
Horror Stories of 1,000 Words or Less
For the month of August, 2025, these are the stories that entertain us most.
* The Shack by Annaliese Crocker
* The Skull Ring by M.D. Smith
* For Whom the Bell Tolls by Sarah Das Gupta
* Hungry Eyes by Zackary Medlin
* Ingrown by Equinox Charette
* Covered in Flies by Justin Alcala
* Gnome by Ron Schroer
* We Always Walked This Way by Chris Fisher
* Scritch by Cithara Patra
* Where Good and Evil End by Keith Parker
* Untitled #4 by Kelly Moyer
* Seeds of Possession by Joseph Stewart
* Hello, Is It Me You're Looking For? by Matt Scott
* No Repent by L.K. Secrist
* Symmetrical Carnage: The Ouroboros Paradox by Simon Mohsin
* Ugly by Tatiana Samokhina
* Momma's Daughter by Serena Z
* The Whisper in the Walls by Lucien R. Starchild
The Shack by Annaliese Crocker

The priest was more ghoul than man, glowing like the moon in the gloom of the shack. Through a haze of incense, he sat with the poise of a God; muscled, bare-chested, and covered in white paint, and his eyes, rimmed in thick black, shone like obsidian mirrors. Symbols covered the walls and floor, but I wasn’t about to take my eyes off him to look.
“You have the £10,000?” He asked suddenly, in a strong Creole accent.
“Yes,” I croaked, slipping a backpack off my shoulder, unzipping it, and pulling out my life’s savings. His black eyes gleamed, and he nodded to the corner over my shoulder. The hairs lifted on the back of my neck, and I reluctantly turned to see a woman standing behind me. Her eyes were glistening white marbles, her jaw slack and wet with drool as she swayed and groaned softly. In one hand, she carried a sorry-looking chicken, and the other clawed out for the money.
“I’m curious, why do you want to go to hell?” I turned back to the priest, now leaning forward in the armchair. I didn’t like that he’d moved without my seeing, but worse, he was smiling.
“My daughter was killed in the crossfire of a shooting.” My voice broke, and I had to stop to clear my throat. “The police shot the man, Jacob White, dead--”
“And you want to go to hell to know he’s there, being punished for what he did.” The man finished, the horrible smile still stretching his face.
“I’ve been told you can get me there...and back.”
He was quiet for a moment, weaving his fingers together. “There is a chance you won’t get back. Is that a risk you’re willing to take?”
“It is.”
He pointed to the ground before him. “Then sit.”
I sat on the dirt floor as he waved a hand. A scatter of candles flamed, bringing the symbols covering the shack to life. The woman staggered over to the priest with a knife and the sorry-looking chicken.
I’d done my research and was expecting it, but squeezed my eyes closed as he made the sacrifice.
“Hold on to this.” The priest placed a crucifix in my hand. “If you lose it, you will not be able to return.”
Then he pressed a cup to my lips.
“Drink.”
The inside of the shack blurred, then tunnelled away. When I opened my eyes, I was somewhere else, still clutching the crucifix in my hand.
My heart pounded as I looked around a bitterly cold living room pulsing in blue light. The room was strewn with rubbish, the furniture old and stained, but amongst it all, there was no sign of Jacob White.
I jerked around at the sound of shouting. A door opened, and a woman in a dirty nightie stumbled into the room, rapidly followed by a man in pants and a vest. The man wasn’t normal, he had an unnaturally big mouth and his hands, balled into fists, were freakishly large. The woman was listless, pale, and thin. Wherever she went, he was there, screaming abuse in her unresponsive face.
Somehow, over the yelling, I heard a tiny noise coming from behind the couch. I moved, unnoticed, past the man and woman, to see what it was.
A little boy was hidden there, hugging his knees. He sensed me and looked up, his brown eyes bulging with fright. I looked over at the man and woman; she’d been rounded into a corner, his huge fists pressing into the wall on either side of her head as he ranted.
I crawled behind the couch to sit beside the little boy. I put my hand on his shoulder, it was so cold.
“What’s your name?” I whispered.
“Jacob,” he mouthed, then climbed into my lap.
I couldn’t breathe as everything collided; anger, grief, despair, but finally I felt something unexpected, the knot in my chest came undone. I wrapped my arms around him, like I used to hold my daughter, and wept, telling him everything was going to be okay.
“Where’s that ugly kid?” The man suddenly bellowed, and the boy’s grip on me tightened. Then I heard the man’s feet crunching rubbish on the floor as he moved in our direction, and I knew I didn’t have much time.
“I forgive you, Jacob,” I said, then pressed the crucifix into his tiny palm. He looked up at me, confused, but then I saw the bright light ignite in his eyes. Joy lifted the features of his face, and a moment later, he dissolved into pure white light.
The crucifix fell into my lap where the boy had been, but just as I was about to scoop it up, I was yanked out from behind the couch, the crucifix thrown amongst the debris of the living room floor.
The man held me aloft by my top.
“What have you done? He cannot leave!” His colossal mouth fired spittle in my face. His own was grotesque and red with rage. He was terrifying, straight out of hell, but he wasn’t my demon.
“Too late,” I said, and rammed my fingers in both his eyes. He dropped me instantly.
I wasted no time, flinging rubbish out of the way, searching everywhere for the crucifix. It didn’t take long for him to recover, glaring at me through bleeding eyes. He was about to lunge when I spotted the crucifix in an ashtray no more than three feet away. I rushed for it, as he grabbed hold of my arm, but somehow, I managed to yank free from his grip and snatched up the crucifix. I clasped it in both hands, shut my eyes, and prayed to God to get me the hell out of there!
My eyes flashed open, and I was back in the shack, the priest’s black eyes staring down at me.
“From one hell, back to another.” He smiled.
Annaliese Crocker (Plowright) is the author of Horror, Fantasy Romance and Young Adult novels. Annaliese was short-listed for the Hull Literary Short Story Award 2025 and is presently long-listed for the 'Victory' 50th Anniversary Short Story Competition. Annaliese is currently studying Creative Writing at Falmouth University, Cornwall. https://www.facebook.com/AnnaliesePlowright
The Skull Ring by M.D. Smith

The trail to Echo Peak had grown over with bramble and silence. Jarred Slake pushed through thorn and memory, sweat beading beneath his flannel shirt despite the autumn chill. The cave loomed ahead, hidden behind a curtain of ivy and black rock, like a mouth long closed, hungry to speak again.
Fifteen years ago, he’d killed his little brother, Levi.
The boy had followed him like a shadow—always chirping, always smiling, always clutching that damn silver ring on a chain around his neck. It was a rectangle of black onyx stone with a silver skull and crossbones centered. It had been their father’s who had told stories about it being a pirate’s ring at one time. His father was now dead, and Jarred wanted it.
It was an accident. A scuffle. A shove. Levi’s skull cracked on a jagged stone like a dropped melon. Jarred buried him in a small side tunnel off the main cavern, a crevice barely large enough for the boy’s broken body. The ring still hung from his neck, shining even in the dark.
And now, Jarred was back for the skull ring. He told himself it was for closure. A final possession. But really, it gnawed at him, night after night—that shimmer in the dark, those wide, dead eyes.
He entered the cave, flashlight in one hand, a fold-up shovel in the other. He had to push webs aside that had appeared over the years. He pulled a sticky mess out of his hair. The air was fetid, rank with mold and rot, and as he approached the side tunnel—so narrow he had to crouch—his light caught something strange.
A web. Thick. Dense. Wet.
Not just one—walls of them. Threaded from floor to ceiling. He heard a faint sound of movement just out of sight.
He crept forward, scraping stone, heart hammering. A cut on his hand now oozed blood. The grave was there, a slight rise of dirt. But the earth had moved—shifted. As though something had tunneled up… or out.
Then he saw the skeleton, curled and shattered, jaw locked in an eternal scream. The ring still dangled on its chain, half-buried in the dirt.
Jarred reached for it. The webs trembled. A sound like soft rain filled the tunnel.
Skittering. Thousands of tiny feet.
He turned the flashlight toward the ceiling—horror bloomed in his chest.
Spiders.
Dozens, then hundreds. Bulbous, shiny black bodies with red rings around each leg joint. They pulsed as they spilled from cracks, eyes like pinpricks of hate, fangs twitching. Their nest had been disturbed.
And Levi’s grave had fed them.
He scrambled, but the tunnel was too tight. The first spider bit into the soft flesh beneath his eye. Agony lit up his skull. He screamed, and another dropped into his shirt collar. Then another. They swarmed his back, his arms, his face, up his legs.
Jarred flailed, crushing many, but they kept coming—pouring from the walls, raining from above. They filled his mouth. They crawled inside his ears. Their venom burned like fire in his veins. His throat swelled, his eyes bulged, and his limbs convulsed uncontrollably.
The flashlight dropped and spun wildly, illuminating his twisted, spider-covered form in flashes—like a strobe at the gates of hell.
In his final breath, just before the blackness claimed him, he thought he saw Levi’s small skeleton, upright now, head tilted in silent laughter, the skull ring swaying gently from its chest.
Soon, the cave was silent again, except for the murmur of thousands of tiny teeth devouring every morsel.
M.D. Smith of Huntsville, AL, writer of over 350 flash stories, has published digitally in Frontier Times, Flash Fiction Magazine, Bewilderingstories.com and many more. Retired from running a television station, he lives with his wife of 64 years and three cats. https://mdsmithiv.com/
For Whom the Bell Tolls by Sarah Das Gupta

