Nate’s arm with his grubby fingers.

 

“Only if his mommy says it’s okay,” I answer, still watching Liam who hasn’t stopped smirking as thick snot oozes down his philtrum. Little creep.

 

“And she does,” says an unknown voice from behind me. I turn around to see a woman decked out in leather pants and a fur coat that looks like it costs more than my monthly mortgage payment. “Hi, I’m Amanda,” she beams.

 

“Erm, Miranda. Nice to meet you,” I mutter, angling myself away before she can scrutinize my pilling polyester knit and my deceased grandmother’s khakis.

 

“If it’s all good with you then I’d love for Liam to make some new friends. It’s our first week here,” she smiles, flaunting her stark white veneers.

 

“Sure, that’s fine,” I say, hoping she’ll miraculously decide against dumping her kid on me tonight. Of course, there’s no such thing as miracles. Instead, we exchange numbers and agree for her to pick Liam up at seven.

 

When we get back to the house, Nate’s already halfway up the staircase. “My room’s upstairs!” he shouts.

 

Instead of following him, Liam clasps his hands behind his back like an elderly man and saunters around the main floor. After a couple of minutes, he strolls over to the kitchen and stops in front of me.

 

“You sure have a lovely home, Miranda. Real tasteful,” he says, staring up at me. I stand there stunned, trying to stop myself from recoiling. What the fuck kind of four-year-old says that?

 

“Thank you, Liam,” I spurt out as my upper lip twitches, “Why don’t you go play with Nate now.”

 

Liam rolls his eyes and unenthusiastically strolls back out. I peer around the archway to the sight of him stopped on the staircase in front of Nate’s baby pictures. He examines them for a few seconds before continuing up the stairs.

 

An hour later, the boys come rushing down to eat. I plate our spaghetti and we sit around the table chowing down in silence. I can feel Liam’s eyes on me from across the table. As soon as we make eye contact, he does that stupid smirk again. Oh my God.

 

Once we finish eating, I clear our dishes and suggest that the boys go play before Amanda arrives. Sure enough, Nate is right on that and thumps back upstairs. Liam just sits quietly at the table.

 

“It’s been a long time since I’ve had such a wonderful dinner, Schnooks,” he says, breaking the silence.

 

I go stiff. After a few seconds, I turn around and face the boy sitting with his hands crossed on the table.

 

“Wh-where did you hear that name?” I stutter, “The only person who’s ever called me that is—”

 

“Who, Miranda?” he grins, now holding his chin up with his fists.

 

“Todd,” I heave as any air I have left flees from my lungs.

 

“Did you really think that you could kill your own husband, get away with it despite being a dumbass, and hope that he’ll never come back?” he tilts his head and flashes a smile composed of staggered baby teeth.

 

I fall back into the edge of the countertop. He stands up and leans against the side of the table with one leg crossed over the other, dressed in corduroy pants and a teddy bear sweater.

 

“Bu-bu-bu—” I tremble.

 

“Bu-bu-bu,” he mocks, “Oh, Schnooks. I vowed that I’d always stay by your side, didn’t I? So, here I am, right by your side, as long as we both shall live. Or you, anyway,” he snickers, accentuating the tomato sauce crusted at the corners of his mouth.

 

My clammy hands grope the granite, trying to grab something, anything, as he starts slinking toward me. He’s so small that his pants crinkle only so slightly with each step.

 

“Don’t come any closer! Or I will—” I shake.

 

“What are you going to do, Miranda? Murder a child? That’d be low, even for you. Plus, I’ll just find another one and befriend Nate all over again. Though, I’d rather stay in this kid so I can check out his mom every day,” he sneers. Stomach acid inches up my throat, but the doorbell chimes before I can throw up.

 

Todd flashes his eyebrows, then walks over to the front door and flings it open himself.

 

“Mommy!” he screams, throwing his arms around her waist.

 

“Hi, baby! Did you have a good time? Where’s Miranda?” she asks. Sure enough, she sees me in the kitchen. I don’t move. Instead, I question whether to blurt it out. She’ll never believe me if I say that my vile ex-husband is possessing her son, or that I’m the one who drove a knife into his neck and hired some guy to do the rest. 

 

“Nate’s upstairs. I’ll tell him you both say goodbye,” I say flatly. Todd is sitting on the first step of the staircase shoving his tiny feet into tiny shoes. He secures their Velcro straps and leers over at Amanda, then looks back at me and winks.

 

“Alright, Li, you ready?” Amanda asks and glances over at me, “Thanks, Miranda. Nate’s welcome for a playdate at our house anytime. See you tomorrow!” She leaves with Todd latching onto her leg. He whips his head around before the door completely shuts.

 

“See you tomorrow,” he grins.

Ella Gonder holds a BA (Hons) in English and History from McMaster University in Ontario, Canada. You can find her horror stories on Flash Phantoms or by hacking into her computer.

Replacement, Old Model Removed by Laura O'Meara

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It happens in slow motion. First a wobble. Then a moment where she thinks it might be OK. Then it falls.

  

Livia wails. It’s a noise befitting a stricken child. Or a savaging of a renaissance masterpiece. Not the toppling of an electrical appliance. Regardless, Livia wails and topples too. 

 

The TV’s OLED screen is no match for the parquet floor. Cracks spiderweb across the glass. Livia crawls towards it. How had this happened? The hoover cable had been nowhere nearby.

 

She scrambles around, looking for a bar code or model number. Daniel had spent a long time reeling off the TV’s many features but hadn’t mentioned its name. Turning it over, she catches her fingers on a splintered edge. Blood wells, seeping into the creviced screen. Livia weeps. Not from the pain, but from the further destruction.

 

At least Daniel was away with work until Wednesday. Four days should be long enough to find a replacement, right?

 

-You can’t just replace it. You’ll have to tell him, her friend replies to Livia’s panicked confession.

 

-It’s just a TV, he’ll understand. Besides, mercury is in retrograde. Stuff like this happens.

 

Daniel will absolutely not accept that as an excuse.

 

An exact replacement cannot be found. Out of stock or discontinued everywhere Livia tries.

 

-How can it be discontinued? It’s only 3 weeks old! This is divorce!

 

-It’s just a TV, Livia. Tell him.

 

So, Livia gives up and calls, sobbing her apologies down the phone. Daniel just laughs, voice crackly with the line’s bad reception.

 

“It’s OK, Livia. We can get a new one.”

 

###

 

Daniel arrives home before the new TV does. He kisses the tips of her cut fingers. She makes them dinner. They giggle about the whole affair.  

 

The new model is bigger and better than the original, which gets dumped down in the cellar until they can arrange about recycling. Daniel runs through all the specs in bed that night. “Mmm, dear,” Livia agrees, snuggling in. The techno-jargon all just sounds, but she likes the thrum of them from his chest.

 

###

 

A few days later, Livia is down in the cellar looking for wine and stops in front of the old TV. A multitude of Livias stare back from the battered, warped screen. But in the bottom right-hand corner – the biggest chunk of unbroken glass – it isn’t a reflection. It’s her from the day of the accident, hoovering the rug. Livia crouches down. Had it somehow been recording? (It had been a very smart TV). And was now stuck replaying these last moments?

 

“Baby, did you find the Malbec,” Daniel calls down.  

 

“Yes! Coming!”

 

###

 

The next day, Livia goes to look again. The same sixty seconds of her hoovering is still looping in the right-hand corner. But it’s not exactly her. TV-Livia is slimmer, legs shapelier. Her hair bounces, perky as a shampoo advert. She’s hoovering lightly, elegantly. Like it’s not about the dust – just a performance for whoever might be coming home. Nothing like the dragging, sweating mess that Livia always ends up as. So next time Livia is hoovering, she copies her TV-self. She swishes the hoover around, light on her toes. Thoughts of pirouetting dancers and rising birds.