There was definitely something in the room. Ever since Dad had started knocking down the partition wall, Danny had felt a presence, sometimes in the dark corners, sometimes at the end of his bed. Whatever it was, he did not feel it was malicious or threatening. No, if anything, it seemed sad, lonely. Yes, that was the right word---lonely.
It must have been about midnight. There was an aura of yellow light at the end of his bed. It seemed to float above the bed, rather than rest on it. Danny pushed off the duvet. He crept over the carpet and reached for the light switch. Everything looked normal – his posters of the Manchester City football team did not seem surprised at being disturbed in the middle of the night. His guitar was safe in its canvas case, smothered with coloured stickers. His schoolbag hung behind the door. He switched off the light and lay back in bed. The aura had vanished, but Danny still felt a presence in the room.
About a week later, as Danny returned from school, he could hear a noise in the kitchen. Someone slammed the fridge door. Water was running in the sink. Odd, it was too early for Mum to have finished work, and Dad was on a late shift at the garage. Danny opened the door. The kitchen was empty. Only the dripping of the tap broke the silence. Again, Danny felt someone or something was in the house. He walked upstairs. A boy stood on the red-carpeted landing staring out of the window across the autumn fields. He looked thin and neglected, a ragged shirt hanging over dirty, knee-length breeches. As he turned to stare at Danny, his face was scarred, and the skin was discolored, a dull purple with red streaks. Before Danny could say anything, the boy had gone.
An hour or so later, Danny heard the front door and his mum’s voice from the kitchen. ‘Danny, are you upstairs? Come down here a minute.’ His mother was sitting at the kitchen table with a plate of chocolate cookies in front of her, looking puzzled.
‘Hi Mum! Just what I need, I’m starving.’ Danny scooped up a couple of cookies.
‘Steady on, you’ve already eaten half of them!’
Danny was about to protest his innocence when he remembered the fridge door and
the strange boy on the landing. ‘Sorry, Mum, the school lunch was horrible.’
###
Danny sat in Kingsett Library surrounded by books and newspapers. The library would close in half an hour, and he still hadn’t found the information he was looking for.
‘I wonder if this would be any use. It’s a copy of the ‘Kingsett Herald’ from 1901,’ the voice of the Librarian came from over his shoulder. ‘It looks about the right period.’
Disconsolately, he flipped through the yellowing pages, full of local ephemera: tennis tournaments, grainy photographs of smiling brides and grooms. Suddenly, a faded headline caught Danny’s eye- ‘Tragedy in Morgan’s Factory Blaze’. He read on excitedly: ‘It seems the fire began in the boiler room and spread rapidly to the main factory. Fortunately, it being lunch hour, most employees were outside the main premises. Tragically, two of the youngest workers, John Norris and Billy Glesson were finishing packaging. John escaped with minor injuries, but Billy sadly died of burns a week later in Bradford Infirmary. A funeral service will be held. . .’ The chimes of the town clock sounded like a knell echoing through the Library. Danny gathered up his notes and began to walk home through the November fog.
That evening, he asked his father if he had heard of a factory fire in Kingsett.‘Well, I ought to know about it. This house and the estate are built on the site of the gutted factory.’
Several times in the weeks before Christmas, Danny saw the boy, usually at the top of the stairs, staring forlornly over the fields. Some nights, the pale light appeared at the bottom of his bed, or a dark outline hovered in the corner near the window. Danny never felt threatened by ‘Billy’ as he now thought of the sad spirit. The scarred, purplish skin reminded Danny of that cruel death.
As he walked upstairs one Saturday, Danny wondered why ‘Billy’ looked out of the landing window. There were only the bare winter fields with a flock of gulls wheeling and sweeping over the ploughed land. In the far distance was the steeple of St Mary’s church above the
trees.
Ten minutes later, Danny was wandering round St Mary’s graveyard. He walked up to the far corner where the graves were neglected and overgrown. Pulling the dead grass and bracken aside, Danny started reading the names on the headstones. One plot looked particularly neglected. Danny leaned over and pulled up the long grass. ‘William Richard Glesson, Aged 15 years. Rest in Peace’. He hasn’t had much peace.
‘Hello there, do you have a family interest in these graves?’ Danny’s thoughts were disturbed by an elderly man whom he vaguely recognised as the vicar.
‘No, sir, I have discovered some information about Billy Glesson and his death in a local fire.’
‘Yes, a factory near here burnt down, I believe, very tragic. I’m afraid we don’t have the funds to look after individual graves.’
‘I was wondering if there would be any objection to my looking after Billy’s plot. He was the same age as me.’
The vicar looked surprised but pleased. ‘Of course, that would be wonderful.’
###
It was Christmas Eve. The first flakes of snow had begun to settle in the churchyard. Danny stood back to look at Billy’s grave. The headstone had been washed, and the grass trimmed. Danny had planted daffodil and tulip bulbs to flower in the Spring. He laid a bunch of Christmas roses on the tomb. Looking up, he saw a boy waving to him across the darkening fields.
Sarah Das Gupta is a writer from Cambridge who enjoys writing horror stories for magazines and anthologies including 'Tales from the Moonlit Path', 'Dark Horses', 'Black Sheep', ' The Wicked Shadow Press', 'Black Hare', among others. She has recently been nominated for Best of the Net' and 'A Dwarf Star'.
Hungry Eyes by Zackary Medlin

“Our movie is going to be the best,” Jason said as he hefted the shiny new VHS camcorder onto his shoulder. He looked through the viewfinder and zoomed in and out on the shiny metal brackets of Christopher’s braces. “I’m talking Spielberg-level awesome.”
“Careful with that.” Christopher turned away from the camera’s unblinking eye and futzed with the RCA cables running to a small television set. “My dad will kill me if we break it.” Christopher switched the TV on. A fuzzy glow emanated from the smoky glass as an image came into focus. Christopher was looking at himself, crouched in front of the television, still pointing the remote at the screen.
“Dude,” Jason flopped down from the top bunk of Christopher’s bunk bed, “I got an idea.” He set the camera on Christopher’s desk and aimed it at the television. The TV plunged deep inside itself as concentric squares filled the entire thirteen-inch screen.
“Cool, huh?” Jason waved a hand in front of the camera, and a centipede of hands crawled into infinity.
Christopher knelt in front of the TV; Jason joined him. They watched the rows of Christophers and Jasons on the screen drop like dominoes.
“This will look so frickin’ rad in our movie!” Jason reached forward and mimed flipping switches and turning dials. “Captain, I’m engaging the hyperdrive!” Jason threw himself back as his imaginary space fighter entered warp space, banging his head against the desk in the process. The bump jostled the camera, sending a ripple through the image. When the tremor rocked the centermost frame, Christopher turned and looked at Jason. The Christopher inside the screen. Every head turned in unison, sending a wave of glares crashing over him. The Christophers’ gaping eyes twinkled with malice. Eyes too black and deep. An inviting abyss. The edge you’re scared to approach because you’re not sure if you’ll be able to resist that deep, manic urge to throw yourself into the void. Jason’s Chuck Taylors kicked and skidded across the hardwood floor as his body fought itself over how best to put distance between Jason and the screen. The lone Christopher sitting next to him remained motionless, staring into the TV. Something inside fractured, leaving him gazing into an unblinking fractal of himself.
Then Christopher leaned closer to the screen, peering deeper into the cascade of Christophers.
The Christophers inside leaned toward the screen and seemed to push against the cathode-ray tube’s arched surface. Jason swore the convex glass was distending ever further, as if reaching for him. He fumbled for the TV remote, and his thumb finally found the power button. The image dropped away into the center of the screen, as if it was being sucked down into a black hole at the TV’s infinite core. It shrank into the distance until it appeared as nothing but a small circle of light twinkling deep within the glassy gray field. Then the light blinked out as a spiderweb of cracks shivered through the glass, as if some internal gravity pulled at the screen.
Christopher turned to Jason; his eyes were two vast voids filled with spiraling stars.
Fangs. Not stars, fangs, was Jason’s last thought as he was devoured by a tornado of glistening teeth and swallowed into the vacuum of the boy’s stare.
Christopher turned to the camcorder, stopped the recording, and ejected the tape. He affixed the long, white label to the edge of the cassette and neatly printed "JASON" in black Sharpie. He slid the VHS tape into its sleeve and placed it on the shelf, tucked safely away at the end of a row of old 8mm reels, Super 8 cartridges, and Betamax cassettes.
Zack Medlin is a writer living in Fort Smith, Arkansas. His debut poetry collection, Beneath All Water, was selected as the winner of the Marystina Santiestevan First Book Prize. His poems can be found in print and online in journals such as The Cincinnati Review, Colorado Review, The Boiler, and Tinderbox Poetry. He holds an MFA from the University of Alaska Fairbanks, a PhD from the University of Utah, and is an assistant professor of creative writing at the University of Arkansas – Fort Smith.
Ingrown by Equinox Charette