 

###

 

Each day Livia checks the TV; the vignette has something new. Flowers unfurling on the table. Candles shimmering on the mantlepiece. Livia is inspired. She sources artistic flower arrangements and their orange and pink throats yawn from every corner. TV-Livia would breeze around smelling like bergamot and jasmine, freshly crushed petals. So, Livia invests in perfumes and reed diffusers. Exotic apothecary bottles of royal blue and indigo. TV-Livia would be soundtracked by sighing saxophones and midnight pianos. A Chet Baker playlist is put on rotation.

 

Daniel is delighted with the enthusiastic sparkle of everything. With the wiggle of her hips as she dusts. He pulls her down on the sofa, burying his head in her hair, murmuring how irresistible she smells. Livia wriggles, also delighted, and curls in as he watches TV. She doesn’t look at the screen though. Too colourful. Too loud.

 

###

 

A few nights later, a cracking sound wakes Livia. She creeps downstairs to investigate but finds nothing in the kitchen or the living room.

 

The noise comes again, echoing from the cellar. Livia tiptoes down. Mouse steps. Kitchen light, cellar light and phone torch all blazing.

 

“Hello?” she calls, not wanting an answer back.

 

Again nothing.

 

Livia pauses by the broken TV, wondering whether TV-Livia’s nighttime routine differs to the daytime hoovering. But TV-Livia is not moving. She is right up against the screen, staring.

 

The TV trembles, its cracks fissuring wider. A hand punches through, shattering the glass. A life-sized hand. An arm follows, then another hand, clawing at the hole. Wrists and elbows rotate too far, flailing and folding at abominable angles. Unable to grip.

 

“What?” is all Livia can say. A few trembles back all she can manage.

 

A head writhes out, then shoulders, then a whole body slides through and crumples to the floor. Livia can only whimper as the thing spasms and sways itself to standing. It twitches, snaps like all its bones are clicking into place.

 

It’s her own face smiling back, once the jaw has righted itself. TV-Livia.

 

Actual Livia is too slow to avoid the savage, grasping arms. Fingers clamp and drag her towards the screen.

 

“No!” Livia tries to scream, tries to struggle. But TV-Livia is too strong, forcing her into the yawning hole.

 

It doesn’t smell like bergamot in there. It’s the singe of solder and overheated plastic. No jazz tinkling. Just staticky howls.

 

The screen seals shut and Livia is left in there, hammering on the glass, watching TV-Livia turn off the cellar light and climb the stairs. Daniel isn’t going to notice anything different. And even if he does, TV-Livia is prettier and perkier than her. An upgrade. He won’t complain. He won’t come looking.

Laura O'Meara is a writer who grew up in the UK and has since translocated to Valenica, Spain. Her short fiction has appeared in publications such as Nature Futures, In the Veins, and Bewildering Stories. She is currently working on her first novel.

The Excel File by Albert N. Katz

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Brenda Blackstone hated early December. Not the weather particularly. True it was cold but she could always find a warm body to keep her warm, and a delightful breakfast to follow. No, she hated November because in her family that was time one prepared the Christmas missive to be sent out to friends and clan alike, from parents to third cousins, barely known, describing the past year’s achievements of her oh-so-perfect family with their promotions, new and better jobs, and awards.

 

Brenda had nothing she could brag about. Her childless marriage was long over. Her job was a dead-end, and barely brought in enough to make ends meet. Her apartment was drab, her life was drab in comparison to that of her twin sister Rachel. At least that was how it looked like from the outside.

 

Rachel. Perfect Rachel. Her parent’s favourite. The one that though looking exactly like her had made all the right choices, had succeeded in every way in which she had failed. Every way but one. And that success Brenda could not share.  

 

Arriving in that space between Christmas and New Year, she found Rachel’s yearly letter, dreary and pretentious; the enclosed photographs looking staged. And, knowing her sister, thought it likely the yearly record of achievements was a pathetic passive-aggressive attempt to bolster her flailing self-confidence. Brenda, on the other hand, having neither the perfect husband and children, nor the successful career, the wealth, the trips, the oh-so-wonderful everything felt pity not jealousy for her sibling.

 

They were identical twins after all, and she knew the urges Rachel had that she had to supress to claim the life of fame and glamour that she spread like a plague in her annual letter. Branda, on the other hand, knew she was the one truly free. She had no interest in flouting her life, or at least that part of it that made sense to her family social niceties. She felt no jealousy in the baubles of success that Rachel so badly seemed to need. Poor Rachel with her superficial achievements.

 

Brenda had her own needs, true. She knew in her soul that Rachel had those same needs and they were not those paraded in her year’s end letter. Unlike the rest of her family, Brenda did not send out an annual Christmas missive. Nonetheless, she did an internal audit the last week of each December. She would open her Excel file and, starting at the first week of January, revel at the memories revived with each of her four successes that month.

 

She followed that routine once again, rejoicing, as in the past, at her weekly achievements earned every seven days, throughout the months. Four, or on a good month, five victories. Ones that her sister’s body cried for but could not express. Brenda looked at the dates, and her descriptions of each and every successful event.

 

What a wonderful year that past one had been. January. So perfect. So satisfying. February even more so. Each month building on the previous one. Better and better. That is, until she reached October. Her blood grew cold. There were her successes for the first two weeks, but the third was blank. She tried to remember but could not think what happened that week. She was missing one! She rushed through the rest of the year, praying that she had rectified the omission. Not in November. Nor even in the first weeks of December. Nothing. In a panic, she counted, and recounted, the rows. And each time she came up with a count of fifty-one.

 

She was devasted. Fifty-one victories, true, but one short of a perfect year. For the first time she had kept score since turning eighteen, seven years previously, she has failed! She collapsed on her drab her bed in her drab room and cried. But only briefly.

 

Brenda was not one to give up. The year was not yet up. There still was time to close the year in total victory; time to rectify that blemish. There was, after all, a limitless supply of sad lonely men looking for companionship. For that someone to paper up the cracks in their souls. And their needs would be so more acute at Christmas, and as the New Year loomed closer. Yes, she had plenty of time to lure a lonely man leaving a bar back to her home where they could keep each other warm and satisfied. Then, she would have her breakfast. Yes, she assured herself, she had plenty of time to bag her fifty-second achievement of the year and, once again, celebrate a perfect record.

 

Plenty of time to walk him home and when alone, drag him into an empty ally for one last kiss; for the quick flash of her knife across his neck.

Albert N. Katz (he/him) retired from academia and started a literary career after 43 years working as a cognitive psychologist. His stories and poems have appeared since in horror, science fiction, fantasy, murder and literary magazines or anthologies. With respect to his speculative writing history, his stories can be found (or accepted for publications) in magazines, such as Allegory, Black Cat Weekly, Black Petals, Everyday Fiction, Illustrated Worlds, Punk Noir, Spaceports & Spidersilk, Stygian Lepus, and Twenty-two twenty-eight. And in various fantasy, science fiction, or horror themed anthologies.

Faster Route Available by Thomas Hobbs

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Monday

“Faster route available; take the next exit to save 1 minute,” announced the mechanical voice.

 

Sarah rolled her eyes. “Ohh, Mr. Maps, you have a new voice, how fancy. But no thanks, not for one minute. Those country lanes are pitch black and full of potholes.” She drummed her fingers against the steering wheel, already tasting the Cabernet waiting for her at home.

 

The evening traffic crawled along the motorway, a constellation of brake lights stretching ahead.

 

“In 500 yards, your destination will be on your left,” came the mechanical announcement.

 

“Thank you, I know where I live,” Sarah muttered, then caught herself talking to the device as if it were a person. Five years in this commute had made the sat nav voice more familiar than some of her colleagues. “Five minutes later than you promised. Not everything can be calculated perfectly, can it, Mr. Maps?”

Tuesday

“Faster route available; take the next exit to save 5 minutes,” announced the sat nav.

 

“No, thank you, Mr. Maps. Better the devil you know,” Sarah responded firmly. She'd tried that route once last summer, lanes barely wide enough for one car, let alone the boy racers who treated it like their personal racetrack.

 

“And anyway Mr. Maps, grandma always used to say,” then in her best impression of grandma “always stick to the main roads, Sarah. Help is harder to find on the quiet ones.” Sarah smiled at the thought of her grandma. “All I want is a bath with that lavender oil Emma gave me,” she said to the empty car. “Besides, I need to be fresh for girls' night tomorrow.”