I spend too much time in front of this fucking mirror. Day after day, week after week, this warped reflection of my face consumes me.
And don’t get the wrong idea, this isn’t a vanity thing. I don’t want to stand here for hours on end, picking and digging around with a pair of tweezers, flesh parting with a slow reluctance as I dig at the coarse stubble my razor never gets, hidden behind the overhanging protrusion of my heavy jaw. My face is pocked and scarred from past mirror-front skirmishes.
I couldn’t really tell you what compels me to attack myself like this. Some chemical in my brain screams and screams and screams when I’m unlucky enough to see beard hairs in my reflection, so I brutalize my face, trying to fix what I see in the mirror.
I can see the hair rolling back and forth under my skin as I use tweezers like scalpels to split layers of flesh. The fresh wound stings. Plasma or sebum mixes with the blood, thinning it and giving it a strange texture that’s somehow both waterier and oilier than it should be. A coppery stink clings to my fingertips, stained and dripping scarlet. My phone buzzes, but I ignore it. It’s always just spam these days.
With my left hand, I pinch the skin tight, trying to pin the hair in place. With my right, I wield my tweezers. The tips blunt from frequent use, so they don’t tear through as smoothly as I would’ve liked. I scrape and twist, quickly, sharply, and the skin separates. With a fresh gush of blood, the trapped hair finally surfaces.
Two and a half inches of dark, wiry hair protrude from the dripping wound, and I set aside the tweezers. I take a grim pleasure from doing this part with my bare hands.
I grip the hair tightly. My thumbnail digs into the edge of my index finger, hair trapped between. I pull, braced for the painful satisfaction. Once, twice, three times, my grip slips as blood wells. Frustrated, I grab the tweezers again, grip the hair between the tips, and pull. The hair comes, and comes, and comes, not tearing loose at the root. It unspools from between the layers of my flesh, like I was wrenching out some parasitic worm that had been coiled up inside my jaw. My stomach clenches and writhes as the sickly, cheesy stench of old pus pours from the wound, but I can’t stop, not until the disgusting thing is completely torn free and disposed of. I’ve dropped the tweezers as the hair keeps coming, grabbing and pulling hand after hand.
Worst of all, it’s covered in knots.
I’ve dealt with a lot of ingrown hairs over the years, on my face, on my legs, on my chest and arms, and I’d ripped and pulled and torn them out time after time, but I’d never found one with a knot in it. This one has a whole series of little knots that I can feel against the edges of the freshly torn hole in my face. It stretches and contracts as each knot passes through, some short, some long.
I keep pulling, more and more frantically, as the blood keeps flowing. I have several feet of this dark, knotted hair spooled in my sink, bright blood pouring over my hands, when I feel a stab of pain deep in my jaw as the root finally tears loose. The end of the hair slides free from my skin, and I collapse to my knees. Thank fuck I left the toilet open, because suddenly I’m vomiting, the acidic bile and fresh blood making noxious colors in the bowl. I heave and heave until my diaphragm cramps and there’s nothing left in my gut.
I press a fistful of toilet paper to my jaw to stop the bleeding and slump against the bathroom wall. What the fuck is happening?
It feels like there’s a pattern in the knots. Is it intentional, an encoded message buried in an ingrown hair in my jaw? What else could it be? How the fuck did it get there? What does it mean? Is it a warning? Why me?
As I panic, the blood clots, leaving the lower edge of my face crusted in stiff, dry scabs. I can’t get the toilet paper off without reopening the wound, so I leave it on and struggle to my feet, the acrid taste of the morning’s regurgitated breakfast clinging to my mouth. My phone buzzes again. The long, knotted hair lies in the sink, nearly four feet in length.
As I uncoil the disgusting thing, I can’t figure where it all fit. If I look up at the mirror, what will I see? Will my jaw be narrower, now that all of this hair has been ripped out? Would that make me feel better, more like myself? I can’t bring myself to look.
I stumble out of the bathroom and into the main room of my efficiency apartment. There’s a notebook on my desk, and I start transcribing the series of short and long knots as I run a finger along the hair. …. . .-.. .-.. --- .-.-.- , it starts. Why is there a Morse code message in my fucking jaw?
When I have the whole pattern written down, I look up a Morse code translator online and enter it. It takes a while as my hands keep shaking with anticipation and fear. Whatever this message is, wherever it’s from, I’m going to have answers in a minute. Is it a message from God? Something the government hid inside of me? Something I did to myself, like Arnold Schwarzenegger in that one ’80s movie?
The translator runs slowly, laboring against a poor Wifi connection to decipher the secret message hidden within my flesh. Finally, a message populates the output field:
“Hello. We’ve been trying to reach you about your car’s extended warranty…”
Equinox Charette (they/she) is a queer and trans author from Maine who dabbles in many genres but most enjoys writing science fiction and short horror. They received their MA in English from the University of Maine, and she currently attends the Stonecoast MFA.
Covered in Flies by Justin Alcala

It’s coming for you, relentlessly pursuing. You did nothing to provoke it, but it won’t stop until it finds you. Wrong place, wrong time. You watched it rise that brisk autumn evening, tearing from the soil. Like some insidious newborn, you were the first person it saw, and now you’re its only prey.
It’s appalling; a skeleton wrapped in taught skin and sopping with putrid resin. Worn and receded fingertip flesh exposes its bone claws. Filth mats its long, wispy hair, and grave soil smears the rags it wears. Maggots wriggle from the gashes in its flesh, and winged insects buzz around the creature’s disjointed parts. Its broken jaw leaves a maw of crooked butter-colored teeth in a permanent growl as its sunken whitewashed eyes glare at you.
You retreated in terror when you saw it crawl from its shallow grave, outrunning the shambling horror. After the adrenaline wore off, and you stopped to catch your breath, you spotted it a great distance away, still lumbering in pursuit under the park lights. You sprinted your way to the roads, waving down cars in hopes of escape. But no one stops for strangers any longer. So, you jogged down the highway towards town. Whenever you looked over your shoulder, a silhouette of the creature shuffled beneath streetlamps.
You reached your neighborhood. You tried explaining it to a familiar face, taking their nightly walk, but they laughed off your story as a Halloween prank, putting on their headphones and trotting off. So you hurried into your house, checking outside your window as you called the police. The operator dismissed your claim and hung up as the ambling nightmare appeared at the end of your street. Its crooked arms rose in your direction as if it identified which house was yours.
You rushed up the stairs, fumbling with your phone as you dialed your neighbor. The neighbor didn’t pick up as glass shattered downstairs. You grabbed for the nearest improvised weapon, a heavy lamp you’d hoped could stop it. But as footsteps stomped up the stairs, your nerves wavered. You hurried to the window, flipping through the clasps as the locked door handle of your bedroom door turned back and forth. Boldly, you crawled through the windowsill as the seam of your bedroom door burst open, revealing a revolting hand that threaded through the hole. You didn’t linger, diving into the sugarbush below.
Pain wracked your ankles as you limped your way through the fall leaves. Your phone screen shattered and twitched off. You called for help, but the seasonal wind swallowed your yells. Hurrying down your street, you hobbled to the closest lit-up home. You banged on the door, eyes peeled back as the creature emerged from your home. You perceived sounds of movement inside, but it took an unreasonable time. The creature was now in the middle of the street, coming your way. You couldn’t risk it and retreated to the sidewalk, limping in the police station's direction.
Someone drove by, honking their horn. Salvation. Upon attempting to enter their vehicle, they moved away, laughing as they observed you and the creature. Everyone thought it was a prank. No one believed you. Determined to survive, you raced the creature in a limping contest to the police station. You grew exhausted, watching as any passersby in vehicles ignored your plight.
You made it to the station, bursting into the reception area, making your claims of being pursued by a creature. The administrator sighed as an officer came from the back to investigate the commotion. After calming you, they listened to your story. The officer looked outside the station’s window but claimed no one on the street matched your description. That’s when the torment in your ankles grew overwhelming. The administrator examined your legs in horror. He explained you needed to be taken to the hospital.
It all happened so fast from there. The ambulance arrived quicker than expected, and although you insisted the creature was real, they dismissed your story as a cruel Halloween trick. Paramedics brought you to the hospital, and after much poking and prodding, they put you into a bed, bracing your legs. The doctor explained that the traumatic event drew concern to your heart rate and blood pressure, which they’d need to observe. As you contemplated the last hour, you wondered if the night’s events might’ve been a ruse after all. But as you took your first calm breaths, gazing out your hospital room window, your heart dropped ten floors down.
The creature shambled in the parking lot, bumping into cars as it clumsily made its way to the hospital’s main entrance. You screamed for the nurses, who entered with a set of brawny, uniformed men who held you down. Your panicked breaths drowned you as you punched everyone away. You don’t know what they did to you, but your flailing arms grew heavy, and your body felt numb. Soon, you were in a daze.
You don’t know how much time passed before nurses left you alone, strapped down, in the room. The door remained open, and you heard the distant voices of staff discussing what to do with you. But soon their discussion became drowned out by something more disturbing. The friction of wet feet dragging on tiles caught your ear, followed by the buzzing of flies. A shadow grew in the hall, and although you knew what it was, whatever they’d done to you denied you the ability to react. It entered the room, maw agape, and talons reaching.
Why me? What did I do to deserve this? You asked as it trailed to your bed, bending down as if to kiss you on the forehead. A pain stabbed your forehead as the sound of an apple being bitten into filled your senses before they faded to black.
Justin Carlos Alcala (he/him) is an award-winning American novelist & short story writer. His works are most notable for their appearance in Publisher’s Weekly, the SLF Foundation Awards, and the University of British Columbia project archives. Justin is a folklore fanatic, history nerd, tabletop gamer, and time traveler. Alcala’s thirty plus short stories, novellas, and novels can be found in anthologies, magazines, journals, podcasts, and commercial publications. He currently resides with his dark queen, Mallory, their fey daughter, Lily, changeling son, Ronan, goblin-baby, Asher, and hounds of Ragnarök, Fenrir and Hilda in Bigfoot’s domain. Where his mind might be is anyone’s guess.
Gnome by Ron Schroer