 

As the traffic slowed to a standstill, she drummed her fingers on the steering wheel, wondering briefly if five minutes might have been worth saving after all.

Wednesday

“Faster route available; take the next exit to save 21 minutes,” announced the sat nav.

 

Sarah's hand hovered over the indicator. Twenty-one minutes? That wasn't normal.

 

“Must be an accident ahead,” she reasoned aloud, glancing at the clock on her dashboard. “It looks clear, but I can't take the risk.” Her reservation at Bellucci's was for eight, and they'd made it clear when she booked two months ago, they only held tables for fifteen minutes.

 

“Okay, Mr. Maps. You win this time.” She signaled and turned onto the exit ramp, her chest tight with unfamiliar anxiety.

 

The narrow country road unwound before her headlights. The evening sun caught fields of tulips in golden light, their colours vibrant against the deepening blue sky.

 

“It's actually beautiful out here,” she said, surprised. A small flock of sheep grazed in a nearby field. “Ba!” she bleated softly, then laughed at herself. The tension in her shoulders eased.

 

“Stranded car ahead,” announced the sat nav.

 

The red car came into view around a bend, hazard lights blinking. A man in a blue coat waved both arms over his head, his posture radiating distress.

 

Sarah slowed, her grandmother's warnings echoing. But the man's face looked genuinely panicked, not threatening. Young, with wire-rimmed glasses and a floppy hair style.

 

“I shouldn't,” she whispered, her finger already pressing the button to lower her window slightly. “But I can't just leave someone stranded out here. And I am not sure I could even squeeze past.”

 

She pulled onto the side of the road, leaving the engine running with her phone clutched in her hand. She opened her door, as the man approached with visible relief. The smell of damp grass hit her immediately.

 

“Thank you so much, three cars have already driven past,” he said breathless. But as he stepped closer, Sarah noticed his breathing was perfectly calm. The panic didn't reach his eyes. Suddenly…

 

*Squelch. Thwack.*

 

The pain in her stomach was instant and shocking. Sarah looked down, uncomprehending, at the blade buried to the hilt just below her ribs. The man's face had transformed, eyes now cold, smile predatory.

 

Her knees buckled as he caught her weight, efficiently bundling her into what she realized was the boot of his car. The hollow bang of the lid closing sealed her in darkness.

 

The carpet was rough against her cheek. Something wet and warm pooled beneath her, carrying the coppery smell of her own blood. Her thoughts scattered like startled birds. “Stay on the main roads, dear.”

 

As consciousness slipped away, the muffled sound of her sat nav floated through the darkness from her abandoned car:

 

“In 500 yards, take the next left.”

Thursday

"Faster route available; take the next exit to save 5 minutes,” announced the sat nav.

 

“Thank you very much, Mr. Maps,” said Zack, his fingers tapping a rhythm on the steering wheel that matched nothing on the radio.

 

He hummed along to a melody only he could hear, occasionally glancing at the carefully folded blue coat on the passenger seat beside him. Covering a cluster of old smartphones, all glowing with the same red traffic map. A perfect artificial gridlock.

 

“Stranded car ahead,” announced the sat nav.

 

Zack slowed the red car, squinting through the windscreen. A tall, broad-shouldered man stood beside a silver hatchback, something metallic glinting in his hand as he waved frantically.

 

Zack's lips curled into a smile. “Well, well,” he whispered, reaching for the blue coat. “It appears my good deed for the day has found me.” His hand slipped beneath the seat, fingers wrapping around cold metal of his own.

Tom Hobbs spends his days telling people their houses are falling down as a property inspector, and his nights writing stories that attempt to rebuild his sanity. He is a recovering technical writer who has decided to trade clarity and precision for weirdness and silliness. When he isn’t measuring damp levels or judging your drywall, he is writing nonsense.

Halloween 2020 by Koren Cowgill

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You haven’t been out much. With the spread of Covid-19 isolation has become necessary. Solitude suits you, anyway. You focus on your writing and finish the current short story as daylight fades.

 

You do look forward to trick-or-treaters this evening, something to break up the monotony. You’re glad it isn’t trash day—the cans would topple with this wind. You worry for the gentlemen who collect the trash, and send them good vibes often. They handle everyone’s filth day after day in the midst of the virus. Nice they wave back at you when they drive by.

 

Mostly you avoid television, but you caught a science segment on the news describing the virus, how it spreads and what it looks like. The ugly images made your skin crawl.

 

You imagine the particles floating toward you like disembodied heads with hairlike tentacles, stretching closer. They tear off your mask, fly up your nose and into your mouth so you can’t breathe…

 

The candy bars lay on a table on the front porch. You sanitized them and separated them so the children can grab one and go. These days parents hover more; they have to. When you were a child, life was simple. Kids rode bikes all over town, played outside and ran free. The children’s laughter brings you pleasure. They parade up your sidewalk in their costumes, safe in their masks. At the end of the official trick-or-treating hours, you unplug your purple Halloween lights and step inside.

 

But the doorbell rings again. One more trick-or-treater won’t kill you. A small child stands in front of you, a strand of blond hair visible from under her mask. You smile. She must have interesting parents.

 

“Who are you?” You play along, enunciating as the words pass through your mask.

 

 “I am a Gorgon,” a tiny, sweet voice responds.

 

“I see that. Which one—Medusa?” You nod at the rubber snakes on her head.

 

“No. Euryale.”

 

You shiver at her words, too specific and confident. Your mind lurches to the Greek myth—the immortal Euryale’s strident howls as Perseus slays her sister Medusa, a vast and treacherous sea raging beyond.

 

Your hackles rise as the wind kicks up; you want to run. There’s still one candy bar left. Maybe she’ll be happy with that and leave. You offer her the candy. She doesn’t take it and continues to stand in front of you, quiet and still.

 

Tension floods through you; your chest constricts.

 

The child’s head turns 360 degrees; the serpents on her head spring to life and writhe, her blond hair no longer visible beneath the mask that was never a mask.

 

Rooted to the floor in your paralysis, you’re sickened by her twisted and hideous, leering mouth. The snakes lengthen and lash out, strangling your final breath while a deafening shriek fills the air.

 

And the night swallows you whole.

 

Koren Cowgill received her undergraduate and doctoral degrees in Music Composition from the Eastman School of Music and her Master of Music from Yale. As a writer, Koren completed her first novel, The Final Months of Hoo-hah, in 2019, and it’s available on Amazon in both paperback and eBook formats. Her high fantasy novel, Teurith of Loring, is available on Amazon in eBook and paperback formats. In the fall of 2024, her short story, The Shuffler, was published in Hedge Apple Magazine’s Labyrinth issue. Koren lives in Cape May County with her husband, Richard, and their dog, Saffron.                     

Secret Bonus Chapter by Kyle Hildebrandt

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After dropping all three of her children off at their respective swim, baseball, and soccer practices, Anne swung her car in the garage and sighed. Her step was light as she slipped into the house. She tucked her listening pods in her ear, took a deep breath, and began folding laundry into crisp rectangles.

           

A hint of a smile flickered on her face. This was precious alone time. She could recharge her mental battery by turning a whole basket of tangled clothes of all different shapes and sizes into tucked away garments ready to wear at a moment’s notice. Her book was nearing its thrilling conclusion.

 

Wait. What was this hard thing toward the bottom of the basket? Kids were always leaving toys in the most random of places. She rolled her eyes and ignored it for now.

 

Turning her attention to her book, she wondered whether Susan McWillard, the intrepid domestic engineer turned freelance detective would apprehend the killer that was terrorizing their quaint corner of Ohio. Anne focused on the voice of the actress who had secretly kept the famous rasp in her voice by screaming into her pillow five times a day.