“What did you just say?”
Schrader looked at me. “What?”
“Did you just say ‘Dick’?”
He looked surprised. “You heard that?”
“Hell yes, I heard it. You muttered it under your breath. Did I do something wrong?”
Now, a wry smile. “Not at all,” he said, leaning forward in his worn old armchair, the one with the cigarette burns. “You’re the first person, apart from me, who’s heard that voice.”
I frowned. There’s just you and me here, buddy. Schrader sipped his beer and said, “It’s not me. It’s him.”
He’d nodded towards the mantelpiece, a repurposed railway sleeper and platform for ephemera: artful driftwood, empty brass candle holders, charcoal gnome.
I drank some beer. I’d been here before, drinking with Schrader in his dusty old house, but I’d never noticed that before. A gnome: unpainted, dark, and unfriendly-looking.
“Where’d that come from?”
“It’s been around. I move it.”
“Is it some kind of toy?”
“Not really.”
I was pondering what to say next when I distinctly heard the murmured words: You fucking jerk.
I laughed—couldn’t help it. It wasn’t Schrader’s voice, or maybe it was, just a little, but it had come from the gnome, I was sure. I looked at Schrader. “How’d you do that? Ventriloquism? You’re good!”
“Nope. It’s all him.”
Suspicious, I stood and went over. Afternoon sunlight through dirty windows cast everything in a yellow-tooth pall. The gnome, though, was all shadows and an unfinished face. An ordinary garden gnome, yet not.
“What’s your secret?” I asked.
Kiss my ass.
“Jesus!”
“Wrong again,” said Schrader. “It’s my dad.”
I stared at Schrader, who returned a steady gaze of No Kidding. I looked back at the gnome. I could see it. Schrader’s dad had been misshapen, inwardly. A blight of a man. Had Schrader made this weird fetish as a way of recalling his awful father?
“Dad hated lots of things, but the one thing he hated most was garden gnomes. Every time he saw one, he’d swear at it and throw it against a wall. It all came from being short as a kid. His asshole friends teased him and called him Gnome. That’s what Mom said, anyway. But it was no excuse for how he treated us. I’m sure he took years off Mom’s life, just by making her so damn miserable. Before he went, he told me that he wanted to be buried next to her. So I had him cremated instead, and I shoved his ashes into that.”
I sat back down. “You inserted your dad into a gnome.”
“Yep. Then it started muttering at me whenever I got close. Thing was white when I bought it.”
“But … why keep him around? It’s all a bit Poe.”
“It’s sorta comforting, knowing that he’s the miserable one now. I like to listen to him.”
So we sat there, cradling our beers, craning our ears, in that sickly room with its soot-black imp. Quoth the Gnome:
Son of a whore!
We Always Walked This Way by Chris Fisher

It was one of those days where the heat hung in waves—rippling like water in the distance. The sun bore down on us, bright and harsh in the sky as we squinted against its rays. It was a useless effort.
I placed one foot in front of the other, balancing like a gymnast on the slick metal rail. I looked up to see my brother Josh, his arm flinging a rock down the center of the tracks. The rock skipped across the gravel, clattering to rest among the others. Unfocused, my feet slipped, and I landed straddling the rail.
“It’s hot,” Josh said as he turned to look at me. He wore his favorite band shirt, black, which made his sweat darker at the armpits. He pinched it between his pointer finger and thumb and pulled at it repeatedly, fanning air against his body.
We always walked this way, after discovering the train tracks a few years ago. A shortcut, shaving 10 minutes off our walk home.
We heard the train horn blare off in the distance. Josh and I both turned to look. I shielded my eyes as the train danced behind the heat-distorted air.
The horn blared again.
We’d only seen the train a handful of times. Each time, we stood back and pointed out our favorite pieces of graffiti as it whizzed by.
I hoped for the train that day—looking forward to the refreshing gust of air as it whizzed past.
Just ahead, a familiar sight caught my eye. Josh and I didn’t talk about it much, but we both agreed to leave the tracks before we passed it.
Off to the side, there was a wooden cross someone had hammered deep into the earth. The name had worn off long ago, and the plastic flowers had faded in the intense sun.
Leaving the tracks before crossing it felt…respectful.
I began to make my way down the embankment. Rocks tumbled and rolled as I disturbed their resting place and raced down the hill ahead of me.
The horn blared.
I looked back, expecting to see Josh following closely behind me. But he wasn’t there.
My eyes flicked around, half-sure I'd see him on his butt at the bottom of the embankment. Once he slipped and slammed to the ground in front of me, and I watched as he slid all the way down. We both laughed at this hysterically.
Instead, my eyes landed on him, still on the tracks. He was doubled over, his hands pulling at his leg.
The horn blared—closer. The sound vibrating against my body, tingling my skin.
I watched as Josh’s head turned in the direction of the train. He pulled even more frantically. What was Josh doing?
The train was getting closer but there was still time for him to get off the tracks.
“Rachael,” I heard him call out. I snapped my attention off the train and went back to Josh. His eyes were bulging with fear; his voice broke as he cried out my name.
A surge of panic rushed through me as I took off sprinting. The fear in Josh’s voice thrust me into action.
My feet tried to dig in as I scaled the embankment, but the rocks slipped out from under them. They sprayed out behind me, clattering like rain.
The horn blared, louder.
The sound rattled against my teeth.
I went to all fours. Chunks of grass ripped away as I pulled myself up. My feet drove me forward, closer to Josh.
“Hurry, Rachael…Hurry!” He howled over the roar of the train.
I could feel the powerful rumbling, the ground shaking lightly. Rocks broke loose and fell helplessly to the ground below as the train grew closer.
I reached out, grasping for the object in front of me. I took hold of it. A cold bit into my hand and froze the sweat on my palms. I squeezed the object tighter, hauling myself up the rest of the way, and let it go.
The hot sun stung against my now cold palm, and I brushed past the weather-beaten cross. I didn’t think twice at the time. I was only focused on helping my brother.
Sweat covered my face, and I wiped it clear. Josh stood at the center of the tracks. He was still struggling to free his leg.
But what was trapping him?
I tilted my head, my brain trying to comprehend what I was seeing. Josh’s foot wasn’t trapped; it wasn’t stuck between something; there was nothing visibly keeping him from moving. To anyone, it would have looked like Josh was standing in the middle of the train tracks pulling at his leg for seemingly no reason.
The train BLARED, but this time it was deafening. The engine roared, clicking and clacking as its wheels rode along the rails.
I reached down and grabbed hold of his leg. Cold gripped my wrist, and my fingers froze. A soft, crisp voice brushed past my ear. ‘Can’t leave’
Soft. Low. Unmistakably clear.
That’s when I saw it—like bruises burned into his skin. Long, finger-like marks wrapped around his ankle. Blood trickled into his sock from where something unseen dug itself in.
Josh’s hands pressed against me, purposefully. My feet left the ground before I understood. I flailed backwards—then hit the rocks.
When I looked up…Josh wasn’t struggling anymore. He wasn’t grasping at his leg to free it. His arms lowered. His face—calm.
And then he smiled.
His mouth didn’t open. But I still heard the scream—louder than the train’s horn and the roaring of the engine. It echoed in my head, ragged and raw. It took me a second to realize…it was mine.
Chris Fisher is an emerging horror writer working to find his place in the writing community. His story “We Always Walked This Way” marks his first publication. He is currently building his author platform and continuing to sharpen his craft in order to share the beautifully horrific imagination that fuels his work.
Scritch by Cithara Patra