 

Susan drove down the haphazardly lain asphalt. Rows of corn stalks whipped by like a real-life optical illusion. It reminded her of those videos her daughter would toddle over to insist she see too. Gripping the wheel tighter, she eyed her phone. “You have entered an Unnamed Road. Please turn around to recalibrate directions.” She slammed the gas, gritting her teeth as bits of gravel tinged the car as she whooshed through a ninety-degree turn.

 

The barn appeared around the turn. Its boards were so weatherbeaten they looked more like the dock on the vacation home her family used to stay at in the Carolinas.

 

The car slid to a stop with a sound like a wave breaking on the beach. The door slamming startled some buzzards that had been picking at a greasy spot in the road. Their beady eyes noted her and then their beaks began cracking on fur covered bones.

 

Walnut trees choked what little daylight managed to gasp out of the west. She clicked her Maglite on. Her galoshes swished through the thistle as her halo of flickering light bounced into the gaping maw that had once been a barndoor.

 

She remembered when her brother had cheered her on to jump from the rickety dock into the briny water. She’d gulped before swinging her arms back, the sea breeze swirling her hair.

 

With the same abandon, she jumped. She blinked. Her eyes adjusted to the darkness. She glimpsed the outline of hooks for drying tobacco. The smell was still strong. Toxic and magical at the same time. She swirled, pointing her light at broken pots, old soap boxes, a tube tv with its knobs missing, and a human face sneering at her.

 

Only in stories did characters drop their flashlights. She was better than that. She held it tight and sprang her body like an arrow for the jagged patch of daylight where the blurry honeysuckle bushes swayed, beckoning her to hurry back outside. A bony forearm slammed into her throat. It pinned her against him. She heard him whisper in her ear. “You thought you were so smart. Why did you come here for me all by yourself? It’s because you wanted this, didn’t you? You wanted to be caught. You’re a bad girl.”

 

She’d once had a Raggedy Anne doll, and he threw her like she used to toss the doll down the stairs, claiming she liked it because she was learning how to fly. Her jaw hit the packed clay earth first, snapping her teeth shut. The tip of her tongue landed like a snail without its shell, still writhing in the dusty straw.

 

Spoken Word Books hopes you have enjoyed this rendition of Cormac McKay’s Run, Baby, Run!

 

Anne sighed. Could it really be over?

 

Congratulations! You’re one of the few rare listeners to be awarded the Secret Final Chapter of this Novel. The story will conclude in a moment.

 

Anne rolled her eyes. Marketing gimmicks!

 

Susan crawled toward the honeysuckle.

 

A boot swept across her face, knocking her onto her back. She could almost reach her phone; her fingers flicked on the Maglite. He pressed his boot to her neck. His one good eye flickering. “You know what the worst part of it is?”

 

Her high-pitched wails attempting to draw in air to her burning lungs was the only answer.

 

“It’s that everyone else thought that I was just a monster from a nightmare and that they’d wake up before—”

 

Anne slipped out her listening pods. Feeling a presence behind her, she frantically reached inside her laundry basket. The murderer from the barn stood in front of her. How was this possible?

 

He snarled, “You really are the specially chosen winner. You get the secret chapter!” He lunged for her. His thick yellow nails dug into her forearms, drawing half-moons of blood. Her hands closed on the item in the laundry basket, shouldered him forward just an inch, then threw her arms down to break his grip.

           

The bullet entered the soft spot under his jaw. It exited through the top of his skull. A Jackson Pollock of red and grey appeared on their whitewashed ceiling. He gurgled. She stepped aside as his body slammed into the folded piles of laundry, scattering what had been neatly folded rectangles.

 

Anne sighed, put in her listening pods, and started cleaning up the mess.

 

Susan smelled the honeysuckle’s flowers and tried to wipe her bloodied hands on its small leaves, but it didn’t really help them get clean. Honeysuckle was invasive. Not even supposed to be in Ohio. It sprang up everywhere. Unorganized and unbidden. But damn did it smell good. Especially right now.

Kyle Hildebrandt lives in Ohio with his beautiful wife, twenty seven plants, five children, one full time teaching job, and one passionate desire to light up the world through inspiring storytelling. His work has appeared in Every Day Fiction, Sci-Fi Shorts, and Flash Phantoms. He occasionally dabbles in social media on Bluesky and Discord.