My teeth are almost perfect, save for one fang, the one on the right side of my mouth. It’s the only tooth that grew a few inches back. The rest of my top teeth are straightened, slightly white, and my gums are pink. Still, that one fang always got on my nerves. I poked it with my finger in hopes of pushing it back. I ran my tongue over it. I dream about it.
Still, every year, I wake up with that fang still pushed back. Dentists told me to get braces, though there’s no need. I don’t need to spend money on one tooth. The rest of my mouth is fine. My teeth are strong. My gums don’t bleed. I don’t need to head to the dentist unless it’s time for my regular checkup or I’m experiencing a problem. I don’t expect that to change.
Except it did change. It changed the one morning I woke up in pain.
I ran my tongue across my fang as the dull pain pushed against my teeth. My gums started throbbing. In the bathroom, I grabbed my pain ointment and covered my tooth with it. That pain went away for a few seconds, and then scratching started.
Scritch. Scritch. Scritch.
Every second. Every hour. The strange scratchy sounds ran against my teeth. It dug into my gums whenever I opened my mouth. Very little food and water went in because the scratching worsened, and my fang ached whenever anything touched it. Breathing through my mouth was no longer an option; air in my mouth brought a new pain inside.
Scritch. Scritch. Scritch.
My mouth burns as I struggle to make my dental appointment. My fingers shake as I dial the number and pray there’s a spot for me. The scratching starts tickling the back of my throat as the receptionist picks up. “Hello, how can I brighten your smile?”
“I need help!” I gasp as the scratching rings in my ears. “I need someone to check my teeth right away! There’s so much pain!”
“All right, give me a second. When would you like to come in?”
I almost scream as the scratching hits the back of my throat. “As soon as possible! Please tell me someone has a spot!”
Scritch. Scritch. Scritch.
Despite my anxiety, I got my appointment and drove to the dentist with the scratching still causing problems. Back and forth, up and down, the pain spreads across my face as I’m driving. My knuckles white, I clutch the wheel and pray the scratching won’t distract me. Keeping my distance from other drivers, I focus on the road. Go when the lights turn green and when the road is clear. All the while, the tickling crawls over the rest of my gums. Like little legs crawling over me, they walk all over my mouth and now go down to my stomach. This isn’t a toothache anymore.
Scritch. Scritch. Scritch.
My foot shifts from brake to gas as I speed to the dentist’s office. My gums prickle, and the saliva dribbles from my mouth. All the bile and food from last night surges up my throat. Oh God, I’m going to vomit. The gunk in my mouth swishes around as I park in the first empty spot, slam the brakes, and shut off the engine.
Scritch. Scritch. Scritch.
I can’t take it anymore. Unbuckling my seat belt, I push the car door open and kneel over and puke. The pain in my teeth, my throat, and my face came out at that moment. The scratching dies down with everything pouring out of me. The burning sensation lingers as I lean back and spit out the last bit.
And with that spit came my messed-up tooth. Along with the bugs crawling over it.
Cithara Patra currently lives in NC with their family, traveling between there and Texas. They spend much of their time writing and studying languages. They’re fond of reading all kinds of things, from romance to horror. They’re also a big fan of things from the ocean, dachshunds, and making brand new meals. In their spare time, they travel with their family around the city and check out brand new restaurants and places to eat.
Where Good and Evil End by Keith Parker

You step off the trail after midday, drawn by a cool autumn shade. The trek from Eichigt has been exhilarating. Yesterday, you crossed the border from Germany into a narrow wedge of the Czech Republic, eager to see the Bystrina woodlands where your family once lived.
You stretch your arms above your head and soak in the forest. The trees are punctuated by ancient boulders. Lichen clings to their sides. You sniff the air: burning leaves and pine, just like you like it. Except...
Another smell.
Iron? Manure?
You shrug. The forest is what it is.
Half a mile later, you come to a stop at the edge of a clearing where lush grasses grow... alongside sickly gray fungi. You knit your brows. Such beauty and ugliness. You frown. The clearing is what it is.
To your right sits a small, clear lake filled with golden fish. You amble over, sit on a fallen log, and check your phone. You have no signal, but you’ve downloaded numerous maps and photos. This is the place, your ancestral land. The people who fought the tyrannies. The people who persevered.
A stream, high from the autumn rains, flows babbling to the lake. You rise and walk along its bank until it disappears beneath a pair of fallen fir trees that form a gigantic X shape.
You freeze, sweat breaking out all over. In the space between the tree trunks, you see them:
Faces.
Dozens of faces.
They are white men with gaunt cheeks, bones visible through tattered, striped clothing. The men can barely stand. One looks down at a bird. A brilliantly colored male cardinal, breathtakingly beautiful, hops at the man’s bare and bleeding feet.
Your lower lip trembles. The man is your grandfather. Despite his emaciation, you recognize his eyes. He and the other men stand in line before a trench.
You rub the back of your neck.
The men are lined up in front of other white men, ones in crisp uniforms and jackboots with mocking grins on their healthy, chiseled faces. They look like football jocks in uniform.
You expect to see them raise rifles, to aim, to fire.
Instead, you spot something pacing behind them, a creature studying them like a drill instructor inspecting his troops.
The monster slithers back and forth.
It has no eyes and no limbs, and yet, it has a thousand eyes and limbs.
It is twisted and obscene. You gag at a sudden stench, a combination of dead fish and puke.
The abomination turns toward you and opens a million mouths from which flow the stream you’d been tracing.
You whisper, voice trembling. “What are you?”
It does not answer, and yet you hear a reply in a thousand languages, modern and ancient, human and alien. They are the voices of the tyrants who ruled this land and burned its peoples, and the voices of the men and women who enabled them.
The creature then stops, extends a tentacle, and caresses one of the soldiers.
You stagger backward, your thoughts unraveling. That man is your great-uncle. You recognize him from photos as well.
Your family, whose history had filled you with such pride, was on both sides. You try to reconcile this. How? Did both men leave? Did they reconcile when they got to America?
The thoughts are unnerving. You are now trapped between extremes, between good and evil, law and chaos.
-
A babbling brook cuts through a filthy concentration camp.
-
Oakleaf hydrangeas bloom beside mass graves.
-
Kittens play with the bleached bones of the dead.
You fall to your knees and feel your bowels unload, your pride now decaying.
The monster, which doesn’t give a good goddamn about your pride, begins to feed on your cognitive dissonance.
Keith Parker writes literary and speculative fiction, frequently with a creepy edge. In the past year, his work has appeared in Flash Phantoms, SciFanSat, Six Sentences, 10x10 Flash and Bruiser Magazine. In the 2010s, he was a featured writer for JustUsGeeks.com. He’s been publishing his tales since the 1990s, which means he's old. Past appearances include pieces in Stories One, Aim Magazine, The Fifth Di-, Zone 9, and on WLRH public radio. He’s married to his college sweetheart, whom he met a small liberal arts school where they studied physics, history, and beer.

Untitled #4 by Kelly Moyer
It wasn’t much before the Associated Artists’ group show that I had begun incorporating asemic writing into my abstracts. I felt it enlivened my work. Perhaps added a bit of interest. However, I never would have anticipated my husband’s reaction when I revealed my latest canvas.
Helmut stepped back, as he always did, so as to appreciate the piece as an experience, rather than a paltry work of art. “Hmmm,” he murmured, as blood began to well at his lashes, seeping from his eyes until bona fide crimson tears streamed down his ruddy cheeks.
The next thing I knew, he was on the floor, gagging on the meat of his Western European tongue. Sure enough, once the ambulance deposited him at the emergency department of Meriter Hospital, he was pronounced dead upon arrival.
But, as they say, the show must go on. So, amid funeral arrangements and phone calls to the in-laws, I made certain to drop off my piece at the gallery at the designated time, well in advance of the show’s opening.
The by-invitation-only reception was quite an affair, to state it mildly. Those in attendance were dressed to the nines, and the food and wine were to die for. I’ll admit, I was having a lovely time until I noticed the pile of lifeless bodies mounting before my artwork.
Apparently, Betty, the show’s organizer, had called 911 before I’d been able to find her amid the crowd, for by the time I returned to my painting, one patron after another was being wheeled out on a gurney.
As I stood there, stunned, one of my fellow artists, Fiber Witch Wanda, sidled up to me. “Impressive sigil magick, Sister. So, tell me, what was your intention for the piece?”
“Pardon me?” I replied, utterly bewildered. “Um, I always paint with the intention that all sentient beings be freed from their pain. But—”
“Nice sentiment,” she said, patting me on the shoulder, “Though, you know, that’s all most people are.”
“What?” I asked. “They’re what?”
“Their pain.”
“I’m sorry. You’ve lost me,” I said as I took a generous gulp of my wine.
“If you’re going to dabble in sigil magick—”
“Magick? I’m not dabbling in magick!” I replied.
“Oh, Honey, but you are. Just look at all of those bodies.”
“Pardon me?” I couldn’t help but repeat myself.
“You created a symbol. You set an intention. Ta-da! Magick.”
“You’re saying I killed all of these people? I murdered my husband?”
“Yeah, well, unintended consequences are a thing.”
“I hadn’t set out to do anything but make a piece of art,” I said, unable to comprehend the basis of her accusations. “What? You think I’m some sort of witch?”
“Yes, you could say that,” Wanda concluded, clinking her plastic glass against my own before wandering off.
Though I was brought in for questioning, the cops, thank the gods, didn’t consider me a suspect. Rather, they shifted course, focusing their investigation on the caterer. “What was in the stuffed mushrooms? How fresh was the bacon wrapped around the asparagus spears?” That sort of thing.
But, as I’ve come to embrace my widowhood, I can’t help but wonder if Wanda knew something after all. If you create a piece with the intention that the viewer be free of their pain and pain is all they are . . . Well, I’ll just count my lucky stars—and cast a circle of salt around my bed.
Kelly Sauvage Moyer is an award-winning poet, photographer and fiber artist, who pursues her muse through New Orleans’s French Quarter. She is the author of four books, including Hushpuppy and Mother Pomegranate and Other Fairytales for Grown-Ups, both released by Nun Prophet Press. She is the editor of Failed Haiku.
Seeds of Possession by Joseph Stewart

Steve and Kayla were vacationing for a few days in the overly touristed town of Ludington, on the shores of Lake Michigan. On route, they found a two-story cabin alongside the highway called the Wolf Den. They sold wood carvings that the resident artist carved with a chainsaw and sometimes finished with an assortment of wood chisels. The couple stopped, needing a break from a three-hour car ride.
Kayla toured the oversized gardening sheds, filled with handmade furniture, while Steve was drawn to the porch, harboring many carvings. On the highway side of the porch was an odd carving that didn’t fit at all with the artist’s wildlife theme, which featured black bears, wolves, and other wild animals. It didn’t even qualify for the exceptions of the artist, such as several gnomes, varied sizes of mushrooms, and one lonely Bigfoot. This carving was alien to the theme and ugly to look at. Yet, Steve had an unsettling attraction to it.
It had bulged eyes and a long Pinocchio-type nose, at least six inches long. There were upper and lower rows of teeth, resembling a large version of Chicklets gum, with the square design. Steve felt a presence. He knew then, it wasn’t carved from the artist’s imagination; no, it was something intangible the artist had released from the tree.
Steve gathered his waning will and quickly met up with Kayla in the cabin store. They wandered through the manifestations of the artist’s mind. Steve had the nagging sensation that he was being summoned to the porch, accompanied by unwanted images of purchasing the ugly head and placing it in his study as a curio.
They left the menagerie of wooden carvings for their destination by the Lake. Steve never mentioned the ugly head carving or the unnatural attraction he had for it to Kayla. They wanted to arrive at their destination, unpack, and be on the beach by noon. The image of the carving was relentlessly plaguing Steve’s peace of mind, increasing his desire to purchase it. Steve resisted and tried to forget about it so he could enjoy his extra-long weekend. Yet, it kept nagging his thoughts to buy it.
On their first night at the rented cabin on the Lake, Steve had a restless sleep. He kept seeing the head, and it pursued him from one dream to another, urging, no, demanding he purchase it and take it home.
Steve was an early riser and enjoyed writing at that time, every day, without exception. He made a pot of coffee and settled at the table by the sliding glass doors to the front porch facing Lake Michigan, just before dawn. The harassment continued. The image of the head kept interrupting him, stealing his focus. He sat at his laptop until dawn, assaulted by wave after wave of its ugly face, making its demands known.
The following two days were the same. Steve was getting less sleep and stopped writing altogether, no matter how hard he tried. He was hanging onto his sanity by a thread. He knew if he purchased the ugly head, the harassment would stop, but to what ends?
The next-to-last night at the cabin was a repeat of the previous nights. That morning, Kayla told Steve about a strange dream in which an ugly carved head sat in his study. She described it to a T, having never seen it. Kayla’s dream convinced Steve to surrender to the head’s demands. He confessed to Kayla that there was some artwork at the Wolf Den that he might purchase. They decided to visit the place on the way home, where Steve would make his final decision.
The last night at the cabin by the lake was peaceful. The moonlight managed to filter through the crystal hanging in the window, splitting its ghostly light into unknown colors of its phantom realm, and displaying them on the table, greeting Steve with its magic. Steve opened the sliding glass doors, adding to the morning ambiance of waves gently caressing the shore. He was writing with no difficulty. He knew this was the result of deciding to buy the ugly head.
They arrived at the Wolf Den on their way home as planned. Steve took Kayla over to where the ugly head sat on the porch. She was within ten feet of it and collapsed. She complained of being short of breath, and her ears were ringing. Kayla begged Steve to get her to the car and demanded they leave immediately.
Miles down the road, she told Steve that the head was evil. It harbored an ancient demon that revealed itself to her. It meant to kill her because it wanted Steve for itself. Suddenly, Steve’s mind was assaulted with a flurry of hideous images. He hoped that the greater the distance between the head and him, the weaker the influence would be.
Once home, the harassment continued. Steve, as before, couldn’t write, followed by nightmares of the head demanding he come and get it. Despite the confirmation from Kayla’s experience, Steve felt he was losing his mind; it couldn’t be real. The harassment and lack of sleep were breaking him down, with no moments, no matter how small, of relief. As intended, his will was waning.
Kayla woke up and shuffled her way to the kitchen to pour herself a strong cup of coffee. She went to Steve’s study to say good morning and see how his writing was coming along. She made a light knock on the door and entered to find Steve typing away. He stopped, looked over at her with a big smile, and said, “We’ve been waiting for you, Kayla.”
The cup of coffee in Kayla’s hand was released by her shock, crashing to the study floor, exploding into angry-looking shards. Before her, on the fireplace mantel, sat the ugly head.
Joseph C. Stewart is a retired IT professional with a B.S. in Computer Science. He has a keen interest in the paranormal and science since childhood. He has published one non-fiction book; a second will be released in the fall of 2026. Joseph has been a columnist for the U.K. ezine, Phenomena Magazine, for the past four years. He published his first fiction story as flash fiction in Flash Phantoms' ezine.
Hello, Is It Me You're Looking For? by Matt Scott

Sitting out on the front porch at three in the morning was something of a treat for him. George didn’t do it as much as he used to, but when he could, he would sit out there in the dark, turning the porch light off, no need to draw attention, and smoke a big fat cone while looking up at the stars floating high in the ether.
Tonight, or this morning, depends on how you look at it, he lit the joint, took a couple of big pulls off it to get it going, put his feet up on the rot iron railing, and leaned back in his favorite deck chair.
The sprinklers would kick on over at the park across the street any minute now.
He loved the whoosh whoosh sound they made, whirring back and forth along the perimeter of the park.
Peaceful.
Soothing.
A car sped east down Washington. The bastard was flying. He got on the interstate at the end of Abriendo.
That was maybe the one thing, he supposed. The one bad thing about this spot. It was close to the interstate, maybe half a mile. You couldn’t see it from the house, thank God, but you could certainly hear it. This time of night, however, the traffic, light as it was, coupled with the banging and clanging and thudding from the railyard beneath the Fourth Street Bridge, was kind of nice. Kept his attention while letting him zone out. If that makes any sense, it's like listening to ASMR at night to help fall asleep. The sounds of the city relaxing were music to his ears.
And the sprinklers.
There. Yes. Right on time.
The whoosh whoosh of the sprinklers, the big rigs, the train yard, and a…what?
A telephone?
Where?
Yeah. It was a phone ringing. Coming from the middle of the park.
Where it was darkest. Definitely a phone. Had someone dropped it? Was someone lying out there face down, dead? Waiting in ambush?
George stood from his chair, put his joint out by stubbing it out on the beak of the concrete goose that always stood sentinel by the front door. No matter where they lived, Lavern was always out front.
The phone continued to ring.
George took a slow step off his porch, tentatively scoping out the immediate area, what he could make out of it, anyway. The air felt cool and wet. Grasshoppers clicked in the damp grasses; a gentle breeze rustled the leaves overhead.
He walked across the driveway, across the sidewalk to the curb. An empty bottle of Fireball was in the gutter at the end of his drive. He kicked it into the weeds by the stump at the corner of his lot. Awfully loud for plastic. The sound echoed down the street until it faded into the familiar whoosh of water through nozzles.
George stepped onto the asphalt.
The phone stopped ringing. The entire block went dark. He could have heard a goddamn pin drop. Then, just as suddenly, they came back on, and the sound of the city with it, and …the phone.
It was ringing again.
This time louder, as if it had gotten closer.
Was someone there?
Did they have the phone?
Then he saw a faint glow coming from the park. A blue light in the grass. He watched it for a few seconds. It flashed every time he heard the phone ring. That must be it lying in the grass over there, he thought.
He walked across the street and stepped up on the sidewalk next to the storm drain at the corner. He slipped into the park through the gaps in the chain link by the restrooms.
Everybody else did it, right?
He stepped cautiously onto the wet grass in the darkness beneath the tree line, his eyes darting right and then left.
Straining, squinting, willing his eyes to see shapes and figures in the darkness, an outline of someone standing, a lump of flesh on the ground that quite literally might be a person lying in wait to ambush his dumb ass.
But he could discern no shapes out in the park, no figures moving or lurking about.
Walking slowly, still and keeping the fence on his right side, he walked around the ball diamond and then out onto the field to the pitcher’s mound, where the phone was glowing blue and ringing.
George picked it up. It stopped. Went dark.
And then, a text message.
He opened it up.
“YOU SHOULD HAVE STAYED ON YOUR PORCH, OLD MAN.”
Matt Scott is the author of over one hundred published short horror stories as well as five stand alone collections of terse and terrifying tales. He lives in southern Colorado with his wife, Heather, and their house full of fur balls. He loves to watch old movies, to paint, throw knives, play piano, collect books and to put himself in precarious situations in the forest all the while telling his wife he knows exactly where they are...so maybe he's a better writer than survivalist...let's hope so.
No Repent by L.K. Secrist