Oxi-Vanish Extreme Carpet Stain Remover by John Dennis

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Oxi-Vanish Extreme Carpet Stain Remover (16 oz.) Rating: ⭐⭐⭐⭐☆

Reviewed By: Arthur_M1902 (Verified Purchase) Review Title: Works perfectly on organic matter, but instructions lack temporal warnings.

 

I purchased this product after a severe spill in my living room last Tuesday. For context, the spill was roughly the volume of an adult male, though it lacked a definitive physical form by the time I began cleanup. Mostly viscous shadow.

 

Pros: • No Bleaching: My beige polyester rug suffered zero discoloration, despite the acidic nature of the void-slime. • Odor Elimination: It masked the scent of ozone and burnt copper. My house smells like “Mountain Spring” again. • Rapid Lifting Agent: The foaming action immediately goes to work on deep-set crimson pigments. It completely dissolved the structural residue left behind when the living room wall briefly became a localized event horizon. The sludge lifted right out.

 

Cons: • The Rewind Effect: The instructions omit a crucial detail. If you scrub counter-clockwise, the chemical reaction reverses local time by exactly three minutes. I spent fourteen consecutive eternities picking up the same shattered mug. • Customer Service: Disappointing. When I called to report the issue, the representative insisted we had already discussed the matter seventeen times, and that I had been completely satisfied with the outcome on every occasion.

 

Final Verdict: Overall, an exceptional formula for ordinary household anomalies. It took only fourty-five minutes to erase all physical evidence that my brother-in-law ever visited, or indeed, that he ever existed in this iteration of events.

 

A word of caution: do not mix this product with ammonia. I did this during my first attempt, and the resulting chemical reaction opened a small, weeping eye in the center of the ceiling. It has a horizontal pupil and watches me sleep. I deducted one star because the safety label clearly states “pet and child safe,” but makes no mention of things that don’t have a star rating.

 

Still, for the price point, you cannot beat the stain-lifting power. Will definitely buy again if the floorboards start singing next weekend.

Born in New York, John Dennis moved to Sweden after serving in the U.S. Navy in Italy. He earned a Master’s degree in Pedagogy from Malmö University, where he also studied Creative Writing. After a stroke ended his teaching career, he devoted himself to writing fiction and poetry. His work has appeared in NUNUM, The Good Life Review, and Anti-Heroin Chic; he lives in Malmö with his wife, Anna, and is the father of Julia and grandfather of Noah.

Tarantula by Jay Huver

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It started innocuously enough. The occasional hiker saw one after straying from the path, or someone working in a crawl space would see one and report it to the homeowners. No one was happy to see one of those things, but they could still brush it off. They’d text a friend about the harrowing experience, and then promptly move on with their life.

 

But then they started showing up in people’s backyards, and in their basements. Kids playing outside would see one and rush to tell their parents, who never believed them until they stepped outside and saw it for themselves. They’d tell their kids to go play inside instead.

 

It worked for a while.

 

Until they started showing up in people’s shoes, or in their kitchen cupboards. Most people had at least heard of someone seeing one. A story ran on the local news about the sightings. Up until then, they were isolated incidents. People could sleep well at night knowing that it would probably never happen to them again. Now, they checked under their covers before going to bed.

 

Everyone was talking about it. Theories on where they might be coming, or on how to keep them out of your house. Most of the theories were wrong, of course, because there was no way to keep them out of your house anymore.

 

They started coming out with all kinds of sprays and traps, but nothing worked. You could kill one, only to find a whole nest the next day. People were leaving their homes to stay in hotels, only to find the same problem wherever they went.

 

No one was sleeping anymore. Maybe it was just the combination of stress and exhaustion getting to them when they started to feel the squirming in their stomachs.

Jay Huver is a new writer from the midwest area who is unpublished as of yet. Jay has posted a few horror short stories on their Reddit as well as their Tumblr. You can find their work athttps://www.reddit.com/u/AdInteresting9483/s/lrAwhgcwSW and at https://www.tumblr.com/adinteresting9483

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