Jonathan Gentry went to sleep Sunday night in his L.A. penthouse.
He woke Monday morning without arms—sprawled on a tuft of rocky sand.
His eyes wouldn’t open. He tried to rub them—nothing. No hands.
A salty breeze carried hints of seaweed. The honks and chatter of the city were gone. His dry tongue scraped across his teeth. Waves crashed just feet away.
He squirmed, instinctively trying to free a hand. His shoulder shifted—a jolt of pain hit like a bolt of lightning, and his eyes snapped open.
He stared down at two cauterized stumps.
The agony buckled him. He hunched forward, vomited. Spat bile into the sand.
“What the hell’s going on?” he shouted. His voice echoed across the water, stretching to the horizon.
He pulled one leg up, forced himself to his knees, then stood—barely. He kept his eyes closed until the spinning stopped, then turned toward a darkened grove of towering trees. A rugged path sliced through the underbrush like a wound.
He started walking.
The urge to move phantom arms taunted him with pain. The sunlight beat down through gray clouds, hot on his neck and back as he limped toward the shade. Wind stirred the trees. The air cooled.
Then—
Whispers.
They started to his left, hidden in the trees, circling behind.
“Who’s there? Please—help me!” he called.
The whispers fluttered through the leaves. His pulse spiked. He locked his gaze on the sunlight breaking through the trees a hundred yards ahead.
“Help me,” the voices mimicked, soft and distant. Then laughter—taunting, layered, circling.
“Who’s there? Please help me,” the voices echoed again, multiplying. Like a flock of crows calling from every branch.
He ran.
Each footfall sent fresh agony through his shoulders. The voices grew louder, high-pitched and grating. He cleared the trees, sunlight washed over him, and the whispers died.
Ahead, jagged boulders rose from the earth, meeting at a cliff above the sea. He turned back—squinted.
Something moved at the edge of the woods.
A low growl rolled through the air as a creature stepped from the shadows—four-legged, smooth-furred, three times the size of a wolf. Glowing red eyes. Then five more emerged, stalking in silence.
“Oh, God,” Jonathan whispered. “What is this?”
He stepped onto the uneven rocks. One bad move, and he’d fall. No arms to break the landing. The beasts crept closer. Razor teeth glinted beneath their lips.
“What do you want?” he shouted.
“They’re hungry, Jonathan. Ravenous,” came a voice behind them—deep, ancient.
From the trees strode a towering figure. Muscular. Bronze-skinned. Bare-chested. Silver bands coiled around its arms. Its eyes—fiery red. In one hand, it held a long steel spear tipped in crimson flame.
“Who are you?” Jonathan asked. “What is this place?”
The figure gazed at him. “I am Belial. These—my children. And they will feed.”
He leveled the spear at Jonathan. Heat shimmered off its burning tip.
Jonathan backed toward the cliff’s edge. “Jesus. God.”
Belial laughed—deep and resonant, the sound bouncing off the rocks like thunder.
“Yes, call on your God. Let’s see what forgiveness He brings.”
Jonathan turned his head and looked down. A thirty-foot drop. No escape. Belial loomed behind him.
“Drowning would be too kind,” the figure said. “My children need flesh.”
“Please,” Jonathan begged. “Don’t do this. I’ll do anything.”
“Your words are dust here.”
Jonathan closed his eyes. “Lord, forgive me. Please. I’ll change. I swear I’ll—”
A force of a hundred hands closed around his throat. Belial lifted him high and hurled him from the cliff.
Jonathan slammed into the ground—shins snapped, ribs cracked, jaw shattered. He screamed, curling into himself, trying to breathe. The wolves circled. Waiting.
“Marchosias Festum,” Belial said, and pointed.
The wolves pounced.
They tore into his feet—ripping toes, shredding tendons, gnawing down to bone. Jonathan shrieked. The sound washed across the island, fell flat into the sea.
“Commoro,” Belial said.
The beasts stopped, muzzles dripping.
“Please,” Jonathan gasped. “Just finish it. Kill me.”
Belial stepped forward and pressed the flaming spear against the stumps where Jonathan’s feet had been. Sizzling flesh filled the air.
“Not so easy for you,” Belial said. “They’ve only just begun. Rest now. We’ll return with the new sun.”
The god and his beasts vanished into the woods.
Jonathan stared at the sky, broken and silent, lost in pain.
And cried.
****
Detective Grady, L.A.P.D., stepped into the penthouse condo.
“What’ve we got?” he asked.
“Murder, maybe a suicide,” said the medical examiner.
“Maybe?”
“Overdose, for sure. Mid-thirties male. But there’s no sign he meant to go out like this.”
Grady nodded toward the bathroom. “Victim in there?”
“Yeah. Ugly scene, Grady. Poor girl was raped. Beaten to hell.”
“How old?”
“Thirteen, fourteen maybe. Still waiting on ID.”
“Jesus Christ,” Grady muttered, turning back toward the slumped body of Jonathan Gentry.
“Goddamned shame. Death was too easy for this scum.”
L.K. Secrist writes dark, character-driven fiction that explores memory, identity, and the quiet tension between reality and what hides beneath it. While often drawn to the eerie and unresolved, his work also reaches into more grounded emotional territory. Based in Virginia, he’s only recently begun sharing his writing publicly and is grateful for every chance to put a story into the world. No Repent is his debut and first published short story. https://www.lksecrist.com
Symmetrical Carnage: The Ouroboros Paradox by Simon Mohsin

The cleaver glinted under the flickering fluorescent light, its edge wet with crimson. The Butcher’s breath came in ragged, euphoric gasps as he worked, his fingers sinking into the raw, glistening meat of his victim’s thigh. The skin peeled away like wet parchment, the sound a sticky whisper that sent shivers of ecstasy down his spine.
"Yes, yes, oh God, yes—"
His victim twitched beneath him, a gurgling moan escaping their ruined throat. The Butcher grinned, his teeth flecked with spittle, his pupils blown wide with unholy delight. Every slice was a symphony, every spurt of blood a crescendo. He leaned in, licking a hot stripe up the exposed muscle, savoring the iron tang.
Then—the final cut. The head rolled free.
Panting, the Butcher stepped back to admire his work—
—and froze.
The face on the table was his own.
The slack jaw, the glassy eyes, the flayed flesh—his. His hands trembled. His stomach lurched. The cleaver slipped from his grip, clattering onto the blood-slick floor.
A wet, squelching sound filled the room.
From the shadows, tendrils slithered forth—black, sinewy things, coiling around his wrists, his ankles, dragging him onto the table. He thrashed, screamed, but the restraints held fast.
And then—movement.
The corpse—his corpse—twitched. The skin knitted itself back together. The severed head rolled upright, the neck sealing shut with a grotesque slurp. The thing that was him but not him stood, stretching with a satisfied sigh.
It picked up the cleaver.
The Butcher’s breath hitched.
The Other Butcher smiled.
And then the pain began—worse than before. More precise. More creative.
The Butcher howled, his voice shredding his throat raw.
But when it ended—when his body was nothing but a ruined heap—the cycle began anew.
The Other Butcher lay on the table.
The Butcher stood, cleaver in hand, raging.
He would make it hurt more this time
###
In the observation room of Blackwood Asylum
Dr. Voss adjusted his glasses, watching the brain scans flicker violently.
"His neural activity is spiking again," murmured Dr. Chen. "The loop is intensifying."
Voss sighed. "The more rage he feeds into it, the worse the punishment becomes. The only way out is for him to stop."
On the screen, the Butcher raised his blade once more, his face twisted in sadistic glee. Chen frowned, her fingers hovering over the holoscreen displaying the killer’s brainwaves—spiking like jagged lightning in a storm.
"Do you think he’ll ever realize?" Her voice was quiet, almost lost beneath the hum of the neural feedback machine.
Voss didn’t answer at first. His gaze remained fixed on the subject in the simulation pod—the Butcher, his body convulsing, his lips peeled back in a silent scream. The restraints creaked as he thrashed, his mind trapped in that endless, gory loop. The vitals monitor beeped erratically, painting the room in pulses of red.
A droplet of sweat slid down the Butcher’s temple. His fingers twitched, clawing at air, as if still gripping the phantom cleaver.
Voss exhaled slowly, his reflection warped in the pod’s glass.
"Only if he learns to let go of the knife."
Chen turned to him. "And if he doesn’t?"
Voss watched as the Butcher’s pupils dilated behind closed lids, lost in another cycle of self-inflicted torment.
"Then he’ll keep carving," he said, "until there’s nothing left but the echo."
Syed Shahnawaz Mohsin (pen name: Simon Mohsin) is a multidisciplinary professional with over 15 years of experience in political science, foreign affairs, business management, and development studies, alongside running three entrepreneurial ventures in agro, toys, and artwor. An avid writer, public speaker, and health enthusiast, he also consults for various organizations, mentors youth, and has recently ventured into fiction writing and academic research.
Ugly by Tatiana Samokhina

Sitting by the roaring seashore, he wove it from seaweed—a doll.
He picked up a dead jellyfish from the loose sand, splatted it where the face would be, and covered it with a shell. It didn't have eyes. It didn't have a mouth. Its face was pale and blank, with a slightly ribbed texture. A tangle of knots and dark green ribbons hung obediently, just as the short, plump fingers of its nine-year-old creator demanded.
His mother's voice from the beach tent, home time.
Deep in his thoughts, he examined his seaweed creation. Twisted it back and forth. Grimaced. Sighed deeply. "Ugly," he mumbled, threw the doll onto the half-ruined sandcastle, and climbed to his feet.
He didn't say goodbye. And didn't look back.
If he had, he would have noticed the foaming waves washing away the remains of the castle and… licking the doll. The burning orange sun illuminated its face, and two emeralds glowed on the pale shell. The wind ruffled its seaborn hair. All three collided and breathed life into the ugly one until it rose and, confident on its feet, followed him like a shadow.
Tatiana lives in the beautiful suburb of Surry Hills and works in the bustling City of Sydney. She is an English teacher and fiction translator, in love with literature. Her work has been published in 3 Elements Review, Jokes Review, Australian Writers' Centre, Indignor House, Ironclad Creative and Little Old Lady.
Momma's Daughter by Serena Z
Why won't you love me?
Miss Deliliah is quite quiet when she sleeps. Her chest rises minutely with dainty breaths, shifting the silk covers slightly. I giggle softly in the silence of the room, tracing my fingertip along the floorboards. Her chest will stop rising soon; the blood pouring from her pale wrists says so. It whispers to me, tells me secrets and jokes. Momma says the blood doesn’t talk to some people. That’s why they spend hours standing in the mirror, tears staining rouged cheeks, hands pressed against stomachs that can never be flat enough. Miss Deliliah would be pleased to know I dressed her up real nice before I let her blood out of its cage. It’s been begging, truly. And who am I to deny? The blood mutters pleasing acknowledgments of my deed as it drips from her limp wrists into my waiting hands. I lovingly cup the blood in my tiny palm, swirling the pretty crimson tones around and around. I stand up, tugging down the hem of my dress as I do so. Momma says the dress makes me look beautiful. The blood tells me that too, tells me I’m the most gorgeous little girl it’s ever seen. I titter as I face the blank wall of Miss Deliliah’s room. I extend my index finger, bending over to swirl it through the blood that has pooled on the floor. I raise my finger, dripping with warm blood, up to the wall. Sliding my finger down the wall, I trace out my letters, big and steady just like Momma taught me. I must gather Miss Deliliah’s blood again and again, for the runny texture restricts how much I can write before I run out. In the dim lighting of Miss Deliliah’s bedroom, my electric blue eyes trace over my writing, the pleading question I’ve drawn upon the wall. I bare my tiny teeth in an amused grin, placing my fingertip in my mouth and sucking off the excess blood. The pitter-patter of my feet scurrying across the hardwood floors seems so loud in the quiet of the nighttime. I drop to my knees beside Miss Deliliah’s bed, taking her blood-slick wrist into my hands. My own blood now drips down my calves; my delicate skin having broken open upon impact with the floor. My tongue snakes out of my mouth, running up the cut on Miss Deliliah’s wrist. I swirl the tip of my tongue around the smeared blood, taking it into my mouth, where it finds its true home within me. I lift my head as the sound of adult footsteps echoes outside the bedroom door. I giggle quietly as I clamour to my feet, swiping at my red-tinged mouth with my bloodied hand. I reach the open window, sliding my legs over the sill. I perch upon the frame for a moment, glancing back into Miss Deliliah’s room for a final time, watching her blood drip down the wall. The letters have begun to run, but they remain legible. Why won’t you love me? Turning my head back towards the task at hand, I promptly shove myself out the window, sliding off the frame. My tiny body crumples as it hits the unfavorable ground, the sound of bones snapping filling my ears. Even so, I force myself to my hands and knees, beginning to crawl. My movements are jerky and unsure, what with bones being snapped and joints being spun backwards. I half-drag myself, half-crawl towards the dark forest, giggling all the way. After all, Momma is calling me.
Serena Zygmunt is a young author based out of northern New Jersey. She is a high school student, aspiring to study abnormal psychology as it relates to behavioral profiling. She regularly posts her stories on her Substack at Serena’s Shelf. Serena has previously been published in The Dread Literary Review and recently won the Sunshine Blogger Award. She is currently working on her first novel.
The Whisper in the Walls by Lucien R. Starchild

The deed to the old house on Blackthorn Lane arrived in a yellowed envelope, its edges brittle with age. Daniel Carter hadn’t spoken to his uncle in over a decade, not since the man had locked himself away, muttering about "the thing in the walls." The lawyer’s letter called it a stroke, but the way the old man’s eyes had bulged, his fingernails torn down to bloody crescents… Daniel had always suspected something else.
Still, a free house was a free house.
The first night, he chalked the noises up to the settling of an old structure. The groans of tired wood, the sigh of the wind through cracked window frames. But then came the scratching. Not the skittering of rats, but something slower, deliberate, like fingertips testing the boundaries of their prison.
Daniel pressed his palm to the wallpaper. The surface was unnaturally cold, damp, and covered with something thicker than condensation. When he pulled away, his skin came back sticky.
Thump. Thump. Draaaaaaaaag.
He told himself it was the plumbing.
Then, the whispers began.
At first, they were just murmurs beneath the hum of the refrigerator, syllables lost in the static of white noise. But by the third night, they sharpened. A voice: not his uncle’s, but something imitating his uncle, spoke in wet, clicking tones.
"Danny-boy… you shouldn’t have come back."
He found the journal beneath a loose floorboard in the master bedroom. The pages stank of mildew and something darker, coppery. His uncle’s handwriting degraded with each entry, the final pages a frenzied scrawl:
"It learns. It mimics. It’s in the vents now. In the pipes. It’s trying to wear my skin, but it doesn’t fit right. Oh God, it’s peeling me open from the inside—"
The last entry was a single sentence, the letters trembling:
"It’s learning to laugh."
That night, Daniel woke to the sound of his own voice giggling in the dark.
His lips moved without him.
The words weren’t English.
Across the room, the wallpaper pulsed.
Like a slow, sick heartbeat, the floral pattern swelled and receded, the glue beneath crackling as something pressed against it from the other side. A shape emerged—his face, but stretched, the features melting like wax, the mouth gaping wide enough to split the cheeks.
Plaster rained down as the wall split open.
The last thing Daniel saw before the darkness took him was his own hands, not his, not his, reaching out to welcome him home.
Now, if you walk past Blackthorn Lane at night, you might hear two voices whispering from behind the peeling wallpaper.
One of them still sounds like Daniel.
The other is learning.
And it’s almost your turn.
Lucien R. Starchild is an enigmatic poet/writer and cosmic dreamer, weaving tales that blur the line between reality and the surreal. Born under a wandering star, he draws inspiration from forgotten myths, celestial whispers and the hidden magic of everyday life. He has been published in Piker Press, Tales from the Moonlit Path, Festival for Poetry, Ink Without Borders and the Eunoia Review.